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Once Yachting - All You Need to Know BEFORE You Go (2024)

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Once Yachting - All You Need to Know BEFORE You Go (2024)

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ONCE YACHTING: All You Need to Know BEFORE You Go (with Photos)

Once Yachting

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Yachting Monthly

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Boat photos: how to take an amazing shot of your yacht

  • Katy Stickland
  • June 15, 2021

Getting a decent boat photo or a shot of action on board can be tricky. Yachting Monthly photographer Richard Langdon shares his pro tips

Using a long lens to bring an interesting background into the shot will help when taking amazing boat photos

Using a long lens to bring an interesting background into the shot will help when taking amazing boat photos. Credit: Richard Langdon

Photography might not be a sailing skill per se, but the chances are you take boat photos or shots of the ocean almost every time you head out on the water, writes Richard Langdon .

Whether it’s capturing a picture to post on Facebook or Instagram, to create a photo album or yacht club presentation about your adventure, or even to immortalise your pride and joy for a framed picture at home, we’re all snapping away.

Getting a decent picture at sea is no mean feat, however.

To get a good shot of your boat under sail, you can’t be on it, which is a significant hurdle.

Shots of coastlines and headlands often end up as black lines sandwiched between a grey sea and a grey sky, and you’re invariably too busy to pick up a camera when there’s action on deck.

Below decks can be dark, and flash photography captures surprised faces and red eyes.

Marine and boat photographer Richard Langdon

Richard Langdon is a professional marine photographer and runs Ocean Images, capturing the world’s most famous boats and events. He has sailed far and wide in his Contessa 26. Credit: Richard Langdon

Getting that killer shot can be exhilarating though, and photography is an enjoyable addition to a cruise, but just how do you get stunning images that truly capture the fun, action and beauty of being at sea without having to be a pro?

Subject matter, timing, composition and lighting all play a part.

Photography is about recording light, be it natural light from the sun or moon, or artificial light from a flash, deck lights or even a torch.

It’s nearly always possible to get a rewarding image though it might not be the one you set out to achieve.

Then there’s the choice of camera, whether its your smartphone, compact camera, waterproof action camera, or digital single lens reflex (DSLR).

Each can give great results in different settings.

It’s also worth thinking about what you’re taking pictures for.

It’s easy to have lots of seascapes looking over the bow, but often it’s the people on board you’ll want to remember later.

Photos can be a great way of telling stories, so including the elements that make up a story (people, places and events) can really help.

If it’s for a collection of images, a variety of subject matter, composition and lighting will help build up a visually appealing record that helps tell the story of your adventure.

Whether your aim is to get the ultimate sailing image, an archive for your grandchildren or social media images to make your friends green with envy, some photographic knowledge will hopefully improve your shots.

Taking boat photos: types of camera

So what type of camera should you opt for to take boat photos?

As a professional, most of my work is done using a DSLR.

I will probably also have a GoPro in my pocket during a shoot mainly for those moments on board when it’s too wet to get the expensive one out, or for video.

For family and friends and for those lovely shots that pop up unexpectedly my iPhone gets used, simply because it’s the camera that’s available to me at the time and the quickest to use.

Digital Single Lens Reflex

A DSLR camera

A DSLR is the pro choice when taking boat photos and offers the most control over the images you take, resulting in the best quality photographs. Credit: Alamy Stock Photo

A DSLR gives you total control. You can choose lenses from super wide angle to telephoto.

And while most other camera options do give a choice of lens, the DSLR enables you to use a lens that is of high quality, even when the lens is a telephoto.

The DSLR also gives you the choice of aperture and shutter speed, which allows you to control depth of focus, keeping everything pin sharp, or blurring out the background to really highlight your subject.

You can also use a separate flash, so you can control the lighting, even on bright days, to fill in the shadows.

Compact camera

A blue and silver compact camera

Compact cameras still have plenty of offer due to their handy size, picture quality and a flash that is usually superior to a smartphone’s. Credit: Alamy Stock Photo

The compact camera was all the rage a decade or two ago.

Smartphones and action cameras have largely taken their place.

They do still offer high-quality still images in a small package.

Many are now splash or waterproof, many have RAW format, some sort of visual zoom and various levels of automatic or manual settings to control your image.

