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This Is the Definitive Definition of Yacht Rock

By Timothy Malcolm July 12, 2019

Michael McDonald. One might say the smoothest mother in music history.

Image: Randy Miramontez / Shutterstock.com

About 10 years ago , somebody showed me a YouTube video of Michael McDonald and Kenny Loggins writing a song that’s smoother and more polished than anything else on the airwaves.

That video—lovingly spoofing the writing of the Doobie Brothers' 1978 hit “What a Fool Believes”— was the first episode of a series called Yacht Rock . Premiering in 2005 on the Los Angeles-based television incubator Channel 101, Yacht Rock struck a chord with a generation of music nerds who attempt to compartmentalize and categorize the songs they heard as children. The term “yacht rock” itself grew out of the video series, permeating our culture today as much as the music had back in the late 1970s and early '80s.

But here’s the thing about terms that permeate our culture today: They get compromised and bastardized to fit other people’s cozy narratives, typically based on their own nostalgia. Google “yacht rock” and you’ll find articles from across the media spectrum attempting to define the term , failing hard because these writers just don’t get it. There’s even a new BBC series about yacht rock , and while it went into great detail providing context on the emergence of the musical style, it still turned out to be one person’s definition that included songs that were—as some of us might say— nyacht rock.

I’m here to set the record straight—or smooth. Yacht rock is music, primarily created between 1976 and ‘84, that can be characterized as smooth and melodic, and typically combines elements of jazz, rhythm and blues, and rock. You’ll hear very little acoustic guitar (get that “Horse With No Name” out of there) but a lot of Fender Rhodes electric piano. Lyrics don’t get in the way of the song’s usually high musicality (some of the finest Los Angeles session players, including members of the band Toto, play on many yacht rock tunes.) The lyrics may, however, speak about fools. The songs are as light and bubbly as champagne on the high seas, yet oddly complex and intellectual.

And just to hammer this home: Fleetwood Mac is not yacht rock. Daryl Hall & John Oates are 98 percent not yacht rock. Those folkie songs from America, Pure Prairie League, and Crosby, Stills & Nash? Nope. Rupert Holmes's "Escape (The Piña Colada Song)"? Too wordy and not musically interesting—not yacht rock. How about "Summer Breeze" by Seals & Crofts? A little too folky, but close.

I’m not affected by personal nostalgia (I was born in 1984, just as the yacht rock era was ending); instead, I’m an objective music lover who just so happens to have been researching yacht rock for the past several years. I know the men who coined the term “yacht rock” ( they have a great podcast and actually rate whether or not a song is yacht rock ), and they can back me up on this. 

So whether you’re docked for the summer or about to set sail on an adventure, allow me to steer you in the right direction. I've crafted for you the definitive yacht rock playlist—below are a few highlights:

“What a Fool Believes,” The Doobie Brothers

I won’t get any nerdier, I’ll just say that this is the song that epitomizes yacht rock. It’s effortlessly melodic, bouncy, and bright, features a prominent Fender Rhodes electric piano, and includes an ultra-smooth vocal from Michael McDonald.

“Heart to Heart,” Kenny Loggins

Loggins never quite knew whether to be a jazzy folkie or a rocker, but in between those two phases were a couple yachty gems, including this cool breeze on a warm summer day, from the 1982 album High Adventure . Just listen to Loggins’s vocal—it’s butter.

“FM,” Steely Dan

Steely Dan brought a New York edge and a habit of wanting the best players on their records to Los Angeles. In time their sound morphed into the whitest smooth jazz on the planet, aka yacht rock. “FM,” from 1978, has both that snarky exterior and smooth center, but look up the band’s classic albums Aja and Gaucho for a number of yachty delights.

“Human Nature,” Michael Jackson

Once you get to know yacht rock, you can begin traveling into yacht soul—smooth songs from top studio players that lean just a little harder on the R&B. This classic song from the 1982 album Thriller was written and performed by Toto. Jackson provides the gorgeously breezy vocal.

“Rosanna,” Toto

Speaking of Toto, these guys were and still are awesome musicians. The 1982 hit “Rosanna” proves this in spades—the drum shuffle is iconic, the twists are remarkable, and the sound is smoother than a well-sanded skiff.

“Nothin’ You Can Do About It,” Airplay

Who is Airplay? A one-album band created by mega-producer David Foster and session guitarist Jay Graydon. These guys wrote Earth, Wind & Fire’s “After the Love Has Gone,” then this absolute stunner from 1980, a bouncy, giddy, and gentle pop classic.

“I Really Don’t Know Anymore,” Christopher Cross

Emerging out of nowhere with a Grammy-winning album in 1979, Cross is the perfect yacht rock figure, a normal-looking white dude who just so happens to sing like the wind on a summer’s evening. This song, from that debut album, is essential yacht rock with a noticeable background singer—of course, Michael McDonald.

If you want to catch McDonald and sing along to some of his yacht rock classics, he’s performing Friday night at Cynthia Woods Mitchell Pavilion in The Woodlands. Chaka Khan—who also has a few yacht rock tunes in her catalog—will open. Tickets start at $39.50; prepare accordingly with this  summer yacht rock playlist on Spotify . You’re welcome.

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Yacht or Not?: Sailing the Seas of Yacht Rock

Louis Armstrong said, “If you have to ask what jazz is, you’ll never know.” Duke Ellington said, “There are simply two kinds of music: good music and the other kind.” Christopher Cross said, “If you get caught between the moon and New York City, the best that you can do is fall in love.”

What do these pieces of wisdom add up to? Music, like love, doesn’t follow rules. Musicians as diverse as Armstrong, Ellington and Cross don’t want to be boxed in by genre. They want to write, record and perform and not spend time deciding if they play bebop or hard bop, blues or Southern rock, funk or disco.

But as temperatures heat up and people think of sailing away to find serenity, yacht rock playlists start to float in on the breeze. And that means drawing boundaries with enough latitude that artists don’t object to being boxed in and  still foster playlists with a sense of meaning, a sense of continuity and depth. Peaks and valleys must be smartly balanced against the total annihilation of a common aesthetic. (Yes, despite a fascination with sailing and pina coladas, yacht rock can be taken seriously!)

And so, much to Armstrong’s chagrin, we have to ask, “What is yacht rock?” If it seems obvious, take a look at Spotify’s recent “Yacht Rock” playlist . Spotify is a global streaming leader with some 350 million monthly users, an army of music experts and cutting edge artificial intelligence, and yet the company filled its playlist with songs such as Tears for Fears ’ “Everybody Wants to Rule the World,” Rockwell’s “Somebody’s Watching Me,” Van Morrison ’s “Brown Eyed Girl” and Bruce Hornsby ’s “The Way It Is.”

If somebody wants to create and enjoy a stack of songs that runs from tunes by the J. Geils Band , to the  Police , to Bad Company , to Talking Heads (yup, the company has all these artists on its playlist and even included Ray Parker Jr.’s “Ghostbusters”), they should do that with gusto! It sounds like an evening full of classic jams and fun left turns so cheers to the endeavor. But if a major player in the music business wants to do that and call it yacht rock, we need to take a step back and consider what is and isn’t yacht.

We know breezes, islands, keys, capes, cool nights, crazy love and reminiscing help define the yacht aesthetic (see works by Seals & Crofts , Jay Fergeson, Bertie Higgins, Rupert Holmes, Paul Davis, Poco , and Little River Band ). But let’s get beyond the captain’s caps and map the waters of this perfect-for-summer style.

Watch Bertie Higgins' Video for 'Key Largo' 

Yacht Rock Sets Sail With Help From a 2005 Web Series

Before 2005, people generally placed Toto ’s “ Africa ” and Holmes’ “Escape (The Pina Colada Song)” in the soft rock genre. Maybe if they were getting fancy, they’d call them AM Gold. But in 2005, the online video series Yacht Rock debuted. It fictionalized the careers of soft rock artists of the late ’70s and early ’80s. The cheeky show capitalized on the building renaissance of artists such as Steely Dan and Michael McDonald , who embraced the silliness of the series.

“When it came on I remember watching it pretty avidly,” McDonald admitted in 2018 . “My kids got a huge kick out of it. We would laugh about the characterizations of the people involved. At this point it’s a genre of its own. You’re either yacht or you're not.”

He might be right that you’re either yacht or you’re not. But calling it a genre doesn’t quite work (more on that in a minute).

Listen to the Doobie Brothers' 'Minute By Minute'

Riding the Waters From the Radical ’60s to the Sincere ’70s

By the late ’60s, rock ‘n’ roll had become “art.” The Beatles started as simple teen heartthrobs covering early rock ‘n’ roll, but graduated to the supreme weirdness of the  White Album . Chuck Berry gave birth to the Rolling Stones who gave birth to Led Zeppelin and the gonzo bombast of “Babe I’m Gonna Leave You.” And all sorts of acts went wild from the Grateful Dead , to Pink Floyd , to Frank Zappa  and beyond. The sunshine of ’70s AM Gold came as a reaction to these wonderful excesses. Singer-songwriters aimed to take rock and pop back to the simple pleasures of tight, light tunes such as Beach Boys ’ classics, Motown hits and Brill Building-crafted songs.

Hippies looking for revolution and Gen X-ers on the hunt for rage, irony and sharp edges bristled at the genuine lyrics of tenderness and heartbreak neatly packaged in finely-crafted Top 40. Where the stars and fans of '60s and ’90s rock wanted arty and experimental music, anger and angst, yacht took listeners on a voyage powered by pure earnestness: think of the sincere and intense conviction of Dave Mason’s “We Just Disagree,” Captain & Tennille's "Love Will Keep Us Together," and “Love is the Answer” by England Dan & John Ford Coley.

(Which is why placing the Police or Talking Heads on any yacht mix doesn’t work.)

Yacht rock embodies the final charge of unbridled, heartfelt pop.

“I think these songs remain so popular because they are unabashedly pop,” Nicholas Niespodziani, leader of the hugely successful tribute band  Yacht Rock Revue , explains to UCR. “They’re not self conscious. You couldn’t write a song like ‘Africa’ now. What are they even singing about? Who knows? But it’s fun to sing.”

Watch Captain & Tennille's Video for 'Love Will Keep Us Together'

Music That’s Jazzy, But Sure Isn’t Jazz

Yacht rock doesn’t just have an earnestness to its lyrics, the sax solos come with the same level of sincerity.

If the style was the last gasp of unadulterated pop, it was also the dying breath of jazz’s influence on rock. Jazz rock started in the ’60s with Zappa, Chicago , Santana and Blood, Sweat & Tears , but slowly simple drums and growling guitars stomped horn lines and rhythmic shifts into the ground. However, yacht rock features echoes of swingin’ saxophones, big band horns and Miles Davis ’ fusion projects.

Yacht rock is very pop, but legitimate musical talents made those hooks. Chuck Mangione logged time in jazz giant Art Blakey’s band then took what he learned and crushed complex harmonic ideas into the pop nugget “Feels So Good,” which is basically a Latin-bebop-disco-classical suite. (If you dig “Feels So Good,” dig deeper and groove to smooth jazz mini-symphony “Give It All You Got.”)

Nearly every classic from the style features either an epic sax solo or dazzling guitar part. For horn glory, go spin Little River Band’s “Reminiscing,” Gino Vannelli’s “I Just Wanna Stop” or Grover Washington Jr. and Bill Withers ’ “Just the Two of Us." For six-string wizardry as astounding as anything Jimmy Page came up with (and much more economical), try Atlantic Rhythm Section’s “So Into You,” Pablo Cruise’s “Love Will Find a Way” and pretty much every Steely Dan cut.

(Which is why placing Tears for Fears’ “ Everybody Wants to Rule the World ” and Rockwell’s “Somebody’s Watching Me” on any yacht mix doesn’t work).

Watch the Little River Band's Video for 'Reminiscing' 

A Vibe, Not a Genre or Gender or Demographic of Any Kind

Being a style, a feeling, an aesthetic, a vibe means that yacht rock can pull a song from a wide variety of genres into its orbit. It also means that it’s not just a catalog of hits from bearded white dudes. Yes, Kenny Loggins , McDonald and both Seals and Crofts helped define yacht rock. But quintessential songs from the style came from the women and artists of color, soul singers, folk heroes and Nashville aces.

