kyuss catamaran lyrics meaning

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• Palm Desert, California
• Stoner Rock
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Hailing from Palm Desert, CA, Kyuss (pronounced "kai-uss") has become something like a heavy metal equivalent to the Velvet Underground. Although they are widely acknowledged as pioneers of the booming stoner rock scene of the 1990s, the band enjoyed little commercial success during their brief existence, but their combination of sludgy, down-tuned guitars (often played through a bass amp for maximum, earth-shaking intensity), spacey jams, galloping thrash metal rhythms, and organic drums became a blueprint, often copied, but never quite replicated by countless underground metal bands.

Formed in 1990 by vocalist John Garcia, guitarist Josh Homme, bassist Nick Oliveri, and drummer Brant Bjork, Kyuss (named after a character from Dungeons & Dragons) began jamming at so-called "desert parties," in and around the isolated towns of the Southern California desert. The band gradually built a local following, signed with tiny independent label Dali Records, and released their first album, Wretch, in 1991. Under-produced and poorly financed, the album failed to capture the band's live sound and went mostly unnoticed until sporadic touring started earning Kyuss a reputation as a ferocious live unit, as well as the respect of many fellow musicians. One of these, Masters of Reality singer/guitarist Chris Goss, decided to produce the band's next effort, and the collaboration bore fruit in 1992's stunning Blues for the Red Sun. Soon hailed as a landmark by critics and fans alike, the album took the underground metal world by storm and established the signature Kyuss sound once and for all: the doom heaviness of Black Sabbath, the feedback fuzz of Blue Cheer, and the space rock of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensibility for punk rock, metal, and thrash.

Based on this sudden surge of interest, the band was signed by Elektra Records just as Dali was about to go bankrupt, and despite the loss of bassist Oliveri (he was replaced by Scott Reeder, formerly of the Obsessed), the band continued building momentum with 1994's Welcome to Sky Valley. Also recorded under Goss' guidance, the album nearly matched the brilliance of its predecessor and saw Kyuss taking the novel approach of grouping the songs into three extended suites. Still, despite such creative promise and an ever-growing fan base, personal strife had already begun tearing the band apart, and drummer Brant Bjork was the first to depart when they concluded their fall tour. Then, although they quickly recruited the jazz-trained Alfredo Hernandez to replace him on 1995's noticeably less inspired ...And the Circus Leaves Town, a final rift between Homme and Garcia finally brought Kyuss' meteoric run to a disappointing halt.

2000's Muchas Gracias: The Best of Kyuss collected rare outtakes and live recordings and effectively put a capper on the Kyuss legacy, but after a period of relative silence, each bandmember's talent began leaving its mark on a number of relevant projects. Garcia briefly worked with straightforward desert rockers Slo Burn in 1997 before reuniting with Reeder in the much more promising (but ultimately doomed) Unida, later lending his in-demand pipes to Hermano and other bands. Brant Bjork sang and played guitar in his own power trio, Che (featuring his Kyuss replacement Hernandez on drums), and released a number of solo albums while joining top fuzz rockers Fu Manchu on a full-time basis. As for Josh Homme, discounting a short touring stint as rhythm guitarist for Screaming Trees, he initially retreated into production and spent much of the late '90s collaborating with an impressive array of musicians on the eclectic Desert Sessions. Some of this material was later reworked into his next major project, Queens of the Stone Age, which saw him paired with original Kyuss bassist Nick Oliveri (who had kept busy working with Dwarves) and, at first, drummer Hernandez, as well. Ironically, by their third release (and last with Oliveri), 2002's Songs for the Deaf, Queens of the Stone Age had achieved significantly larger sales than Kyuss ever did, though it's arguable whether they've yet matched their predecessor's legendary status.

Eduardo Rivadavia AllMusic.com

• Kyuss – 50 Million Year Trip (Downside Up) A comment was added to 50 Million Year Trip (Downside Up) by raffyjones . Ok, so. I've been analyzing this song for a few weeks now, and I'm mainly taking, in addition to the song itself, their live in Essen, 1995. The audio quality is somewhat good, so that... 1 month ago

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Kyuss – Catamaran lyrics

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Catamaran meanings

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Space Cadet by Kyuss Lyrics Meaning – Unveiling the Cosmic Isolation in Sound

by SMF AI · Published January 16, 2024 · Updated April 25, 2024

• Music Video

A Solitary Figure Against the Cliffside – An In-Depth Look at Isolation

Time crawls by – the lingering heaviness of ‘space cadet’, cleansing sands and solar embrace – the symbolic purity of nature, the enigmatic partner – deciphering ‘she’ in the song’s universe, the world that never arrives – unraveling the song’s hidden pain, memorable lines that echo in the void – ‘space cadet’ resonates.