With care, use of their built-in flash can give good results.

Be careful with using the digital zoom, however, as this can reduce image quality massively.

Action camera

GoPro Hero 5 Black 4K action isolated against a white background

No keen sports snapper worth their salt would be without an action camera. Credit: Alamy Stock Photo

The action camera has taken sports photography by storm and GoPro led the charge.

I’ve never broken one yet, a testament to their quality.

Choose RAW format for the best quality stills and this will also give you more scope in post production.

The action camera is great if you plan to do a lot of close-up, on-board shots.

The super wide setting will give you distorted fish eye type results which have their place but if you’re more conservative, stick to wide or linear settings.

These cameras aren’t great for shooting into the distance, as there’s no telephoto setting.

Apple iPhone 7 Plus isolated on white background with clipping path

Our smartphones go everywhere with us these days, which makes them ideal for capturing spontaneous moments that might otherwise be missed. Credit: Alamy Stock Photo

And last but by no means least, a camera that most of us have in our pockets is a smartphone.

Whether Android or iPhone, these cameras have really evolved in recent years.

They can be good for wide-angle, but offer little by way of real zoom.

The flash is okay, but you will have little control over it.

And don’t forget when you touch the screen to alter the focusing distance you can also swipe up or down to easily change the exposure of your photograph.

Most smartphones now offer a portrait mode, which will give the effect of dropping the background out of focus, which looks great if used carefully.

Just keep your phone to hand and charged up.

People & Action

People sailing make great pictures.

Not just posed shots looking into the camera but while they are actively sailing.

Yachting Monthly columnist Dick Durham down below on his boat Betty 2

In low-level lighting, such as below decks, try changing the ISO to a higher number to record light faster, or add addition light sources. Credit: Richard Langdon

In fact many great portraits have the subject looking away from camera.

You’ll need to make sure they have the sailing in control so you can focus on getting some shots.

Try to get faces rather than backs of heads and also try to avoid having a backstay or rigging emerging from their head.

Composition

If you’ve got time, think about lens choice.

A long lens will help isolate your subject from the background, such as the convenient little 50mm lens on a DSLR.

Just choose an aperture with the smallest number like f2.8 or f4 and the background will blow out of focus, especially distant background.

Conversely a wide-angled lens of 18mm or below, is also useful, as long as you get close in on the action.

Stay in front of your subjects when taking a group shot in order to capture the best facial expressions, but they don't have to look at you

Stay in front of your subjects when taking a group shot in order to capture the best facial expressions, but they don’t have to look at you. Credit: Richard Langdon

Stay ahead of your subject in order to capture great facial expressions, and if they are doing something active, keep their hands in shot so that the viewer can see exactly what is happening.

When it comes to lenses, having some kind of zoom lens available lets you change focal length much more easily.

If you want one lens, a good range of wide angle to long lens gives you lots of flexibility, but you may end up sacrificing a little in aperture settings or image quality.

Your light source on board will either be the sun and/or a flash. Most likely just the sun.

So taking photos of people on board in the middle of the day will give harsh shadows from the overhead light which are not very flattering.

This problem gets worse in mid summer or close to the equator.

If you have a choice wait until the ‘golden hour’, a couple of hours before sunset or soon after sunrise.

The hour before sunrise and sunset provides some of the best light to take boat photos

The hour before dawn and sunset is known as the ‘golden hour’ giving soft light without harsh shadow. Credit: Richard Langdon

You’ll be treated to a warm soft light that will make your subjects look amazing!

Ideally they will be ‘frontlit’ facing the light but if the sun’s behind their backs (backlit) just let them be silhouetted for a different effect.

If they are backlit and you are using a DSLR, expose the picture for the sky behind not their faces or rotate the exposure compensation down one stop for the same result.

This will create a nice silhouette.

Your phone camera will also let you adjust the exposure.

There is also a setting called ‘high dynamic range’ (HDR) on most phones, which takes three identical images but with different exposures, then merges them together so that the highlights, the shadows and the mid range are all properly exposed.

This can give a really dramatic effect rather than losing areas of the image in shadow.

A man on a cockpit of a boat, wearing a green jacket

Torches or other light sources can be used over a flash to create a different atmosphere. Credit: Richard Langdon

In low light, it is possible to get images by using a wide aperture (small f-stop number) and a slow shutter speed, but as the exposure will take longer, try propping your camera up on something to hold it steady and avoid blur.