For every Loggins' tune in a captain’s hat, there’s a Carly Simon track dressed up as your cruise director. Yes, there's Steely Dan's jazz influence, but also  Crosby, Stills & Nash 's folk legacy (“Southern Cross” remains definitively of the style). Yacht rock playlists should also be littered with appropriate R&B gems, such as the Raydio’s “You Can’t Change That” (which features Ray Parker Jr.!), Hall & Oates ’ “Sara Smile” and Kool & the Gang’s “Too Hot.” Likewise, country acts of the era tried to go Top 40 while attempting to retain some twang and managed to make Love Boat music (see Juice Newton’s “Angel of the Morning,” Eddie Rabbit’s “I Love a Rainy Night,” Dolly Parton & Kenny Rogers ’ “Islands in the Stream”).

It’s hard to tell if the Commodores’ “Sail On” is pop or R&B, harder still to know if George Benson’s “Give Me the Night” is pop, R&B or jazz. But they both feel yacht.

(Which is why Santana can do psychedelic Latin music and can do yacht on “Hold On,” and why the Pointer Sisters can do new wave disco with “Neutron Dance” and yacht with “Slow Hand.")

Wishing You a Bon Voyage on the Seas of Yacht

Spotify was right to think about diversity when making its playlist, though the company got the type of diversity wrong. Yacht has some pretty specific sonic parameters, but has no demographic restrictions when it comes to the kind of artists contributing to the style’s catalog. That means when you hit the high seas of yacht, you don’t need to be afraid to fight for your favorites to be included, just please don’t have one of those favorites be “Ghostbusters.”

We began talking about drawing boundaries with enough latitude that artists don’t object to being boxed in. The wide latitude yacht rock affords matters because music comes to define eras and outlines cultural trends (remember that yacht came in reaction to art rock and that says a lot about the swing from the late '60s to the early '80s). Calling Christopher Cross soft rock might feel right, but it doesn't tell us much about where he was coming from and what he was trying to accomplish. Calling Cross yacht rock, now that we know it's not a pejorative, illuminates his aesthetic.

Cross came out of the Texas rock scene that produced blues aces the Vaughan Brothers and guitar shredder Eric Johnson (who plays on a lot of his albums). He loves Joni Mitchell and that shows in his craft. He's jazzy but not jazz (see those horns and guitar on "Ride Like the Wind") with a vibe that's completely yacht -- developed from the scene that took '60s pop, updated it and sheltered it from the trends of punk, metal, new wave and hip hop. The same can be said for Loggins, McDonald, Simon, Lionel Ritchie and so many others.

Spotify needs to tweak its algorithm so it gets this right. Or, better yet, connect with the genre-crossing vibe that makes yacht so unique.

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A beginner’s guide to yacht rock in five essential albums

Yacht rock, soft rock – call it what you will. Here are five brilliant albums that define the genre in all its bearded, Hawaiian shirted glory

Was there really ever a genre called yacht rock ? Prior to the 2005 online comedy series of the same name, what we now know of as yacht rock was simply soft rock, largely of the 1970s variety, but occasionally dipping into the 80s as well. It was music that was smooth, slick and did little to challenge the listener in the way that heavy metal or punk rock would. Yet  sold in the multi-millions, made superstars of its creators, and was beloved by industry professionals for the stellar musicianship and high production values. And above all, it was detested by the critics.

Today, yacht rock is the ultimate guilty pleasure genre. Its patron saints - almost exclusively men, generally bearded – never appeared on posters that graced adolescents’ walls. Yet bands and artists such as The Doobie Brothers , Loggins & Messina and Christopher Cross made sweet, soulful music featuring some of the finest musicians of the era and sounding so, so perfect in the process.

Unlike prog, hair metal or krautrock, the boundaries of what constitutes yacht rock are blurred. There’s little to link the jazzy noodlings of Steely Dan , Boz Scaggs’ smooth pop and the later, 80s pop-rock of Hall & Oates beyond the fact that the various members of Toto appeared on many of these albums, making them kind of a yacht rock mafia.

Yacht rock, soft rock, call it what you will: the men who made it are laughing all the way to the bank in their Hawaiian shirts and well-sculpted facial hair while the rest of us celebrate their music in all its frictionless glory. Critics be damned, these are the five essential yacht rock albums for those who want to plunge into the genre.

Loggins & Messina - Full Sail (1973)

Kenny Loggins was a boyish-looking yet handsomely bearded fellow with a penchant for country-esque ballads. Jim Messina had been in Buffalo Springfield and country rockers Poco . The pair teamed up to record some of Loggins’ material and ended up becoming an unlikely success story, notching up hits with  1971 single The House At Pooh Corner and the following year’s Your Mama Don’t Dance , later covered by hair metallers Poison.

But 1973’s Full Sail was their apex. Featuring the ultimate yacht rock album cover (two men, one yacht), the album itself contains everything from the calypso frivolity of Lahaina , and the smooth jazz of Travellin’ Blues to the joyously upbeat My Music and hit ballad Watching The River Run . This is yacht rock’s ground zero. Boys, what did you unleash?

Boz Scaggs - Silk Degrees (1976)

An early member of the Steve Miller Band , guitarist and vocalist Boz Scaggs’ solo career had begun 1969. But nothing had clicked with the record buying public until he hooked up with David Paich, Jeff Porcaro and David Hungate, all of whom were on the verge of forming Toto , and recorded his seventh solo album, Silk Degrees . A masterful mix of smooth pop and slick ballads, it spawned hits in the shape of It’s Over , Lowdown , We’re All Alone (made famous by Rita Coolidge) and the pulsating Lido Shuffle , a bona fide dancefloor filler.

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Steely Dan - Aja (1977)

Arguments rage as to whether these protagonists of achingly cool and clever jazz rock belong in the yacht rock genre, but hey, if the people who made the Yacht Rock online series say the are, who are we to argue?

Their sixth album, Aja , saw Walter Becker and Donald Fagan stretching out into longer form pieces of music that were funkier and jazzier than they’d ever been before, capping it off with one of the most pristine production jobs ever – such were their levels of perfectionism that six crack session guitarists tried and failed to lay down the guitar solo on Peg to their satisfaction (it was the seventh, Jay Graydon, who nailed it). Bonus yacht rock points: auxiliary Dan backing vocalist/keyboard player Michael McDonald was also a member of The Doobie Brothers.

The Doobie Brothers – Minute By Minute (1978)

In 1974, Steely Dan guitarist Jeff ‘Skunk’ Baxter moved across to hugely successful blues rockers The Doobie Brothers on a free transfer. The following year, he suggested recruiting Dan backing singer/pianist Michael McDonald as a replacement for the Doobies’ ailing guitarist/vocalist Tom Johnstone.

With his blue-eyed soul croon and knack for writing uptempo R&B-infused songs, McDonald helped nudge the band towards smoother waters. By 1978’s Minute By Minute , they had fully transformed from moustachioed chooglers into yacht rock kingpins. The album’s blend of soft rock and R&B reached its apotheosis on the majestic What A Fool Believes – co-written with Kenny Loggins, naturally – which ultimately helped turn McDonald into a bigger star than the band. For the record, the singer’s 1986 Sweet Freedom compilation is also yacht rock gold.

Christopher Cross - Christopher Cross (1979)

When Christopher Cross released his self-titled debut album in December 1979, no-one knew who he was. A year later, he’d racked up four Top 20 hits and swept the boards at the Grammy Awards.

It’s not hard to see why: Cross’ spectacular voice was matched by the brilliance of his songs. Everyone knows Ride Like The Wind , featuring that Michael McDonald fella on backing vocals, but it was the mellower Sailing that hit the No. 1 spot ( Ride… only managed No. 2). A year later Cross’ theme to the movie Arthur won him and co-writer Burt Bacharach an Oscar.

Cross was no slouch as a musician either: Steely Dan had asked him to play on their albums and he even filled in for a sick Ritchie Blackmore at a Deep Purple US show back in 1970.

Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

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If the Yacht Is a Rockin': Riding the Yacht Rock Nostalgia Wave

By maggie serota | jun 12, 2020.

It’s not often that an entire genre of music gets retconned into existence after being parodied by a web series, but that’s exactly what happened after writer, director, and producer J.D. Ryznar and producers David B. Lyons and Hunter D. Stair launched the Channel 101 web series Yacht Rock in 2005. Hosted by former AllMusic editor “Hollywood” Steve Huey, the series was a loving sendup of the late '70s/early '80s smooth jams to which many Millennials and late period Gen-Xers were likely conceived.

The yacht rock aesthetic was innovated by a core group of musicians and producers including, but not limited to, Christopher Cross, Steely Dan, Robbie Dupree, Kenny Loggins, Toto, David Foster, and hirsute soft rock titan Michael McDonald, along with scores of veteran session musicians from the Southern California studio scene.

The Yacht Rock web series was perfectly timed to coincide with a contemporary renaissance of smooth music from the late '70s, the kind that was previously considered a guilty pleasure because it fell out of fashion in the mid-'80s and was soon thereafter regarded as dated and square compared to other burgeoning genres, like punk rock and hip-hop.

Yacht Rock's Early Years

The yacht rock era began roughly around 1976, when yacht rock pillar Kenny Loggins split up with songwriting partner Jim Messina to strike out on his own. That same year, fellow yacht rock mainstay Michael McDonald joined The Doobie Brothers. The two titans of the genre joined forces when Loggins co-wrote the definitive yacht rock hit “What a Fool Believes” with McDonald for the Doobies. They collaborated several times during this era, which was par for the course with such an incestuous music scene that was largely comprised of buddies playing on each other’s albums.

"Look at who performed on the album and if they didn’t perform with any other yacht rock hit guys then chances are [it's] ‘nyacht’ rock,” Ryznar said on the  Beyond Yacht Rock podcast, referencing the pejorative term frequently used to describe soft rock songs that just miss the boat.

"The basic things to ask yourself if you want to know if a track is yacht rock are: Was it released from approximately 1976 to 1984? Did musicians on the track play with Steely Dan? Or Toto?," Ryznar said. "Is it a top 40 radio hit or is it on an album meant to feature hits?" And, of course, does the song celebrate a certain breezy, SoCal aesthetic?

Building the Boat

There are certain key ingredients necessary for a track to be considered yacht rock. For starters, it helps (though is not necessary) to have album art or lyrics that specifically reference boating, as with Christopher Cross's landmark 1980 hit “Sailing.” The music itself is usually slickly produced with clean vocals and a focus on melody over beat. But above all else, the sound has to be smooth . That’s what sets yacht rock apart from "nyacht" rock.

"Its base is R&B, yet it’s totally whitewashed," Ryznar explained on  Beyond Yacht Rock . "There [are] jazz elements. There can be complex, challenging melodies; the solos are all cutting-edge and really interesting. There’s always something interesting about a true yacht rock song. It goes left when you expect it to go right."

Yacht rock’s complex musicianship can be attributed, in part, to the session players on each track. Musicians like percussionist Steve Gadd, guitarist and Toto founding member Steve Lukather, and Toto drummer Jeff Porcaro don’t have much in the way of name recognition among casual soft rock listeners, but they’re the nails that hold the boat together. Steely Dan, “the primordial ooze from which yacht rock emerged,” according to Ryznar, famously cycled through dozens of session musicians while recording their 1980 seminal yacht rock album Gaucho .

"These musicians were not only these slick, polished professionals, but they were highly trained and able to hop from style to style with ease,” Huey explained on  Beyond Yacht Rock . “Very versatile.”

In Greg Prato’s 2018 tome, The Yacht Rock Book : An Oral History of the Soft, Smooth Sounds of the 70s and 80s , Huey broke down “the three main defining elements of yacht rock,” explaining that it requires “Fusing softer rock with jazz and R&B, very polished production, and kind of being centered around the studio musician culture in southern California … It’s not just soft rock, it’s a specific subset of soft rock that ideally has those elements."

Soft rock untethered

Whereas the music of the late 1970s and early ‘80s is often associated with the anti-establishment music of punk pioneers like the Dead Kennedys and the socially conscious songs being written by early hip-hop innovators like Grandmaster Flash and the Furious Five, yacht rock is the antithesis of the counterculture.