The waiting is hard Fucking takes so long Draped in sun, hands in sand Earth acid cleanses me It cleanses me clean But the world it never comes

It never comes It never comes It never comes

I lay on my side in the edge of the room She never expects anything from me When all the days, the days of the year I know I miss that part of me

Waiting is hard Fucking takes so long Draped in sun, hands in sand Earth acid cleanses me It cleanses me clean But the world, it never comes

Full Lyrics

Amidst the arid deserts that gave birth to their sound, Kyuss crafted ‘Space Cadet,’ a song that carves its haunting melody into the vast canyons of rock history. As atmospheric as the sun-baked sands from which the band emerged, ‘Space Cadet’ reaches beyond mere audio entertainment, tapping into a profound isolation that is both alien and intimately familiar.

At the heart of ‘Space Cadet,’ lies a lyrical labyrinth open to interpretation, where every listen unearths a new layer of meaning. It is a meditative journey, inducing a trance-like state that allows the mind to wander through the lyrics, each word echoing the solitude of the soul.

The song’s protagonist stands alone, a solitary figure peering into the abyss of the horizon, ‘on the cliffs of the world.’ This vivid imagery encapsulates a sense of abandonment, setting a tone that’s both desolate and contemplative.

The act of ‘sitting alone, covered in rays’ evokes a picture of someone basking in solitude, seeking a connection with something greater than the human experience. Through these lines, ‘Space Cadet’ portrays the individual’s quest for a moment of peace, a sliver of clarity within the chaos of existence.

We are drawn in by the song’s reference to time and its cruel lethargy: ‘The waiting is hard / Fucking takes so long.’ This lyric resonates on a universal level, highlighting the enduring angst of anticipation and the struggle inherent in prolonged longing.

The choice of words here is stark, genuine, and raw—’fucking’—a curse in the desert wind, expressing a frustration as real as the earth itself. ‘Space Cadet’ doesn’t shy away from this discomfort, instead, it embraces and magnifies it, allowing listeners to feel the grating crawl of time in their very bones.

Throughout the song, the use of natural elements such as sand and sun plays an important role. ‘Draped in sun, hands in sand,’ the elements become a cleansing force, ‘Earth acid cleanses me.’ There’s a baptismal quality to this process, a shedding of the old to welcome the new.

These elements stand as a metaphor for life’s trials and rejuvenation. Much like the desert itself, ‘Space Cadet’ suggests a process of constant erosion and rebirth, a place where one comes face to face with their core existence beyond the hustle of society.

A less-discussed yet crucial aspect of ‘Space Cadet’ is the presence of ‘she.’ This character’s role is pivotal: ‘She never expects anything from me.’ Who is she? A lover, the Earth, or perhaps a celestial being, representing the vast and unattainable universe itself?

This female figure appears as a passive recipient of the protagonist’s existential contemplations. The fact that ‘she’ harbors no expectations creates a void where the protagonist can be utterly free, yet this freedom also breeds the echoing silence of unmet yearning.

Repeated like a mantra, ‘the world it never comes,’ manifests as the song’s core riddle. It’s a line that pounds like a heartbeat, underscoring a cosmic disconnection between the individual and the larger, spinning globe out of reach.

It never comes—the world, with all its promises of kinship and adventure, remains an elusive dream for the space cadet. This repeated line isn’t just a literal refrain but a commentary on the often-unfulfilled expectations that we hold against the canvas of the universe.

While the song meanders through verses of poetic depth, there are lines that hit like meteor collisions: ‘I know I miss that part of me.’ These words serve as a reminder of the fragments of self lost in time’s relentless march. ‘Space Cadet’ isn’t just a song, it’s a mirror reflecting our innermost voids.

The simplicity here is deceiving, for within these words lies a complex understanding of human longing and the search for meaning. ‘Space Cadet’ stands as an anthem for all those who’ve ever gazed at the stars and felt both their immense beauty and their heart-wrenching indifference.

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• Catamaran by Kyuss Lyrics Meaning – Unraveling the Mystic Desert Voyage

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Kyuss - Catamaran Lyrics

Artist: Kyuss

Album: Miscellaneous

Genre: Rock

Smooth stones beneath me Cool air surrounds Soft and saviourey You can take me to God You can take me to God No it doesn't take your will To set your brace on me I never doubt your possibilities Please let go of my sleeve Smooth stones behind me Cold air surrounds Soft and saviourey You can take me to God You can take me to God No it doesn't take your will To set your brace on me I never doubt your possibilities Please let go of my sleeve

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Catamaran Lyrics

...and the circus leaves town.

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Kyuss ( /ˈkaɪ.əs/ KY-əs) was an American rock band, formed in Palm Desert, California in 1987 by Josh Homme (guitar), John Garcia (vocals), Brant Bjork (drums) and Chris Cockrell (bass). After releasing an EP under the name Sons of Kyuss in 1990, the band shortened its name to Kyuss and recruited Nick Oliveri. Over the next five years the band released four full-length albums, and one last split EP in 1997 as Kyuss and the newly formed Queens of the Stone Age. This nicely tied up the loose ends of Kyuss and introduced the new band Queens of the Stone Age, which was at one time composed entirely of ex-Kyuss members. more »

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Written by: JOSH HOMME, MARIO LALLI, JOHN M GARCIA, SCOTT REEDER, ALFREDO HERNANDEZ

Lyrics © Kobalt Music Publishing Ltd.

Lyrics Licensed & Provided by LyricFind

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