If you can change the ISO (the sensor’s sensitivity), put it onto a higher number so it records the light faster.

Your camera may well have automatic settings for low light and it’s worth trying these rather than just relying on flash.

If you’ve got a flash, think about using it in the middle of the day to fill in those harsh shadows.

A smartphone or compact will only give limited adjustment, but if you have a DSLR you can get great results.

Set both on automatic and nine times out of 10 you’ll get a great result, albeit with a face that will be pretty flattened by light.

For best results, prior to switching the flash on, switch the camera to Manual (M) and set the shutter speed as fast as possible when using flash (usually 1/160-1/250) and the aperture to a setting that will give a slightly underexposed shot (take a quick frame to test).

Then switch on the flash and set on manual, set the flash power to suit your distance from your subject.

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Start at, say…. 1/4 power and try a shot.

Too much flash? Reduce power to 1/8, and so on.

Try to avoid putting too much flash into your subject unless you want something really punchy.

Then once the camera and flash are set you can pretty much shoot anything happening aboard, as long as the light or distance from the subject stay more or less the same.

If you want to get closer, just reduce the flash power to suit.

If your camera doesn’t have a flash, you could try shining a torch for a similar effect to fill in shadows.

Below decks, it’s worth turning the lights on for a better image.

On a DSLR, you can soften the flash by bouncing it off a bulkhead, or you could shine a torch from another part of the cabin, or use a diffuser to soften the flash.

How to take great boat photos

So how can you capture great sailing images, perhaps of a boat nearby or your own boat?

A dream scenario would be to sail with another boat owner who wants the same thing.

A boat sailing to leeward

For taking great boat photos, get the boat sailing well, then choose your angle. The leeward bow is a flattering angle and will let you see the deck and crew. Credit: Richard Langdon

Sail in convoy and snap away, or see if your sailing club could send a RIB out for half an hour.

Just make sure you consider the following factors…

Camera settings

Boats and waves move fast. For crisp, sharp boat photos you will probably need to set your DSLR to a shutter speed of 1/500th of a second or less.

A short focal length will help isolate the boat from the background, but be careful of autofocusing on the waves ahead of the boat.

On other cameras, select the ‘sport’ setting for faster exposures.

If you are close and using a wide-angle lens, the rig of the boat you are shooting might look disappointingly short.

When taking boat photos, a long lens avoids distortion and can bring an interesting background into the picture

When taking boat photos, a long lens avoids distortion and can bring an interesting background into the picture. Credit: Richard Langdon

The wide-angle lens will distort this.

So think about moving apart so that you are using a standard lens or something a little bit zoomed.

This will bring things more into proportion.

While a wide-angled lens might distort the rig and possibly even bend the boat, using a telephoto lens also needs to be done with care.

A close up boat picture taken with a wide angle

Close up with a wide angle can create a dramatic effect, but distorts the boat. Credit: Richard Langdon

Pick your angle carefully as telephoto shots ahead or behind the boat will squash or foreshorten the boat and could make it look dumpy.

You will lose those beautiful lines.

So with a telephoto lens, keep more or less abeam of the boat so as not to distort.

Composition of your boat photos

Think about your composition too. The rule of thirds is a good start for a pleasing picture.

Start with 1/3 sea and 2/3rds sky. And also the boat 1/3 across the frame, preferably sailing into the frame.

But break the rules if you like. How about 2/3 sea, and 1/3 sky?

Think about the angle of the sun relative to the wind direction.

Boat photos taken from windward show more of the hull and less detail on deck.

Boat photos taken from windward show more of the hull and less detail on deck. Credit: Richard Langdon

To show off a boat well, shooting from the leeward side will show more of the boat’s lines and less of the dirty underwater hull.

If the boat is front-lit and perhaps in the golden hour you will get some great shots.

But also shooting straight into the light works, as you’ll be rewarded by a sea speckled with sparkling highlights.

Try some vertical (portrait) shots with full rig. This is especially great when you’ve got an interesting cloud formation behind.

Try horizontal too. Crop the rig out to get the length of the boat to fill the frame and give you lots of crew detail.