Yacht rock occupies a world that is completely apolitical and untethered to current events. Between the oil crisis, a global recession, and inflation—not to mention the fact that the U.S. was still licking its wounds from the loss of the Vietnam War and the disgrace of Watergate—the late '70s were a dark time for Americans. Yet yacht rock, at its heart, is a tequila sunrise for the soul, whisking the listener away to a world where they have the time, and the means, to idle away the hours sipping piña coladas at sea while decked out in flowy Hawaiian shirts and boat shoes.

Yacht rock was never edgy, nor did it ever feel dangerous. Yacht rock didn’t piss off anyone’s parents and no one ever threatened to send their kid to boot camp for getting caught listening to Kenny Loggins's “This Is It.” Yacht rock tracks are more of a siren song that invite your parents to join in on the chorus anytime they hear Toto’s "Rosanna."

Yacht rock songs are meant to set the soundtrack to a life where the days are always sunny, but as Ryznar pointed out on Beyond Yacht Rock , there’s “an underlying darkness”—just not the kind that’s going to derail a day of sailing to Catalina Island. No, yacht rock has elements of low-stakes heartbreak with sensitive male protagonists lamenting their own foolishness in trying to get back together with exes or hitting on women half their age.

The aspirational aspect of the genre dovetailed nicely with the overarching materialism defining the Reagan era. “Yacht rock was an escape from blunt truths, into the melodic, no-calorie lies of ‘buy now, pay never,’ in which any discord could be neutralized with a Moog beat,” Dan O’Sullivan wrote in Jacobin .

Some Like it Yacht

Although the cult comedy series Yacht Rock ceased production in 2010, the soft rock music revival it launched into the zeitgeist is still going strong. For the past few years, SiriusXM has been running a yacht rock station during prime boating season, or what those of us without bottomless checking accounts refer to as the spring and summer months. Yacht rock tribute acts like Yacht Rock Revue are profitable business endeavors as much as they are fun party bands. There’s also a glut of yacht rock-themed song compilations for sale and a proliferation of questionably curated genre playlists on Spotify.

Whether you believe yacht rock is an exalted art form or the insidious soundtrack to complacency, any music lover would probably agree that even a momentary escape from the blunt truths of life is something we could all use every now and then.

Defining 'yacht rock' once and for all with the genre's creators

Jd ryznar and dave lyons coined the joke genre while making the mid-2000s comedic web-series of the same name.

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JD Ryznar and Dave Lyons are the co-creators of the mid-2000s comedic web-series Yacht Rock.  

While the joke genre they coined led to a legitimate smooth-music renaissance in pop culture, it has also led to a distorted definition of what yacht rock is all about.

The pair join host Elamin Abdelmahmoud to talk about setting the record straight with this week's launch of their podcast Yacht or Nyacht , where they'll adjudicate which songs belong to the yacht rock canon using a scientific scoring system.

WATCH | Yacht Rock Episode 1 :

You can listen to the full discussion from today's show on CBC Listen or on our podcast, Commotion with Elamin Abdelmahmoud, available wherever you get your podcasts .

Interview with JD Ryznar and Dave Lyons produced by Stuart Berman.

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The idea of yacht rock conjures up a particular lifestyle, but beneath the surface lies a treasure trove of sophisticated hits that continue to resonate.

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Even some of those who signed up to the subgenre subtleties of what became known as yacht rock may consider it to be a time-locked phenomenon. Certainly, its chief protagonists first cast their subtle soft-rock sophistication in the 70s and 80s, but its melodic echoes can still be heard all these decades later.

Perhaps unusually, the phrase itself was coined as a kind of lighthearted castigation of the adult-oriented rock that seemed to exude privileged opulence: of days in expensive recording studios followed by hedonistic trips on private yachts, typically around southern California. The web TV series of the mid-00s that parodied the lifestyle was even named Yacht Rock ; one of the biggest hits of a chief exponent of the sound, Christopher Cross, was, of course, “Sailing.”

The recent resurgence in the long career of another staple, Michael McDonald, is testament to the durability of a style that was, after all, grounded in musicianship and melodicism of the highest order. Nearly 40 years after he and fellow yacht rock principle Kenny Loggins co-wrote and performed the Grammy-winning “This Is It,” the pair were afforded the high praise of a collaboration with acclaimed modern-day jazz-funk bassist Thundercat, on his track “Show You The Way.” Ahead of that, McDonald’s guest appearance with Thundercat at the 2017 Coachella Festival was a viral sensation.

Setting sail

Like other subgenres that grew from an existing style, just as Americana did from country, the starting point of yacht rock is a matter of endless debate. Some hear it in the early 70s soft rock of Bread and hits such as “Guitar Man,” or in Seals & Crofts, the duo of the same period whose 1973 US Top 10 hit “Diamond Girl” and its follow-up, “We May Never Pass This Way (Again)” are pure, classy, elegantly played and harmonised yacht rock.

As the 70s progressed and album rock radio became an ever more powerful medium in the US music business, studio production grew along with the budgets to fund it. High-fidelity citadels such as Sunset Sound and Ocean Way were the industry epitome of the Los Angeles hedonism of the day, and played host to many of the artists we celebrate here. Perhaps it was the combination of financial independence and the sun-kissed surroundings that gave rise to the phenomenon, but this was music that not only sounded opulent – it made you feel somehow more urbane just by listening to it.

California singer-songwriter Stephen Bishop was another of the artists who would retrospectively become part of what we might call the yachting club. Indeed, it’s important to point out that “yacht rock” was not a term that existed at the time the music was being made. Bishop’s acclaimed 1976 debut album, Careless , was a masterclass in well-crafted pop music for those no longer hanging on the words of every chart pin-up. Its tender opening ballad, “On And On,” which peaked just outside the mainstream US Top 10 and reached No.2 on the Easy Listening chart, is a prime example.

Making waves

McDonald, for his part, might be afforded the questionable honor of the Yacht Rock theme tune with his solo hit “Sweet Freedom,” but had earlier been a key part of the unconscious movement as a member of the Doobie Brothers. The double Grammy-winning landmark “What A Fool Believes,” again written by McDonald with Loggins, stands tall in this hall of fame. Similarly, Toto, another band of master studio craftsmen whose critical and commercial stock has risen again in recent times, stood for all the principles of yacht rock with tracks such as “99” and the undying “Africa.”

That 1982 soft-rock calling card came from the Toto IV album, which was, indeed, recorded in part at Sunset Sound and Ocean Way. But Steely Dan , one of the bands to prove that yacht rock could come from other parts of the US where the attendant lifestyle was less practical, made perhaps their biggest contribution to the subgenre after Walter Becker and Donald Fagen moved back to their native East Coast.

After their initial incarnation as a live band, Steely Dan were well established in their peerless cocoon of pristine studio production when they moved back east. That was after recording 1977’s superb Aja , the album that announced their ever-greater exploration of jazz influences. Fans and critics of the band both used the same word about them, perfectionism: some as a compliment, others as an accusation. But 1980’s equally impressive Gaucho was their yacht rock masterpiece.

Ripple effect

In such a subjective phrase, other artists seen by some as yacht rock representatives, such as Daryl Hall & John Oates, Journey, the Eagles, or even Canada’s Gordon Lightfoot, are thought by others to be creatively or geographically inappropriate, or just too mainstream to break out of the overreaching AOR terminology.

But a significant number of other artists, whose names are less quoted today, had their finest hours during the pop landscape of the late 70s and early 80s that we’ve been visiting here. Amy Holland won a Best New Artist Grammy nomination in 1981 helped by “How Do I Survive,” written by McDonald, whose wife she became soon afterwards. Robbie Dupree, a Brooklyn boy by birth, also epitomized the style with his 1980 US hit “Steal Away.” Then, in 1982, America, the band known for their definitive harmonic rock of a decade earlier, mounted a chart return with the suitably melodic “You Can Do Magic.”

The final word goes to Michael McDonald, the unwitting co-founder of the yacht rock sound. When the aforementioned mockumentary series was at the height of its popularity, he was asked if he had ever owned a yacht, and replied (perhaps disappointingly) in the negative. But, he added, “I thought Yacht Rock was hilarious. And uncannily, you know, those things always have a little bit of truth to them.

“It’s kind of like when you get a letter from a stalker who’s never met you. They somehow hit on something, and you have to admit they’re pretty intuitive.”

Listen to the Soft Rock Forever playlist for more yacht rock classics .

October 28, 2019 at 8:42 pm

if you dig this sound, you gotta check out Yachty by Nature the best yacht rock band on the West Coast. They play it all live without the backing tracks (yuck) that some bands do. They just got voted #1 Best Live Cover Band in Orange County and spreading yacht rock all over the country. Dive in!!! #yachtrock https://yachtybynature.com

October 28, 2019 at 8:44 pm

BTW, great article!!!!! Well written and thoughtfully addressed the idea of Nyacht Rock artists to the purists following the genre!

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What the Hell is Yacht Rock?

Smooth never goes out of style..

Back in the late 70s, there was a smooth and sultry sound pouring out of Southern California. Artists like Kenny Loggins and Michael McDonald were all over the airways, and it seemed like every other week, there was a new hit. Like all gilded eras, it wasn't sustainable, and within a decade, Hall and Oates , Toto , and the rest's popularity dried up. Their time in the spotlight was over.

Flash forward to 2005: JD Ryznar, a Michiganite with Hollywood aspirations moved to L.A., and made friends with a number of like-minded music fans, including "Hollywood" Steve Huey, Hunter Stair, and David Lyons. Bonding over their love of retro soft rock, the group eventually created a show/web series called Yacht Rock , inadvertently coining the term that would define a generation captain's hat-wearing musicians. The show poked fun at all the major stars from that late 70s era, while simultaneously educating its viewers on the finer points of the genre. Here's a clip:

Following the show's success, Ryznar and his friends have "kept the fire alive" with their podcast Beyond Yacht Rock , and continue to be the leading voices of the yacht rock movement. At some point along the way, other disc jockeys got the memo and throwback stations started cropping up all over the place. Whether it's playing on the Yacht Rock Show on 89.1 FM (in NYC), or Sirius XM's Yacht Rock station, this music clearly still resonates with people.

While a lot of this music can be found on various oldies stations around the country, it wasn't until Yacht Rock (the series) came out that the genre's parameters were codified. In fact, the show actually has a scale called Yachtski , in which they determine how well a song fits the genre. Apparently, according to the chart, "What a Fool Believes" by The Doobie Brothers is the purest iteration of yacht rock ever released. Give it a listen. Can you handle the smoothness?

Following the success of these programs, and the slow but steady growth of yacht rock's fanbase, bands are popping up all over the place, trying to capitalize on this retro music trend. Cover artists like Yacht Rock Revue are so big now, that they play at relatively large venues. Yacht Rock Revue is headlining the Playstation Theater in a few weeks, and is probably the most solid evidence that this musical movement is more than just a fad. Still, they're only playing covers, coasting on old standards.

There are other bands, like Foxygen who are playing tunes that are so heavily influenced by that 70s sound, that it's made folks wonder if we're in the middle of a yacht rock revival . The music ushers in that familiar feeling of sipping cool rum drinks in the middle of the summer, and not needing to take life so seriously. It serves as proof of the cyclical nature of most music trends and how the good stuff always seems to stick around.

While Foxygen is an indie juggernaut, the genre of yacht rock hasn't been relegated to one-off pop singles by major artists. There are plenty of new bands popping up that are solely focused on capturing that bright, synth-y sound. One example is Bad Business , a new group out of New York that's trying redefine the yacht rock game. They aren't a tribute band. They're actively trying to add to the repertoire, and, in their own words, are at "the vanguard of modern yacht rock, pioneering the lost art of smooth music."

With an eclectic fanbase and plenty of emerging artists, this niche–and sort of goofy–genre of music is beginning to look like a bit like a trend. All of a sudden, retro is cool, down is up, and I've started wearing unbuttoned Hawaiian T-shirts everywhere. Sure, yacht rock sort of sounds like the music your parents were listening to back when they were still single, and that may seem lame, but according to reports, millennials have way less sex than Baby Boomers and Gen Xers. If that isn't a good enough reason to start basking in the dulcet tones of Steely Dan and Christopher Cross , I don't know what is.