If you have an amazing background, some stunning cliffs for example, use a telephoto lens if you can to emphasise the scale of that background.

If you are feeling ambitious and in a second boat tracking alongside and have a DSLR, try shooting with a slow shutter speed to give the sea some motion blur.

This works best on flat water so as to avoid camera shake.

The technique also works best using a wide angle to show more sea.

the red bow of the yacht Phaedo

Opting for a slow shutter speed will create impactful ocean blur. Credit: Richard Langdon

Just set the camera to a shutter speed of 1/60th of a second, even slower as you get the hang of it. (A slow ISO like 100 will also help.)

The aim is to get a shot where the boat is sharp but the water is blurred. So keeping the camera steady is key.

And don’t be frightened to keep your finger on the shutter, as multiple shots will increase your chance of achieving a good result.

Taking boat photos from the dinghy

If organising a boat-to-boat shoot is not possible, think about dumping your designated photographer into your tender somewhere safe.

Give him or her a hand- held VHF for safety and control.

You could even anchor it in a bay so they don’t have to worry about drift.

I’ve successfully managed to get some great boat photos bobbing about in the tiniest of tenders.

If you’ve been designated this task, make sure the crew onboard is briefed not to sail miles past you in each direction, which can be frustrating, and also brief them on the best distance you want them to pass and on which side.

Exposure, Aperture & ISO

Your choice of aperture will give you control of how much of your shot is in focus.

A wide aperture, which confusingly has the smallest ‘f-stop’ number, will enable a fast shutter speed, reducing motion blur.

When taking boat photos, increasing the depth of focus using the aperture can cause motion blur

When taking boat photos, increasing the depth of focus using the aperture can cause motion blur

This gives a really small depth of focus. Ideal for portraits.

Let’s say for example, on a certain day:

Aperture f2.8 Shutter speed 1/1000th of a second

If you would like more in focus move the aperture to f4.

You will be halving the area of the lens’s aperture.

So as a result you have to double the amount of time the shutter is open. Simple!

So the below combinations will give the same exposure but differing depths of focus:

Aperture f4 Shutter speed 1/500th of a second

Aperture f5.6 Shutter speed 1/250th of a second

Aperture f8 Shutter speed 1/125th of a second

Aperture f11 Shutter speed 1/60th of a second

Aperture f16 Shutter speed 1/30th of a second

Aperture f22 Shutter speed 1/15th of a second

Whilst you will be successfully increasing the depth of focus, conversely your shutter speed is getting slower and slower and that can effect motion blur.

So be careful here and if you are using a long lens stick to a fairly open aperture.

You can also adjust the camera’s sensitivity to light, known as ISO.

Phaedo³, owned and skippered by Lloyd Thornburg rounds Great Skellig, Co kerry.

The higher the ISO, the grainier and flatter the image, but it will help avoid blur in low-light conditions. Credit: Rachel Fallon-Langdon/Team Phaedo

An ISO of 100 is slow, giving you rich, detailed colours, but requiring a longer exposure.

An ISO of 800 or above (some cameras now go up to ISO 6,400 or more) is fast, but will result in a grainier image with flatter colours.

Using drones to take boat photos

Last but by no means least, using a drone can open up a whole new angle for you (subject to local rules and regulations).

No tender, RIB or mate required.

Be well practised with your drone flying before you use it over the water and always leave enough battery power for a potentially tricky and time consuming recovery.

A few other settings also need to be considered.

Disable the ‘return to home’, ‘object avoidance’ and ‘distance limitation’ settings.

The latter two have both caught me out.

Return to home won’t work because you will no longer be where you took off.

A picture of a yacht taken from a drone

Once mastered, a drone can capture your boat from previously inaccessible angles. Credit: Richard Langdon

If you leave the object avoidance on it’s possible the drone will want to escape your hand when you try to grab it.

And the distance limitation will mean the drone stubbornly stops when it’s flown a certain set distance meaning you’ll have to tack or gybe to get back and retrieve it!

Using the drone to take boat photos will need practice.

Try looking at your screen as much as possible rather than at the drone.

It’s a good idea to have an observer watching the drone in case you reverse it into a passing yacht or nearby cliff (don’t laugh, it’s highly possible!).

Try an abstract shot taken straight down the mast from above; lower angles work well too or track alongside like being on a photo boat, only without the photo boat.

You should also take care not to overexpose the picture, especially when shooting your subject from directly above.

You should expose the picture to suit the boat, not the sea.

On a sunny day, from above, there’s always an angle where you can shoot straight into the sparkle of the sun’s reflection.

I really like using this angle with a drone and it will often give you a great shadow of the rig on the water.

Once anchored up in a beautiful bay for the evening, you’ve got so many photo opportunities.

Use the drone, tender or try swimming in the water with a GoPro.

The drone will allow you to include the backdrop of the bay from an elevated angle.

Or how about flying the drone over the land, if safe to do so, to include the location in the foreground?

If you’re anchored close to shore you can also send the drone high above for an overhead shot of the boat and coastline.

A photo of a boat from the waterline

Submerge yourself and use a GoPro dome to take a shark’s eye view of your yacht. Credit: Richard Langdon

From your tender you can get a lovely low-level shot with the coast in the background, especially if the afternoon (or morning) sun is giving you some warm light.

A longish telephoto lens will make the boat appear closer to the shore than it really is.

You could also try shooting images when immersed in the sea with your GoPro.

For a small cost you can buy a dome for your GoPro for an overwater/underwater image – in clear water you’ll be able to see the keel below the water and the topsides and rig above.

It’s almost impossible to pull off this shot without the dome, even in flat water, as the water level needs to be half way up the lens.

However, with the dome, which measures about 15cm in diameter, you can submerge half way with ease.

Detail shots

Close up details taken during your sailing adventure always look great in a gallery of shots.

The detail could be parts of your boat, an ice-cold bottle of beer complete with beads of condensation, or a bit of driftwood on the beach.

Your choice of lens will help dictate what will be shown.

If you choose a wide-angle lens you can get super close to your detail and get some background information too, though bear in mind the GoPros have a fixed-focus lens so will not focus very closely.

Make sure you focus on the detail.

A bird looking at its reflection on a boat winch

Details of life on board can be just as impressive as wide action shots. Credit: Richard Langdon

However, if you would just like a really close-up shot of a certain detail, go for a longer lens.

Both methods will give you good results. Think about your light source, too.

Early morning or late afternoon light is lovely.

And if your detail has some nice texture to it, choose an angle where the sunlight hits the detail at an acute angle to emphasise that texture.

For more advanced DSLR users your choice of depth of focus will really depend on what you want to achieve.

I suggest starting with a very large aperture for a small depth of focus to isolate that detail from its background.

Processing and editing

These days it’s much more acceptable to heavily process an image, especially for social media where ‘filters’ are often used to give it more punch.

For a classic image of your boat, however, or any other image you want to print and frame, be a little more subtle.

Print might not handle heavy post processing well.

There are many schools of thought as to how much one should process an image.

At the beginning I would suggest you only process just enough to get your desired result.

You can always save that version for print and then go to town on another version of the same image.

There are still many audiences who hate over-processed images.

A yacht with black and white sails sailing out of a harbour under a dark sky

Selective editing when taking boat photos allows you to single out the sky, for example, and alter its exposure in isolation from the rest of the image. Credit: Richard Langdon

Postproduction is nothing new and manipulating an image to emphasise certain things was going on in the dark room well before the digital era. That burned-in sky, for example.

Controls in Lightroom and Photoshop programmes include exposure, contrast, highlights, shadows, whites, blacks, clarity, vibrance and saturation.

Any editing will work significantly better with a RAW image over a Jpeg.

Play with them all as practice makes perfect, and the internet is packed full of informative tutorials on how best to use these programmes.

Another adjustment I find myself using a lot is the graduated filter.

You can select an area and adjust just that area.

An obvious one is darkening the sky or giving it extra contrast, but how about selecting the sea instead and playing with contrast and exposure there, too?

If you’re using a DSLR camera, the editing may well be done at home on a computer, but most phones will let you do it there and then; the majority of the above controls feature in the ‘edit’ option when you open your picture on your phone, which is a fantastic option to have when you’re on the move editing and posting.

Newer GoPros also have WiFi, allowing you to download your pictures to your phone on the go.

Practice makes perfect

Photography is a pastime where this saying really does apply.