If you get caught between the moon and New York City....

Matt Clibanoff is a writer and editor based in New York City who covers music, politics, sports and pop culture. His editorial work can be found on PopDust, The Liberty Project, and All Things Go. His fiction has been published in Forth Magazine. Website: https://matthewdclibanoff.journoportfolio.com/ Twitter: @mattclibanoff

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The Bridge: Yacht Or Nyacht?

Chris Molanphy talks to the coiners of Yacht Rock about how they define the genre they invented.

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Episode Notes

First, we have a few announcements about the future of Hit Parade —and it’s good news for both Slate Plus members and non-Plus listeners. While the economic challenges of COVID-19 certainly haven’t abated, Hit Parade has attracted enough new Plus members to allow us to take some episodes out from behind Slate’s paywall starting in September.

Starting next month, full-length Hit Parade episodes will debut in the middle of the month, not the end (our next full-length episode drops on Friday, September 18). If you are a Plus member, you’ll hear the whole show all at once, the day it drops. If you are not a Plus member, you will receive the first half of the episode mid-month, with ads, and you’ll have to wait a couple of weeks to hear the second half of the show, at month’s end. Finally, Hit Parade—“The Bridge” episodes will remain Plus-only.

Again, thanks to many of you who signed up for Slate Plus just to hear Hit Parade, and of course the thousands of longtime Plus members. We plan to keep giving you the bonus content you expect. And a hearty welcome back to non-Plus listeners—we hope you’ll consider joining Slate Plus in the future, but you can also support Hit Parade by spreading the word about our episodes.

In this mini-episode of Hit Parade, host Chris Molanphy is joined by J.D. Ryznar, “Hollywood” Steve Huey, and Dave Lyons, creators of the web series Yacht Rock and follow-up podcast Beyond Yacht Rock. Not only did they invent the very term that inspired the latest episode of Hit Parade , they have kept the fire alive by refining what the genre means.

The Yacht Rockers and Chris discuss the enduring legacy of the term they created—from why the name stuck, to how it was perceived by the various artists whose music it defined. (Boz Scaggs is reportedly not happy.) They also reveal songs they’d re-rate against their signature Yachtski scale , songs commonly tagged Yacht that are actually “ Nyacht ,” and how they curate the boundaries of the genre . They even offer a Hit Parade–exclusive announcement about what’s next for their smooth creation.

Finally, Chris quizzes a Slate Plus listener with some music trivia, gives her a chance to turn the tables on him, and previews next month’s full-length episode.

Podcast production by Asha Saluja.

About the Show

Chris Molanphy, a pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia, and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts, and shaped your memories forever.

Chris Molanphy is a feature writer and critic who writes widely about music and the pop charts.

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Yacht Rock: Album Guide

By David Browne

David Browne

Summer’s here and time is right for dancing … on the deck of a large nautical vessel. During the late Seventies and early Eighties, the radio was dominated by silver-tongued white-dude crooners with names like Rupert and Gerry, emoting over balmy R&B beats, swaying saxes, and dishwasher-clean arrangements. Though it didn’t have a name, the genre — soft rock you could dance to — was dismissed by serious rock fans as fluffy and lame. But thanks to a web series in the mid-2000s, the style — belatedly named “ yacht rock ” — has since spawned a satellite-radio channel, tribute bands, and a Weezer cover of Toto’s “Africa.” Is the modern love of the music ironic or sincere? Hard to say, yet there’s no denying yacht rock is a legit sound with a vibe all its own that produced a surprising amount of enduring music perfectly at home in summer. (John Mayer even tips his own sailor’s hat to the genre on his new “Last Train Home” single, and even the aqua-blue cover of his upcoming Sob Rock album.) The resumption of the Doobie Brothers’ 50th anniversary tour, postponed last year due to COVID-19 but scheduled to restart in August, is the cherry atop the Pina colada.

Boz Scaggs, Silk Degrees (1976)

Before yacht rock was an identifiable genre, Scaggs (no fan of the term, as he told Rolling Stone in 2018) set the standard for what was to come: sharp-dressed white soul, burnished ballads that evoked wine with a quiet dinner, and splashes of Me Decade decadence (the narrator of the pumped “Lido Shuffle” is setting up one more score before leaving the country). Add in the Philly Soul homage “What Can I Say,” the burbling life-on-the-streets homage “Lowdown,” and the lush sway of “Georgia,” and Silk Degrees , internationally or not, set a new high bar for Seventies smoothness.

Steely Dan, Aja (1977)

The sophisticated high-water mark of yacht, Donald Fagen and Walter Becker’s masterpiece is the midway point between jazz and pop, with tricky tempo shifts, interlocking horn and keyboard parts, and pristine solos. Not settling for easygoing period clichés, these love songs, so to speak, are populated by a sleazy movie director (the gorgeous rush of “Peg”), a loser who still hopes to be a jazzman even if the odds are against him (the heart-tugging “Deacon Blues”), and a guy whose nodding-out girlfriend is probably a junkie (“Black Cow”). The most subversive cruise you’ll ever take.

The Doobie Brothers, Minute by Minute (1978)

The Doobies got their start as a biker-y boogie band, but they smoothed things out for Minute by Minute . Highlighted by “What a Fool Believes,” the unstoppable Michael McDonald-Kenny Loggins co-write, the LP piles on romantic turmoil, falsetto harmonies, and plenty of spongy electric piano. But it also proves how much personality and muscle the Doobies could bring to what could be a generic sound. McDonald’s husky, sensitive-guy delivery shrouds the unexpectedly bitter title song (“You will stay just to watch me, darlin’/Wilt away on lies from you”)  and honoring their biker roots, “Don’t Stop to Watch the Wheels” is about taking a lady friend for a ride on your hog.

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Further Listening

Seals & crofts, get closer (1976).

The Dylan-goes-electric moment of yacht, “Get Closer” validated the idea that folkie singer-songwriters could put aside their guitars (and mandolin), tap into their R&B side and cross over in ways they never imagined. In addition to the surprising seductiveness of the title hit, Get Closer has plenty of yacht-rock pleasures. In “Goodbye Old Buddies,” the narrator informs his pals that he can’t hang out anymore now that he’s met “a certain young lady,” but in the next song, “Baby Blue,” another woman is told, “There’s an old friend in me/Tellin’ me I gotta be free.” A good captain follows the tide where it takes him.

Christopher Cross, Christopher Cross  (1979)

Cross’ debut swept the 1981 Grammys for a reason: It’s that rare yacht-rock album that’s graceful, earnest, and utterly lacking in smarm. Songs like the politely seductive “Say You’ll Be Mine” and the forlorn “Never Be the Same” have an elegant pop classicism, and the yacht anthem “Sailing” could be called a powered-down ballad. Fueled by a McDonald cameo expertly parodied on SCTV , the propulsive “Ride Like the Wind” sneaks raw outlaw lyrics (“Lived nine lives/Gunned down ten”) into its breezy groove, perfecting the short-lived gangster-yacht subgenre.

Rupert Holmes, Partners in Crime (1979)

The album that made Holmes a soft-rock star is known for “Escape (The Piña Colada Song),” which sports a made-for-karaoke chorus and a plot twist worthy of a wide-collar O. Henry. But what distinguishes the album is the Steely Dan-level musicianship and Holmes’ ambitious story songs, each sung with Manilow-esque exuberance. The title track equates a hooker and her john to co-workers at a department store, “Lunch Hour” ventures into afternoon-delight territory, and “Answering Machine” finds a conflicted couple trading messages but continually being cut off by those old-school devices.

Steely Dan, Gaucho (1980)

The Dan’s last studio album before a lengthy hiatus doesn’t have the consistency of Aja, but Gaucho cleverly matches their most vacuum-sealed music with their most sordid and pathetic cast of characters. A seedy older guy tries to pick up younger women in “Hey Nineteen,” another loser goes in search of a ménage à trois in “Babylon Sisters,” a coke dealer delivers to a basketball star in “Glamour Profession,” and the narrator of “Time Out of Mind” just wants another heroin high. It’s the dark side of the yacht.

Going Deeper

Michael mcdonald, if that’s what it takes  (1982).

Imagine a Doobie Brothers album entirely comprised of McDonald songs and shorn of pesky guitar solos or Patrick Simmons rockers, and you have a sense of McDonald’s first and best post-Doobs album. If That’s What it Takes builds on the approach he nailed on “What a Fool Believes” but amps up the sullen-R&B side of Mac’s music. His brooding remake of Lieber and Stoller’s “I Keep Forgettin’” is peak McDonald and the title track approaches the propulsion of Christopher Cross’ “Ride Like the Wind.” With his sad-sack intensity, McDonald sounds like guy at a seaside resort chewing over his mistakes and regrets – with, naturally, the aid of an electric piano.

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Kenny Loggins, Keep the Fire (1979)

Loggins’ journey from granola folk rocker to pleasure-boat captain embodies the way rock grew more polished as the Seventies wore on. Anchored by the percolating-coffeemaker rhythms and modestly aggro delivery of “This Is It,” another McDonald collaboration, Keep the Fire sets Loggins’ feathery voice to smooth-jazz saxes and R&B beats, and Michael Jackson harmonies beef up the soul quotient in “Who’s Right, Who’s Wrong.” The secret highlight is “Will It Last,” one of the sneakiest yacht tracks ever, fading to a finish after four minutes, then revving back up with some sweet George Harrison-style slide guitar.

Dr. Hook, Sometimes You Win  (1979)

Earlier in the Seventies, these jokesters established themselves with novelty hits like “The Cover of ‘Rolling Stone,’’ but they soon paddled over to unabashed disco-yacht. Sometimes You Win features three of their oiliest ear worms: “Sexy Eyes,” “When You’re in Love with a Beautiful Woman” and “Better Love Next Time,” all oozing suburban pickup bars and the somewhat desperate dudes who hang out there. The album, alas, does not include “Sharing the Night Together,” recently reborn by way of its sardonic use in last year’s Breaking Bad spinoff El Camino .

Carly Simon, Boys in the Trees  (1978)

As a trailblazing female singer-songwriter, Simon was already a star by the time yacht launched. Boys in the Trees features her beguiling contribution to the genre, “You Belong to Me,” a collaboration with the ubiquitous Michael McDonald. The Doobies cut it first, but Simon’s version adds an air of yearning and hushed desperation that makes it definitive. The album also packs in a yacht-soul cover of James Taylor’s “One Man Woman” and a “lullaby for a wide-eyed guy” called “Tranquillo (Melt My Heart),” all proving that men didn’t have a stranglehold on this style.

Anchors Aweigh

More smooth hits for your next high-seas adventure.

“BREEZIN’”

George Benson, 1976

The guitarist and Jehovah’s Witness made the leap from midlevel jazz act to crossover pop star with a windswept instrumental that conveys the yacht spirit as much as any vocal performance.

“WHATCHA GONNA DO?”

Pablo Cruise, 1976

Carefree bounce from a San Francisco band with the best name ever for a soft-rock act — named, fittingly, after a chill Colorado buddy.

“BAKER STREET”

Gerry Rafferty, 1978

Rafferty brought a deep sense of lonely-walk-by-the-bay melancholy to this epic retelling of a night on the town, in which Raphael Ravenscroft’s immortal sax awakens Rafferty from his morning-after hangover.

“REMINISCING”

Little River Band, 1978

The Aussie soft rockers delivered a slurpy valentine sung in the voice of an old man looking back on his “lifetime plan” with his wife. Innovative twist: flugelhorn solo instead of sax.

“WHENEVER I CALL YOU ‘FRIEND’ ”

Kenny Loggins and Stevie Nicks, 1978

After its ethereal intro, this rare genre duet grows friskier with each verse, with both Loggins and Nicks getting more audibly caught up in the groove — and the idea of “sweet love showing us a heavenly light.”

“LOTTA LOVE”

Nicolette Larson, 1978

Neil Young’s sad-boy shuffle is transformed into a luscious slice of lounge pop by the late Larson. Adding an extra layer of poignancy, she was in a relationship with Young around that time.