The more you use your camera the more you learn what it can and can’t do. With digital photography, even in difficult lighting conditions, you can ‘build’ a shot by taking a frame, seeing how it looks on the screen and then if there’s room for improvement you can adjust and take another.

This luxury wasn’t around in the days when images where taken on film.

We all enjoy a wonderful sport and we all know that it’s not always sunny and bright. So take your camera out on all occasions to tell the world it’s not always plain sailing!

Taking boat photos: RAW vs JPEG

I need to explain the difference between RAW images and Jpeg. Oh, and your own eyes!

Our eyes and brain are super clever and have the ability to see details in most shadow areas and also in highlight areas too.

Our eyes and brain can see detail under a bimini and also on a white sail above.

A camera is less clever, especially in Jpeg mode and will only be able to expose the shadow areas and the highlight areas as a compromise.

This often ends up in pictures with shadows completely blacked out, or the highlights blown out (all white).

If you want your boat photos to contain the maximum amount of detail, select the RAW setting

If you want your boat photos to contain the maximum amount of detail, select the RAW setting. Credit: Richard Langdon

We can get one step closer to our eyes by shooting in RAW format, which records far more information in all areas.

Initially a RAW image perhaps won’t look as good as a camera’s Jpeg but in post production you can get more out of your shot.

While nearly all cameras now have the option to shoot in RAW, smartphones have been slow to adopt this option and it was only on the iPhone 12 Pro that they introduced this.

If you are serious about your image taking, choose RAW.

If you just want quick social media shots then Jpeg is fine.

If you would like to use the images in both areas you can often choose an option to capture both simultaneously, so that you can back up the RAWs for when you are back at your computer, and use the Jpeg instantly.

If you do select Jpeg, your camera may have options as to which size file to save.

Always go for the largest option, as you’ll just lose quality in smaller files, and more memory cards aren’t expensive to buy.

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Stuart Pearce Shares How To Take The Perfect Yacht Photo

once yachting photos

We see innumerable amounts of Superyacht snaps on a daily basis here at Superyacht Content. Speaking honestly, this sometimes makes it easy to forget about how much work goes on behind the lens. We thought that, as we spend so much of our time sharing these images, we owe our readers some sort of inside scoop! We had a chat with Stuart Pearce, owner of Yacht Shot , to find out more about how to take the perfect yacht photo.

Image by Yacht Shot Photography

Composition and angle are key

“Ask any photographer, and they’ll tell you that composition is a big one,” says Stuart, matter-of-fact-ly. “It’s all about getting the right angle, which can take time as it’s not always necessarily obvious. Normally you end up finding the perfect angle when you’re there on a shoot- and no amount of planning or research can prepare you for the conditions on the day. I normally would go around the boat a few times and then decide which angles are going to look best, daylight permitting of course.”

And what about those striking aerial images taken from a helicopter? We thought they’d be a must-have for every photoshoot, but Stuart tells us otherwise.

‘’It always bewilders me that some yacht owners don’t want to pay for a helicopter!” he says, “I don’t know if it’s the brokers or the owners who pay for it… It seems a given that you’d want to shoot [the yacht] from a helicopter. But, if they don’t have the budget, then I’ll usually try and get a birds-eye from a cliff if I can.”

“Every boat has an angle that it looks best at, and it’s always different. Loads of yachts’ exterior profiles divide opinion across the industry, and worldwide, based purely on the photos released by the yachting media. I think that S/Y “A” will have a lot of people commenting on the photos. I really would love to shoot her!”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Feb 8, 2017 at 12:35am PST

Happy crew = great photos

Crew are key to making any photoshoot a success, as they play an active role in setting up the shots, preparing the boat, and sometimes even starring in the images! Stuart tells us that it’s usually a question of timing…

“I often prefer to take the photos post shipyard period, when the captain and crew are fresh and ready for the new season. You need to catch them when they’re up for it and well-rested. I like getting to know them and having fun with them, that way we get the job done really well. The crew is the most important factor, followed by the weather.”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Nov 16, 2014 at 8:41am PST

Blame it on the Weather

Weather is, of course, a huge factor when it comes to yacht photography, especially as Stuart spends a lot of his time shooting from a tender.