“STEAL AWAY”

Robbie Dupree, 1980

Is it real, or is it McDonald? Actually, it’s the best Doobies knockoff — a rinky-dink (but ingratiating) distant cousin to “What a Fool Believes” that almost inspired McDonald to take legal action.

“TAKE IT EASY”

Archie James Cavanaugh, 1980

Cult rarity by the late Alaskan singer-songwriter that crams in everything you’d want in a yacht song: disco-leaning bass, smooth-jazz guitar, sax, and a lyric that lives up to its title even more than the same-titled Eagles song.

“BIGGEST PART OF ME”

Ambrosia, 1980

Ditching the prog-classical leanings of earlier albums, this trio headed straight for the middle of the waterway with this Doobies-lite smash. Bonus points for lyrics that reference a “lazy river.”

“I CAN’T GO FOR THAT (NO CAN DO)”

Daryl Hall and John Oates, 1981

The once unstoppable blue-eyed soul duo were never pure yacht, but the easy-rolling beats and shiny sax in this Number One hit got close. Hall adds sexual tension by never specifying exactly what he can’t go for.

“COOL NIGHT”

Paul Davis, 1981

The Mississippi crooner-songwriter gives a master class on how to heat up a stalled romance: Pick a brisk evening, invite a female acquaintance over, and suggest . . . lighting a fire.

“KEY LARGO”

Bertie Higgins, 1981

Yacht’s very own novelty hit is corny but deserves props for quoting from not one but two Humphrey Bogart films ( Key Largo and Casablanca ).

“AFRICA”

The same year that members of Toto did session work on Michael Jackson’s Thriller, they released the Mount Kilimanjaro of late-yacht hits.

“SOUTHERN CROSS”

Crosby, Stills, and Nash, 1982

The combustible trio’s gusty contribution to the genre has choppy-water rhythms and enough nautical terminology for a sailing manual.

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The Bizarre History Of Yacht Rock Music

Popular music has always been complex. Different musical styles break up into infinite sub-genres — what started off as rock 'n' roll has splintered into dozens of sub-genres, and even the considerably younger musical genre of rap has splintered into several distinct styles. And each of those sub-genres then splinters as musicians innovate and reinvent the form.

None of this is science, though, so it's easy to get lost down rabbit holes when discussing what bands or songs belong in what genre or sub-genre. Yacht rock is a perfect example: None of the artists currently considered to be yacht rockers called themselves that at the time or were even aware that they were carving out a distinct sub-genre of rock music. The whole idea of yacht rock is a modern invention — and yet it perfectly describes a specific type of music that ruled pop culture roughly between 1975 and 1985.

What was yacht rock? It's a soft rock musical style, sometimes called the California sound, exemplified by smoothness and melody — these weren't exactly bangers, but that doesn't mean they were bad. Yacht rock could be very musically complex, incorporating elements of jazz into their compositions. The songs were usually introspective and did not engage with politics or current events at all — they were frictionless. Imagine a wealthy white man sailing on his yacht in 1980, and the music he's listening to in your imagination is what we're talking about. Here's the bizarre history of yacht rock.

The term was coined in 2005

Although the roots of yacht rock arguably go back to the 1960s, the history of yacht rock begins in 2005. That's because prior to that year, the term and concept of yacht rock simply didn't exist.

According to Rolling Stone , it all began on June 26, 2005, when the 12-episode web series "Yacht Rock" was released by Channel 101. As explained by Mental Floss , the series was a lovingly mocking look back at the smooth music of the late 1970s and early 1980s, written and directed by J.D. Ryznar, produced David B. Lyons and Hunter D. Stair, and hosted by Steve Huey, a former editor at AllMusic. MasterClass notes that the series was fictional — it depicted rockers like Kenny Loggins and Michael McDonald as a bunch of goofy friends hanging out and composing the smoothest rock music possible.

Ryznar and company were making gentle fun of those soft rock musicians, but the concept of yacht rock was so obviously appropriate it became viral. They defined it as perfectly produced, with a high level of musicianship and harmonic sophistication (in fact, far from being bad music, many yacht rock songs have been sampled numerous times by modern artists ), and imbued with the vibe and sound of 1970s Los Angeles. Although many yacht rock songs do have nautical references, it's not necessary to be considered yacht rock. 

The roots of yacht rock go back to the 1960s

Although not all yacht rock songs reference the ocean, yachts, or the beach, the distant roots of the sound and the vibe go back to 1961. That's the year The Beach Boys was formed. As noted by Jacobin Magazine , the cheerful fun in the sun beach aesthetic of The Beach Boys' sound provides the fundamental template for yacht rock's sound. What elevated The Beach Boys was the songwriting craft of Brian Wilson — without his subtle genius, all that was left was the perfect production standards and sunny vibe. As noted by Warm 106.9 , the band's classic song "Sloop John B" is often cited as a clear influence on the sailing-obsessed soft rock that hit the charts a decade later.

In fact, as noted by MeTV , The Beach Boys' 1973 song "Sail On, Sailor" is considered a proto-yacht rock song. Because it was co-written by troubled musical genius Brian Wilson, the song isn't really yacht rock, but it holds many of the seeds, from its perfect production to the jazzy complexity hidden under mellow good-time vibes. And everything came full circle in 1988 when The Beach Boys released their Number One hit, "Kokomo," a song Stereogum describes as "extremely boring and self-satisfied yacht-rock." Singer Mark McGrath cites "Kokomo" as probably the last legitimate yacht rock song to ever be released.

Two foundational groups form

It wasn't just the California vibe and sailing imagery that yacht rock took from The Beach Boys. As noted by The Guardian , in the mid-1960s, a man named Daryl Dragon began playing keyboards with The Beach Boys as a backup musician. Dragon had a habit of wearing a ship captain's hat as part of his on-stage costume, underscoring the nautical theme and earning him the nickname "The Captain." According to Jacobin Magazine , Toni Tennille also toured with The Beach Boys. Dragon and Tennille married and, a few years later, formed the group Captain & Tennille, whose Grammy-winning song "Love Will Keep Us Together" is considered one of the earliest yacht rock hits.

Meanwhile, another foundational yacht rock band formed in 1972: Steely Dan . According to  The Seattle Times , part of what defines yacht rock is the people involved. Members of The Doobie Brothers  – especially Michael McDonald, Toto , and Steely Dan tend to be involved in some capacity (songwriting, background vocals, or performing) on most yacht rock songs. This was the inspiration for the original comedy sketch that birthed the whole concept . Steely Dan came to define the perfect production, jazzy musicality, and smooth melody lines of the genre. And as noted by Mental Floss , Steely Dan shared session musicians with many of their musical genre peers, explaining the somewhat similar sound produced by these different groups.

Loggins and Messina broke up in 1976

Many of the pieces that would form yacht rock existed long before the genre coalesced into a recognizable sound and vibe. Kenny Loggins and Jim Messina formed Loggins & Messina in 1971, and according to The Chicago Tribune , their 1975 album "Full Sail" is part of yacht rock legend. The album's cover art depicts Loggins and Messina on an actual yacht, looking pretty relaxed and very California. The album was held up at the very beginning of the "Yacht Rock" series to demonstrate what the creators of the series were talking about.

Loggins & Messina are crucial to the yacht rock story because they broke up. As noted by The Seattle Times , one of the features of yacht rock is the loose collaborations between a small group of musicians — and Kenny Loggins is a key member of that group. Loggins wrote many yacht rock classics recorded and performed by other artists, and Loggins himself often released his own versions of songs he gave to other artists, increasing his influence over the genre.

Loggins, now a free agent, worked with Michael McDonald of the Doobie Brothers several times as the core yacht rock musicians collaborated freely, ensuring a certain uniformity of sound and style that resulted in a recognizable sub-genre.

Steely Dan releases Aja

Mention the band Steely Dan in conjunction with the concept of yacht rock, and many people will have a passionate reaction . Yacht rock is often erroneously believed to be bad music and is frequently conflated with soft rock. But the opposite is true: According to MasterClass , part of what defines yacht rock is the harmonic sophistication and jazz influences of the music. In other words, yacht rock was often composed and recorded at a very high level of musical ability.

That's where Steely Dan comes in. Famed for their complex arrangements and overt jazz influences, the band produced smooth, melodic songs that perfectly captured the late-1970s California vibe. Rolling Stone  considered the band's sixth studio album, "Aja," a pinnacle for the musical genre. The songs are intricate, the production is pristine, and the mood is mellow. Decider  was even more enthusiastic in their praise, establishing the album as essential listening to any fan of yacht rock and notes that by the time Steely Dan (Walter Becker and Donald Fagan) recorded "Aja" they weren't really a band — they were two guys with a lot of session musicians, musicians who often played on other yacht rock bands' recordings, resulting in a similar sound on many of these records. And Michael McDonald of The Doobie Brothers even sings backup on some songs.

U ltimate Classic Rock ranks one of the songs from the "Aja,"  "Peg," as the second-best yacht rock song of all time and describes "Aja" as having "impeccable airtightness that falls somewhere between soft pop and jazz."

The Doobie Brothers release What a Fool Believes

Movements in music and the evolution of sub-genres usually have deep roots that go back invisibly into the past. But they often also have a key moment that clearly marks their beginning. As noted by Mental Floss , for yacht rock, that beginning comes in 1978 with the release of "What a Fool Believes" by The Doobie Brothers.

The song was written by Kenny Loggins and Michael McDonald. Not only did this song kick off the habit of collaboration between the artists that came to define this genre —  IGN pegs it as number three on its list of the best yacht rock songs, describing the song as quirky and mellow, while according to  Smooth Radio , the song is the ultimate example of what makes a yacht rock song. The song was a massive hit for The Doobie Brothers, one of the few non-disco hits that year.

The song is considered so "yachty," in fact, that according to Houstonia Magazine , the "Yacht Rock" series that defined the musical genre kicks off with an episode spoofing the writing of the song. The song is, indeed, kind of the platonic ideal of a yacht rock song: It's musically complex, smooth as heck, and lyrically focused on a lovelorn fool, a frequent topic of yacht rock songs. And, of course, it involves Loggins and McDonald.

Rupert Holmes releases Escape (The Piña Colada Song)

M ark McGrath , the lead singer of Sugar Ray, calls "Escape (The Piña Colada Song)" by Rupert Holmes the ultimate yacht rock song and an inspiration for all future yacht rock songs to follow. The song's connection to the genre is so clear that ABC News reports it was chosen for inclusion in the "NOW That's What I Call Yacht Rock" compilation album.

It's easy to see why the song (and the album containing it, 1979's "Partners in Crime") is what a computer algorithm would create if tasked with composing a yacht rock song. As noted by Rolling Stone , Holmes displays the musicianship of Steely Dan while singing with the exuberance of Barry Manilow. That combination of mellow, smooth delivery and complex song arrangements, and a distinctly California vibe make this an iconic example of yacht rock. As MasterClass notes, the song's clean production links it to other yacht rock songs because it eliminates mistakes or rough spots and offers the illusion of smooth perfection.

The song is also one of the most enduring and well-known yacht rock songs of all time. If you're trying to explain yacht rock to someone, this is the song to use as an example.

The high point of yacht rock: Christopher Cross releases Sailing

The unquestioned high point of yacht rock came in 1980. Songs from bands associated with this genre of music had been big hits before, but that year a yacht rock album dominated pop culture, ensuring that this style of music would be remembered and defined decades later. We're talking about, of course,  "Sailing" by Christopher Cross .

U ltimate Classic Rock reports the song was a smash hit, earning Cross several Grammy Awards, including Record of the Year, Song of the Year, and Best Arrangement. Its yacht rock cred begins with its title and themes — it's literally about sailing, presumably on some sort of yacht (Cross doesn't seem the type to sail on anything less). The song is smooth as glass but extremely complex, combining strings, open-tuned arpeggios, and what Rolling Stone calls "an elegant pop classicism." And as Jacobin Magazine notes, the song features backing vocals from none other than the artistic glue that holds the genre together, Michael McDonald.

"Sailing," and the album it hailed from, remain the most successful examples of yacht rock, a pinnacle of sales and awards both Cross and the genre never managed again. No one knew they were part of the yacht rock movement at the time or that it was all (slowly) downhill from there.

Toto ties it all together

One of the characteristics of yacht rock, as noted by Mental Floss , is the extremely high level of musicianship on the records — largely due to the use of professional session musicians that were shared by yacht rock groups like Steely Dan. In the late 1970s, some of those session musicians decided to form their own band, and Toto was born. This was a key moment: As noted by the man who helped define yacht rock, J.D. Ryznar, one way to identify a yacht rock song is to ask if members of Toto played on it.

In 1982, Toto released "Toto IV," which Smooth Radio noted contains two all-time yacht rock classics in "Rosanna" and "Africa." Vinyl Me, Please calls "Toto IV" a perfect introduction to the musical genre, which makes sense since the members of Toto were involved in so many recordings we now consider to be yacht rock.

But Toto was involved in another project in 1982, one that proves how the yacht rock sound traveled through session musicians: Michael Jackson's "Thriller." As reported by NOW Magazine , Toto was heavily involved with the album, and Toto keyboardist Steve Porcaro even contributed a classic yacht rock track that became the fifth Top Ten song from the album (per Rolling Stone ): "Human Nature." Porcaro originally wrote it for Toto but accidentally included it on a tape of demos for producer Quincy Jones — who immediately loved it.

Kokomo: Yacht rock's last gasp

The heyday of this musical genre was between roughly 1975 and 1985. By the late 1980s, musical tastes had shifted, and most yacht rockers found themselves fading off the charts. But there was one final gasp of the genre in 1988 when the legendary band The Beach Boys released their No.1 hit  on the Billboard Hot 100, "Kokomo." 

Despite its success, the song is widely hated ( Mel Magazine shared their extreme dislike for the song and even Mike Love), but it's definitely a yacht rock song. According to Sugar Ray lead singer Mark McGrath , it's likely the last yacht rock song to be released. By the time The Beach Boys began working on it, however, they weren't too concerned about quality — as noted by EW.com , the band hadn't been on the charts in years, didn't have a record contract, and had been reduced to playing Oldies tours to pay the bills. The band accepted the invitation to contribute a song to the soundtrack of the Tom Cruise and Elisabeth Shue romantic comedy,  "Cocktail"  largely for the money and actually left the composition of the song to John Phillips, Scott McKenzie, and Terry Melcher, giving the song the traditional session-player touch of all yacht rock songs.

The song's yacht rock bona-fides are pretty clear — in fact, as Stereogum notes,  the original demo makes its yacht rock roots very, very clear. But even The Beach Boys' version with its earworm chorus retains the smooth, slickly-produced sound that marks all yacht rock tunes.

The resurgence of yacht rock

After being established as a distinct genre of music by the " Yacht Rock" web series in 2005 , yacht rock enjoyed a period of viral fame. Everyone who came across the term quickly realized it actually made sense to regard these songs as a specific style of soft rock, and there was a lot of buzz around the topic. But all buzz fades, and after a few years, yacht rock was no longer an exciting new idea — it was an accepted truth.

But in recent years, the genre has made a comeback, infiltrating pop culture for the second time. A seminal moment in this comeback was the release of "The Blue Jean Committee" in 2018. As noted by 100.9 The Eagle , "The Blue Jean Committee" is a "mockumentary" that has actually served as an introduction to yacht rock for a whole new generation of people. Esquire reports that the show (and the "fake yacht rock band" at its center) was created by comedians Fred Armisen and Bill Hader for their TV series "Documentary Now!" But they went as far as actually writing songs for the band — and even made a music video showcasing the very yacht rocky song "Catalina Breeze," eventually releasing an entire EP, according to Wired . Suddenly, yacht rock was on everyone's mind again, more than 15 years after the initial phenomenon and more than 40 years since the actual musical era ended.

Yacht rock is modern again

As noted by The Guardian , yacht rock is experiencing a full-on reappraisal. Long considered to be trite and boring, emblematic of the insincere late 1970s and early 1980s era, a new appreciation for the very things that make these songs yacht rock is developing. One key reason is that clear production noted by MasterClass  — yacht rock songs sound timeless and still slap today because they weren't thrown together. The bands spent a lot of time and money and care to make every song sound amazing, which has helped them pass the test of time. And recent years have seen bands like The Yacht Rock Revue achieve surprising success in the genre, as noted by The Atlanta Journal-Constitution .

As InsideHook notes, the rise of Internet culture has helped people rediscover and appreciate yacht rock. Younger generations have grown up in a world where they can listen to anything, any time they want. The result has been a softening of genre edges, and the adoption of old, outdated musical trends. There's a whole new group of soft rock bands that aren't covering yacht rock songs; they're writing new ones.

And as reported by MTV , yacht rock original gangsters are also releasing new music, proving that the genre has fresh legs. According to NPR , in 2017, Kenny Loggins and Michael McDonald collaborated with bassist and singer Thundercat on the song "Show You the Way."  Suffice it to say, this ship (or should we say yacht?) is still sailing. 

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The 20 greatest yacht rock songs ever, ranked

27 July 2022, 17:50

By Tom Eames

We can picture it now: lounging on a swish boat as it bobs along the water, sipping cocktails and improving our tan. Oh, and it's the 1980s.

There's only one style of music that goes with this image: Yacht rock.

What is Yacht Rock?

Also known as the West Coast Sound or adult-oriented rock, it's a style of soft rock from between the late 1970s and early 1980s that featured elements of smooth soul, smooth jazz, R&B, funk, rock and disco.

• The 40 greatest disco songs ever, ranked
• The 10 greatest and smoothest ever sax solos, ranked

Although its name has been used in a negative way, to us it's an amazing genre that makes us feel like we're in an episode of Miami Vice wearing shoulder pads and massive sunglasses.

Here are the very best songs that could be placed in this genre:

Player - 'Baby Come Back'

Player - Baby Come Back

Not the reggae classic of the same name, this 1977 track was Player's biggest hit.

After Player disbanded, singer Peter Beckett joined Australia's Little River Band, and he also wrote 'Twist of Fate' for Olivia Newton-John and 'After All This Time' for Kenny Rogers.

Steely Dan - 'FM'

It's tough just choosing one Steely Dan song for this list, but we've gone for this banger.

Used as the theme tune for the 1978 movie of the same name, the song is jazz-rock track, though its lyrics took a disapproving look at the genre as a whole, which was in total contrast to the film's celebration of it. Still, sounds great guys!

Bobby Goldsboro - 'Summer (The First Time)'

Bobby Goldsboro - Summer (The First Time)

A bit of a questionable subject matter, this ballad was about a 17-year-old boy’s first sexual experience with a 31-year-old woman at the beach.

But using a repeating piano riff, 12-string guitar, and an orchestral string arrangement, this song just screams yacht rock and all that is great about it.

Kenny Loggins - 'Heart to Heart'

Kenny Loggins - Heart To Heart (Official Music Video)

If Michael McDonald is the king of yacht rock, then Kenny Loggins is his trusted advisor and heir to the throne.

This track was co-written with Michael, and also features him on backing vocals. The song is about how most relationships do not stand the test of time, yet some are able to do so.

Airplay - 'Nothing You Can Do About It'

Nothin' You Can Do About It

You might not remember US band Airplay, but they did have their moment on the yacht.

Consisting of David Foster (who also co-wrote the Kenny Loggins song above), Jay Graydon and the brilliantly-named Tommy Funderburk, this tune was a cover of a Manhattan Transfer song, and was a minor hit in 1981.

Boz Scaggs - 'Lowdown'

Boz Scaggs - Lowdown (Official Audio)

We've moved slightly into smooth jazz territory with this track, which is guaranteed to put a smile on your face.

The song was co-written by David Paich, who would go on to form Toto along with the song's keyboardist David Paich, session bassist David Hungate, and drummer Jeff Porcaro.

Steve Winwood - 'Valerie'

Steve Winwood - Valerie (Official Video)

This song is probably as far as you can get into pop rock without totally leaving the yacht rock dock.

Legendary singer-songwriter Winwood recorded this gong about a man reminiscing about a lost love he hopes to find again someday.

Eric Prydz later sampled it in 2004 for the house number one track ‘Call on Me’, and presented it to Winwood, who was so impressed he re-recorded the vocals to better fit the track.

Toto - 'Rosanna'

Toto - Rosanna (Official HD Video)

We almost picked 'Africa' , but we reckon this tune just about pips it in the yacht rock game.

Written by David Paich, he has said that the song is based on numerous girls he had known.

As a joke, the band members initially played along with the common assumption that the song was based on actress Rosanna Arquette, who was dating Toto keyboard player Steve Porcaro at the time and coincidentally had the same name.

Chicago - 'Hard to Say I'm Sorry'

Chicago - Hard To Say I'm Sorry (Official Music Video)

Chicago began moving away from their horn-driven soft rock sound with their early 1980s output, including this synthesizer-filled power ballad.

• The 10 greatest Chicago songs, ranked

The album version segued into a more traditional Chicago upbeat track titled ‘Get Away’, but most radio stations at the time opted to fade out the song before it kicked in. Three members of Toto played on the track. Those guys are yacht rock kings!

Michael Jackson - 'Human Nature'

Michael Jackson - Human Nature (Audio)

A few non-rock artists almost made this list ( George Michael 's 'Careless Whisper' and Spandau Ballet 's 'True' are almost examples, but not quite), yet a big chunk of Thriller heavily relied on the yacht rock sound.

Michael Jackson proved just how popular the genre could get with several songs on the album, but 'Human Nature' is the finest example.

The Doobie Brothers - 'What a Fool Believes'

The Doobie Brothers - What A Fool Believes (Official Music Video)

Possibly THE ultimate yacht rock song on the rock end of the spectrum, and it's that man Michael McDonald.

Written by McDonald and Kenny Loggins, this was one of the few non-disco hits in America in the first eight months of 1979.

The song tells the story of a man who is reunited with an old love interest and attempts to rekindle a romantic relationship with her before discovering that one never really existed.

Michael Jackson once claimed he contributed at least one backing track to the original recording, but was not credited for having done so. This was later denied by the band.

Christopher Cross - 'Sailing'

Christopher Cross - Sailing (Official Audio)

We're not putting this in here just because it's called 'Sailing', it's also one of the ultimate examples of the genre.

Christopher Cross reached number one in the US in 1980, and VH1 later named it the most "softsational soft rock" song of all time.

Don Henley - 'The Boys of Summer'

The Boys Of Summer DON HENLEY(1984) OFFICIAL MUSIC VIDEO

Mike Campbell wrote the music to this track while working on Tom Petty’s Southern Accents album, but later gave it to Eagles singer Don Henley, who wrote the lyrics.

The song is about the passing of youth and entering middle age, and of a past relationship. It was covered twice in the early 2000s: as a trance track by DJ Sammy in 2002, and as a pop punk hit by The Ataris in 2003.

England Dan and John Cord Foley - 'I'd Really Love to See You Tonight'

England Dan & John Ford Coley - I'd Really Love To See You Tonight.avi

A big hit for this duo in 1976, it showcases the very best of the sock rock/AOR/yacht rock sound that the 1970s could offer.

Dan Seals is the younger brother of Jim Seals of Seals and Crofts fame. Which leads to...

Seals & Crofts - 'Summer Breeze'

Summer Breeze - Seals & Croft #1 Hit(1972)

Before The Isley Brothers recorded a slick cover, 'Summer Breeze' was an irresistible folk pop song by Seals & Crofts.

While mostly a folk song, its summer vibes and gorgeous melody make for a perfect yacht rock number.

Christopher Cross - 'Ride Like the Wind'

Ride Like The Wind Promo Video 1980 Christopher Cross

If Michael McDonald and Kenny Loggins are in charge of the yacht rock ship, then Christopher Cross has to be captain, right? Cabin boy? Something anyway.

The singer was arguably the biggest success story of the relatively short-lived yacht rock era, and this one still sounds incredible.

Eagles - 'I Can't Tell You Why'

The eagles - I can't tell you why (AUDIO VINYL)

Many Eagles tunes could be classed as yacht rock, but we reckon their finest example comes from this track from their The Long Run album in 1979.

Don Henley described the song as "straight Al Green", and that Glenn Frey, an R&B fan, was responsible for the R&B feel of the song. Frey said to co-writer Timothy B Schmit: "You could sing like Smokey Robinson . Let’s not do a Richie Furay, Poco-sounding song. Let’s do an R&B song."