“If there’s too much wind, you can’t go out of course. Then there’s light to think about, and a good sunny day is every photographer’s dream. You can always edit photos, but natural lighting is very valuable- a grey day can sometimes even spell the end of a photoshoot before it’s begun!”.

So how do you keep stable when snapping yacht shots from a rocking tender?

“If you were shooting video, you would need a stabiliser, but with straight photography, this isn’t necessary as you’re shooting with super-fast [shutter] speeds. Framing an image is more difficult when you’re bobbing around, though- you’ve got to make sure you’re not cutting the top of the mast off!”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Aug 1, 2016 at 10:19am PDT

Timing (and lighting) is everything when learning how to take the perfect yacht photo

Having a solid plan ready with the crew and getting the timing right is crucial for ensuring you leave with that perfect shot. “Normally the crew has to help me just before sunrise and just before sunset. I don’t usually work past that because as soon as it’s dark there’s not a lot you can do.”

Even the most novice of photographers know how big a role good lighting can play in getting the mood and pictures right. Sunrise is one of the best times to shoot, as the light is quite special as the sun is rising. “I know some photographers who get the crew up at 4 am,” Stuart says, “though I’ve never done that, I do try to maximise the time spent onboard with natural sunlight coming into the cabins and other spaces that I photograph, but if you start too early then it can be quite tough on the crew. That being said, dawn is a great time to show off the bright colours of the interior fabrics, for example!”

Stuart also mentions that “more detailed areas such as the guest cabins and the engine rooms and a lot of the exterior look better in the bright but contrasting midday sun.” In this respect, having a timetable for which interior shots you’re planning on getting at different points of the day (and angles of the sun) is a good idea.

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Sep 16, 2016 at 2:26pm PDT

Location, location, location

Stuart explains that location is what takes a yacht photo from good, to outstanding. “I would love to go up to the Arctic to shoot a new build sailing up the North West passage. The location is important to give that spirit of adventure to the shots, especially when you’re shooting for charter brochures. A tropical background really helps too; the more exotic, the better. Of course, if the goal of the photo is to just sell that yacht, then the location isn’t so important. here I would favour more detailed interior shots and scenes which show off the yachts most desirable facilities.’’

When it comes to shooting in other, less exotic locations, a little research is necessary. “I normally would research the wind and have a look at a map to try and find an attractive bay, or something like that. At home in Mallorca, some captains will take me down to Es Trenc. It’s good to get out of the bay of Palma sometimes: and you need to choose the best possible location given the conditions on the day.”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Jun 13, 2016 at 12:08am PDT

Telling a story

Many successful photoshoots work on telling a story for the boat, so that people might relate to an anecdotal set of images depicting the experience onboard, rather than just focussing on the yacht’s look.“I haven’t shot a family charter boat yet, and I would love to tell that story of them arriving, dinner time, a cinema scene etc…” says Stuart. “You can do some really cool things if you have the right conditions and crew available; having pictures of dinner ashore with the yacht in the background, for example. I took a picture the other day with two girls walking out of the sea with the yacht at anchor in the background, that was great.”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Nov 3, 2016 at 4:11am PDT

Strike a pose

“Normally you would get professional models in who would bring their own wardrobe. This is great for the end product and cultivating an easy photoshoot. When it doesn’t work so well is when you just have friends of friends to come and do it- they don’t have the experience or the wardrobe (well, some of them don’t…)! You get what you pay for, I guess.”

Challenging stereotypes in yacht marketing is a hot topic at the moment. We’ve all seen the classic photo of the older man with the young, beautiful girl, supposedly representing the archetypal yacht guests. Stuart agrees that this kind of shot can look a little ridiculous, and prefers shooting authentic, old-fashioned fun.

“I once was shooting a family in Formentera. They were just jumping around, making everything wet… There was no pseudo-ing about it, they were just having fun. You can do posing, but you have to make it look natural. There was a series of pictures I shot where we had just the one girl in every single shot… I mean, who goes on a charter on their own?! You need to make sure the series of images represent the real thing, and having a good group of professional models on the day is the best way to do this.”