Gerry Rafferty - 'Baker Street'

Gerry Rafferty - Baker Street (Official Video)

Gerry Rafferty probably didn't realise he was creating one of the greatest yacht rock songs of all time when he wrote this, but boy did he.

• The Story of... 'Baker Street'

With the right blend of rock and pop and the use of the iconic saxophone solo, you can't not call this yacht rock at its finest.

Michael McDonald - 'Sweet Freedom'

Michael McDonald - Sweet Freedom (1986)

If you wanted to name the king of yacht rock, you'd have to pick Michael McDonald . He could sing the phone book and it would sound silky smooth.

Possibly his greatest solo tune, it was used in the movie  Running Scared , and its music video featured actors Billy Crystal and Gregory Hines.

Hall & Oates - 'I Can't Go for That (No Can Do)'

Daryl Hall & John Oates - I Can't Go For That (No Can Do) (Official Video)

This duo knew how to make catchy hit after catchy hit. This R&B-tinged pop tune was co-written with Sara Allen (also the influence for their song 'Sara Smile').

• Hall and Oates' 10 best songs, ranked

John Oates has said that the song is actually about the music business. "That song is really about not being pushed around by big labels, managers, and agents and being told what to do, and being true to yourself creatively."

Not only was the song sampled in De La Soul's 'Say No Go' and Simply Red 's 'Home', but Michael Jackson also admitted that he lifted the bass line for 'Billie Jean'!

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The Evolution of Yacht Rock: From the 70s to Today

Table of Contents

The Origins of Yacht Rock in the 70s

The inception of Yacht Rock in the 70s was characterized by smooth music, influenced by soft rock, jazz, and R&B genres. Yacht Rock was a term coined in the 2000s for the music that encapsulated the feel of the refined and luxurious lifestyle of yachts. The music was not tied to a particular artist or band, but instead, it was a culmination of numerous artists who shared common themes and sounds, such as Michael McDonald, Kenny Loggins, and Toto . The music genre gained popularity in America during the mid-70s and peaked in the early 80s.

The Yacht Rock culture made its way into the mainstream through movies, TV shows, and commercials such as in the movie Stepbrothers and the TV series The Office . The laid-back nature of Yacht Rock embodies a feeling of relaxation and enjoyment that can be enjoyed both on and off yachts. The genre’s popularity has seen various tribute bands and has been the inspiration for modern bands like The 1975 . Yacht Rock’s influence can be felt in pop music, and it has endured through the decades, with 2019’s Yacht Rock Revival Tour being a significant highlight.

Notably, the birth of Yacht Rock had significant roots in Southern California, which was the epicenter for all things cool and relaxed in music during the 1970s. Michael McDonald was a member of the iconic Doobie Brothers , who crafted some classic Yacht Rock hits such as “What a Fool Believes” and “Minute by Minute.”

According to The New York Times , Yacht Rock has a cult following, and it has become a sensation on social media, with Youtube videos and playlists dedicated to the genre. Soft rock may be the musical equivalent of a warm hug, but don’t underestimate its power to sway your soul and make you want to own a yacht.

The Influential Sound of Soft Rock

The 70s saw the emergence of Soft Rock, or Yacht Rock – a soothing response to the heavy and aggressive nature of rock music at the time. Its easy-going style featured smooth vocals and polished production.

The Eagles, Fleetwood Mac, and Toto were the founding fathers of this sound, with hits like “Take it Easy,” “Dreams,” and “Africa” dominating the radio. Even today, their influence can be heard in modern music.

Yacht Rock has become a cultural phenomenon , thanks to artists like Michael McDonald and Christopher Cross . By the early 1980s, it had become the epitome of coolness and sophistication.

If you’re looking for mellow tunes to transport you to a sun-kissed boat day, Soft Rock and Yacht Rock won’t disappoint!

The Rise of West Coast-based Musicians

The ’70s saw a spike in West Coast-based musicians. Steely Dan, The Doobie Brothers, and Michael McDonald created an influential sound that captured the essence of Southern California living.

Their music featured smooth harmonies, laid back grooves and introspective lyrics . It was dubbed “ Yacht Rock ” – associated with white wines and luxury yachts. However, many of these artists rejected this term.

These musicians used a variety of instruments to create complex yet listenable sounds. Guitars, pianos, saxophones – they redefined pop music.

Tip: Listen to classic yacht rock tracks while lounging on your own deck chair. Enjoy the smooth melodies and lyrics like you’re sailing on calm waters – but with more polyester!

The Emphasis on Smooth Melodies and Lyrics

Yacht Rock – a musical style from the ’70s – featured smooth melodies and lyrics, combining soft rock, jazz, funk, and R&B elements. Its popularity was boosted by MTV-era TV shows . Romantic and boastful lyrics catered to a nautical lifestyle. Lyrics often romanticized luxury and wealth, or intimate themes like love.

Yacht Rock has a transformative power to take listeners to luxury yachts on sunny beach days. To appreciate it, listen to classic musicians like Toto or Christopher Cross . Their unique sound brings together different genres.

Vinyl records make it easier to revisit nostalgic tracks. Boat parties are the perfect opportunity to experience Yacht Rock. Playlists at home or speakers on a boat – transport back in time with throwback tunes and breathtaking views of the ocean! Get ready to rock the boat and explore the decadent era of yacht rock in the 80s.

The Heyday of Yacht Rock in the 80s

The prime era of Yacht Rock in the 80s had a significant impact on the music industry. The smooth and polished sound of Yacht Rock, characterized by its fusion of soft rock and jazz elements, was widely popular among the masses. Yacht Rock artists like Michael McDonald, Hall & Oates, and Toto paved the way for a new music genre that appealed to a vast audience. The 80s marked the pinnacle of Yacht Rock’s popularity, which continued to be a significant force in the music world until the late 90s.

The smooth voicings of singers and the catchy rhythms of the songs made Yacht Rock an instant hit. The era of Yacht Rock was marked by iconic hits like “ Africa ” by Toto, “ I Can’t Go for That (No Can Do) ” by Hall & Oates, and “ What a Fool Believes ” by The Doobie Brothers.

During the heyday of Yacht Rock, many artists emerged on the scene with their unique sound, which combined elements of rock, jazz, funk, and pop. One of the notable characteristics of Yacht Rock was the smooth and polished production style, which was made possible by the use of synthesizers and electronic instruments. This sound gave Yacht Rock its distinct flavor that was unlike any other genre. The distinct sound and vibe of Yacht Rock resonated with a growing audience, from young teens to working-class adults, making it a classic genre enjoyed by all.

The success of Yacht Rock in the 80s was due to its laid-back and accessible nature. The music was perfect for setting a casual or intimate atmosphere, which made it ideal for parties and social gatherings. The popularity of Yacht Rock started to decline in the late 90s as new genres emerged, but its legacy continued to live on through the decades. Nevertheless, the contribution and impact that Yacht Rock had on the music industry will always be cherished. For the fans of Yacht Rock, the genre still brings back nostalgic memories and continues to hold a special place in their hearts. For the new generation, Yacht Rock has become an immortal genre that symbolizes the 80s sound.

From soft rock to smooth sailing, Yacht Rock emerged as the ultimate soundtrack for high seas debauchery and questionable fashion choices.

The Emergence of Yacht Rock as a Genre

Yacht rock’s sound was smooth and sophisticated. Drawing from soft rock, jazz, and R&B , it was mellow and polished. This genre was linked to a lavish lifestyle, making it the perfect escape.

Michael McDonald, Christopher Cross, Toto, and Kenny Loggins were the icons of yacht rock. Their songs featured lush harmonies, easygoing melodies, and intricate guitar riffs.

The name ‘yacht rock’ was coined much later by an online video series titled ‘Yacht Rock.’ It was a parody of the artists’ lives and careers. But, the sublime sound of yacht rock still prevails.

The Popularity of Yacht Rock Bands and Artists

Yacht Rock was a popular music genre in the 80s known for its calm and smooth style.

Artists like Kenny Loggins, Christopher Cross, Michael McDonald, and Toto shot to fame during this time. Their lyrics expressed love and longing, with soft jazz, R&B, and pop elements.

The music videos featuring ocean waves, sandy beaches, and yachts captivated their audiences. Toto’s ‘Africa’ was played in Antarctica for 24 hours straight. They also made an appearance on Family Guy, parodying ‘Rosanna’.

These timeless songs still have an impact today. New generations continue to discover them. For example, Michael McDonald’s ‘What A Fool Believes’ was sampled by Kanye West for ‘The One’. Yacht Rock may have gone away, but its influence still lingers in mainstream music.

The Impact of Yacht Rock on Mainstream Music

Yacht rock shook up mainstream music in the 1980s. It blended soft rock and smooth jazz, with romantic and leisurely lyrics. Michael McDonald, Christopher Cross, Kenny Loggins, and Toto were among the stars of this era.

Yacht rock was easy-listening and had infectious tunes. Electric pianos, synthesizers, and soaring harmonies were often part of its sound. Plus, it focused on luxurious activities like sailing and yachting.

However, yacht rock slowly faded with the rise of alternative rock in the 90s. But now, its smooth sounds are back in style!

It’s funny that yacht rock was not called that at first. J.D. Ryznar made some videos with friends and gave it the name. After millions watched, it became popular and is now a recognized subgenre.

Who knew sailing in khakis and loafers would be popular again? Welcome to the yacht rock revival .

The Revival of Yacht Rock in the 2010s

The resurgence of Yacht Rock in recent times has been a remarkable phenomenon. This genre, popular in the 70s and 80s, has been given a new lease of life in the 2010s. Numerous artists have rediscovered the smooth and relaxed vibe of Yacht Rock, and with the help of modern production techniques, have infused it with a contemporary twist.

With the current generation of music lovers seeking a break from the chaos of modern life, the revival of Yacht Rock has brought a sense of calmness and nostalgia. Many young listeners have been introduced to this genre for the first time, and it has proved to be a refreshing sonic landscape. The resurgence of Yacht Rock has also been fueled by the rise of retro culture, with fashion and décor trends of bygone eras making a comeback.

The new wave of Yacht Rock artists has not only embraced its smooth sound but also incorporated elements of funk, indie, and electronic music to bring it up to date. They have given the music a modern edge while retaining the characteristic traits of the genre.

According to Billboard , the Yacht Rock genre has seen over 100% increase in streams between 2015 and 2017. This is a testament to the genre’s popularity and the impact of its modern reintroduction.

Looks like the yacht has docked at the port of millennials, who are discovering the smooth sounds of Yacht Rock while sipping on their avocado smoothies.

The Introduction of a New Generation of Yacht Rock Listeners

Yacht Rock is sailing back into the 2010s with a fresh wave of fans. Smooth tunes and chill vibes make it unique. Plus, soft rock, jazz, R&B, and soul give it a special flavor. Michael McDonald , Christopher Cross , and Toto still rock with classic hits like “ What A Fool Believes ” and “ Ride Like The Wind “. Even modern artists like Portugal. The Man are getting in on the action.

Thanks to streaming services, it’s never been easier to enjoy Yacht Rock . People can easily find it, and it’s taking them back to happy days on yachts in the sun. Plus, old-timers get to relive their youth. One fan shared that she feels transported back to her summertime days when she hears Yacht Rock. So, pull out those bell-bottoms, mix up a piña colada, and enjoy the smooth sounds of Yacht Rock!

The Nostalgia Factor: Rediscovering Yacht Rock Classics

Yacht Rock’s resurgence is taking over the 2010s! Hall & Oates, Michael McDonald, and other iconic artists of this groovy sound are now being rediscovered. With streaming services like Spotify adding dedicated yacht rock playlists, millennials are finding a newfound appreciation for these timeless tracks.

New collaborations between classic and contemporary musicians are bringing this style back to the spotlight. Yacht Rock has always been about escapism and self-care – perfect for relaxing sunny days or cruising down the coast. It resonates well with today’s listeners who value luxury, nostalgia, and more .

But it’s not all about nostalgia. Yacht Rock has shown its appeal can last through generations . To keep the revival going strong, we suggest listening to live performances from original yacht rockers or new acts. Examining lesser-known songs can reveal hidden gems that capture the essence of what made yacht rock so captivating.

In summary, yacht rock is alive and thriving with fans young and old . It’s the perfect balance between nostalgia and modernity – all while staying true to its laidback style. Open your mind and explore all facets of this sound – and yacht rock will continue to sail for years to come.

The Relevance of Yacht Rock in Contemporary Music

Yacht Rock , a sub-genre of soft rock, made a comeback in the 2010s. It’s known for its maritime theme and smooth, easy-listening tunes. Christopher Cross, Toto, and Michael McDonald are some of the artists leading the way.

Nostalgia is one reason for its revival. People remember simpler times spent on boats. Younger listeners are discovering Yacht Rock through platforms like YouTube and Spotify. Plus, its music is easy to listen to, so you don’t have to pay close attention.

West Coast musicians collaborated with Yacht Rock. They had a mellow sound that fit the songs. Steven McVicker coined the term ‘yacht rock’ in 2005, according to Rolling Stone Magazine.

Yacht Rock is still sailing with a new generation of fans. Even Michael McDonald is still touring!

The Future of Yacht Rock

In the realm of yacht rock , the progression of the genre over the years has been quite evident. Looking into the future, the genre may continue to evolve, embracing new sounds while maintaining its core elements.

As artists experiment with new ways of infusing classic yacht rock tones with modern sensibilities, the future of yacht rock may see an expansion of its audience. Additionally, there may be a shift towards a greater focus on diverse representation within the genre. By incorporating different voices and perspectives, the future of yacht rock could be more inclusive and inviting to a wider range of listeners.

Yacht rock may have started in the 70s, but it’s here to stay like that one drunk friend at the party who insists on playing their favorite soft rock playlist.

The Continuation of Yacht Rock as a Genre

Yacht rock burst onto the scene in the 70s and 80s, blending soft rock and jazz. Many thought it’d be a flash in the pan, yet it’s still alive and kickin’! Music icons like Daryl Hall and John Oates even have new yacht rock tunes.

Its charm lies in its ability to take listeners back to summers spent at the beach or rolling down highways with windows down. Plus, modern artists have their own spin on yacht rock, blending funk and R&B with classic yacht rock elements.

Yacht rock is popular with mature audiences, but younger folks should take the chance to explore too! Dabble in something new by discovering up-and-coming yacht rock artists on streaming platforms.

This smooth genre has changed over time, but yacht rock remains timeless !

The Evolution of Yacht Rock Sound and Style

Yacht rock has been around since the late ’70s. It is characterized by mellow melodies, smooth harmonies, and a laid-back vibe. A key element is nostalgia for the past . Over time, the yacht rock sound and style has evolved.

Contemporary artists like Dev Hynes, Ty Dolla $ign, and Robbie Dupree have found inspiration in yacht rock for their distinctive R&B infused sounds. Streaming platforms like Spotify have also helped to revive the genre by creating playlists for fanatics.

Jack Antonoff’s exploration into this sound with Bleachers is a tribute to the era, whilst pushing it forward. More and more artists are incorporating yacht rock elements into their music.

Experience the latest iteration of this legendary soft-rock subgenre – dive into the ocean of Yacht Rock now!

The Significance of Yacht Rock in Music History.

Yacht Rock – an iconic soft rock genre from the ’70s and ’80s. Its smooth melodies and pristine production created a luxurious escape from the hard rock and metal of the time. It symbolized a cultural shift to a more relaxed lifestyle. Its influence is still felt today, with songs like “ Rosanna ” by Toto and Air Supply’s “ Making Love Out Of Nothing At All ” standing the test of time.

Even modern musicians like Bruno Mars are incorporating Yacht Rock elements into their music, evidencing the genre’s continued impact. Yacht Rock was more than just a musical style – it embodied a lifestyle of luxury, leisure, and sophistication .

Yachty by Nature

What is Yacht Rock?

What is yacht rock.

Photo by Joel Goodman

Let’s answer the question “what is yacht rock”.  In short, it is that smooth, soft rock that emanated from Southern California in the late 1970s and early 80s. It has long served as the anthem for the “yuppies” of the 80s, since they LOVE to listen to smooth music as they cruise through the harbor.

If you’ve ever visited the dentist or been in an elevator you’ve definitely heard some Yacht Rock.  In fact, some say it’s a guilty pleasure because the music seems to offer an escape to good times.  Importantly, here’s the short answer but if you need a full Yacht Rock 101 , enjoy this article from Captain Carl.

Smooth Music Timeline

First you’ll need a little timeline.  So, let’s put the genre of yacht rock into perspective.

2005  First Episode of Yacht Rock written and produced by JD Ryznar, Hunter Stair, and Dave Lyons.

2009 Yacht Rock Revue band in Atlanta becomes the first “yacht rock band”

2010  Final episode of the YouTube series

2011 Mustache Harbor becomes the first West Coast band to play smooth music

2016 Yachty by Nature is the first West Coast yacht rock band to play nationwide

2020 Rolling Stone features Yacht Rock Revue and their new original music album

The Answer to Smooth…

Honestly, the question, “What is yacht rock?” is that question that hits us quite often.  Moreover, Yachty by Nature was the original Yacht Rock band in Southern California to play on a regular basis.  Ultimately, when we dropped anchor in the genre in 2016, there were only 3 bands:  Mustache Harbor (No Cal), High Tide Society (SD), and Harbor Party (LA).  So, in our first year of existence, everyone was curious to know what the heck these guys in captains hats were doing.  Little did they know what smooth wave was to hit them.

Especially, now we are in the midst of a smooth rock revolution!  Audiences from coast to coast have really jumped on the vibe, the groove, and are now wearing the Broner Captain’s Hats we pioneered.  Even a competing band followed our lead on the Broner hat!  Truly, Yachty by Nature broke down a lot of doors to smooth soft rock music on the West Coast, Midwest and even the East Coast.  Yachty by Nature has now played concerts in North Carolina, Florida, Iowa, Washington, Nevada, Arizona as well as Northern and Southern California.  Lastly, take a look at the complete song list of smooth tunes the band enjoys playing!

In the music…what is yacht rock music.

Most importantly, this genre of music lasted from 1976 to 1984.  Truthfully, the incredibly talented session musicians playing the music made it hot.  For example, the guys in Toto were featured most famously on Michael Jackson’s Off the Wall & Thriller & many more hit songs.  In addition, the Doobie’s singer Michael McDonald would be prominent on Steely Dan’s Peg.  And then, sang on Christopher Cross’ Ride Like the Wind and wrote songs with Kenny Loggins.  This is one of the things the authors of the Yacht Rock YouTube series evidenced for the crossover effective of these smooth artists.

To boot, this music was jazzy, R&B, and groove oriented that made it sound “smooth”.  It was no easy task to play or sing this music.  In addition, the music featured lighter lyrics and focused on that groove.  The beautiful effect made the music a light hearted affair focusing on a musical hook that made people swoon.  Indeed, the yacht party emanates from the music and conjures visions of good times under swaying palm trees and endless sunsets.

Yachty Groove

Factually, the authors of yacht rock have a very tight criteria for songs to be on the yacht.  In more recent times and with Sirius/XM Yacht Rock radio, many more songs are considered to be yacht rock.  Importantly, the purists disagree about which songs make the grade.  But, when it comes down to it, let’s pay attention to the elements that rock the yacht.  Most notably, the purists don’t consider Hall and Oates, Little River Band, and even Brandy as smooth music.  Effectively, many tunes are more on the soft rock side and don’t feature those outstanding session musicians like Jeff Porcaro that float our boat.  However, the genre is evolving and people seem to take those liberties of what may say, “I’m on a Boat”.

Deep in the yacht

Listen to the prominent songs of the genre.  For example, Michael McDonald scores a perfect 100 on the Yachtski scale with his hit song What a Fool Believes.  It is lushly produced with lots of rhodes electric piano, smooth synth, big harmonies, and high vocals.  The groove is unmistakable, the lyric laments a foolish and melancholic love lost, and the vocal oozes the warm and comfy home of SMOOTH.  Of course, McDonald is the godfather of the genre along with the royalty of Christopher Cross and Kenny Loggins.  Don’t forget the immediate yachtiness of Boz Scaggs, David Foster, Jay Graydon, Michael Jackson, Toto, Steely Dan, and Pablo Cruise.

And, for the astute listeners, go deep and check out the lesser known but extremely yachty Bill LaBounty, Larsen Feiten band, Robbie Dupree, Marc Jordan, Pages, and Ned Doheny.  These are just a few of the really great and highly rated yacht rock music of the 70’s and 80’s.  Definitely worth a listen.

Yachty Rock visuals

Lastly, many of the prominent songs of the era had nautical lyrics and featured boats and other yachty references on their album covers.  In fact, check out the level fun of Yacht Rock found in movies new and old and the overall pop culture of the music.  For example, Caddyshack features the yachty outfits and fun around the yacht club and the country club.  More recently, Step Brothers features the song “Boats ‘n Hoes”.  SNL star Andy Samberg raps with T-Pain on the expletive filled but Yachty “I’m on a Boat”.  And, of course, Will Ferrell and cast embodies the 70’s clothes and groovy music of yacht rock on the film Ron Burgundy.  The visuals abound in culture, dress, and everyday life now thanks to this resurging music.  Just look at the preponderance of flamingos, anchors, palm trees, and boat shoes and boat wheels around you.  Celebrities, artists, and even new music is being transformed by the genre, so get on the yacht!

Check out Captain Carl’s post about smooth fashion tips too!!!

Youtube series.

So let’s cast off, shall we?  Check the series at the top of the post or search on YouTube for the series by the authors of the genre.

Watch this epic YouTube series entitled Yacht Rock which coined the phrase and blazed the trail for the resurgence of people loving on the glorious tunes of the soft rock era! Here is episode 1, enjoy 🙂  Lastly, listen to a taste of us on What a Fool Believes if you haven’t had enough Michael McDonald for the moment.  We recorded this at Sea Legs when we opened for Snoop.

#yachtrock #softrock #whatafoolbelieves #whatisyachtrock #yachtybynature

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a loosely defined style of smooth music influenced by jazz and rhythm and blues , and associated with the American soft rock of the 1970s and 1980s: perceived as having a natural affinity with sailing or relaxing on a boat.

Origin of yacht rock

Words nearby yacht rock.

• yacht chair
• yachtswoman
• yackety-yak

Dictionary.com Unabridged Based on the Random House Unabridged Dictionary, © Random House, Inc. 2024

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• Meaning of yacht rock

yacht rock ( English)

Origin & history.

• ( music genre ) A smooth , melodic form of soft rock music of the late 1970s and early 1980s.    Synonym: West Coast Sound‎, adult-oriented rock‎    Hypernyms: soft rock ‎
• 2012 , Jenn Bennett, Summoning the Night: An Arcadia Bell Novel , Simon and Schuster (ISBN 9781451620559) Yacht rock from the 1970s floated over the aisles like a bad storm cloud, dumping torrents of Christopher Cross and of the band that gave me sweaty nightmares, Steely Dan.

Further reading

• yacht rock on Wikipedia .

Automatically generated practical examples in English:

Adult-oriented rock, a synonym for soft rock; West Coast sound, a mid-to-late 1970s rock subgenre, more recently referred to as yacht rock . Adult-oriented rock – Wikipedia

He is the co-founder of London-based yacht rock duo Young Gun Silver Fox, along with Andy Platts. Shawn Lee (musician) – Wikipedia

Y. Yacht rock · List of yacht rock artists · Last edited 2 months ago by RockabillyRaccoon. Languages. Category:Soft rock – Wikipedia

▾  Further examples

This album marked a major change in Mason's sound after his blues rock sound with his Blue Thumb Records releases, blending pop rock and yacht rock . Dave Mason (album) – Wikipedia

The song was influenced by yacht rock and disco, and the lyrics explore nihilism and insecurity. Borderline (Tame Impala song) – Wikipedia

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Cite this page : "yacht rock" – WordSense Online Dictionary (21st March, 2024) URL: https://www.wordsense.eu/yacht_rock/

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yacht-club (French)

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yachtboard (English)

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