A post shared by Stuart Pearce • Photographer (@yacht_shot) on Feb 13, 2017 at 10:14am PST

Choosing the right equipment

And then there is the equipment, the tools of the trade, and the magic behind learning how to take the perfect yacht photo. Many people might need to re-mortgage their houses to get their hands on some of the most up-to-date equipment. Stuart says he’s currently using the Canon 5D Mark 4 camera, and that he’s currently working on investing in some underwater camera cases. “But they cost £4-£5k! And every time they update the camera, the case has to be replaced too. I’m a fan of Jeff Brown’s (Breed Media) half in, half out the water shots- they look cool.”

When turning up at a shoot, Stuart tends to pack “six to seven lenses, and a backup camera body. Oh, and tons of batteries, filters, tripods, and stands for the little flashes.”

Advice for budding photographers:

Well, I would say that the location of the yacht is the most important, but this is often not possible as they need the photo NOW. If it’s in La Ciotat, it’s La Ciotat, if it’s in Bora Bora then wow! I’d mainly advise photographers to plan in advance and invest once in a quality camera kit- as you won’t regret it when you get back home to start editing..”

In the following article, Stuart Pearce discusses Superyacht Photography with us – Click here to learn more

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Below Deck New Cast

Dylan Pierre De Villiers

Hometown: Cape Town

Birth date: 7th April Zodiac sign: Aries  Years of experience in the yachting industry: 4 years  Favorite off boat activities: Eating protein powder, benching 225lbs, working on my cars, building stuff, helping kids get better habits, making videos on YouTube, exploring the world. Special skills: I can do some really cool kicks (did kickboxing for 6 years), I know how to connect with people, I can fix anything mechanical, just show me once. I can drive boats and cars quite well. Do you know any other Below Deck franchise yachties? I do not.  What Bravo shows do you watch? Below Deck , Vanderpump Rules. What do you do in your off time on the boat? I go to the gym gym, I go out and enjoy my life in moderation. I am super social so I make friends. I travel. I bought my dream car so I’m working on that constantly. Who is your best friend on St. David? Chef Anthony . Who do you miss most from home when you’re traveling for work? My friends and racing car What was your first impression of St. David? Well the name is basically STD. So I mean, hey you love it in the moment and hate it after. Favorite place you’ve been on charter/ place you traveled? Cannes islands. What’s one thing about working and living on a boat that would surprise people? That you actively spend time with the top 10% and if you realize this and utilize this extreme rarity. It can take you places by making the right connections and learning from the best of the best in their fields.  Sum up this season in three words! Incompetence, ego, and hilarious.  

Below Deck Season 11 Captain Kerry Titheradge

Kerry Titheradge

Below Deck Season 11 Cat Baugh

Anthony Iracane

Below Deck Season 11 Sunny

Sunny Marquis

Below Deck Season 11 Fraser Olender

Fraser Olender

Below Deck Season 11 Xandi Olivier

Xandi Olivier

Below Deck Season 11 Barbie Pascual

Barbara Pascual

Below Deck Season 11 Kyle Stillie

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Once Yachting

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Celebrities Accused Of 'Yachting' In Hollywood — And What Being A 'Yacht Girl' Really Means

Rumors suggest some women are paid to play..

By Micki Spollen Written on Jan 11, 2022

woman on a man's shoulders partying

It’s easy to be envious when seeing the Instagram photos of young, carefree celebrity women seemingly having the time of their lives on yachts floating in exotic waters and in the VIP sections of the most exclusive clubs.

However, rumor has it there is much more than meets the eye when it comes to these ‘yacht girls’ and their extravagant lifestyles.

What is a yacht girl?

According to Urban Dictionary , a yacht girl is “an attractive young woman who finds ways to get access to luxurious surroundings by being available to wealthy men.”

For example, you may follow a woman or two on Instagram who always seems to be partying or vacationing somewhere expensive (notably without ever showing who she’s actually with). This is a person you could potentially describe as being a yacht girl.

And it’s not just those Instagram models and wannabe stars that are considered yacht girls. As you work up the wealth chain, you may be surprised to recognize some celebrity names synonymous with yachting.

RELATED:  Director Who Saw Robin Thicke Allegedly Grope Emily Ratajkowski Says He Only Did It Because He Was Drunk

What is 'yachting' in Hollywood?

In Hollywood, the term yacht girl essentially means a woman who works as an escort for high-end clientele , not just on yachts but for any social event.

While the practice has only somewhat recently gained mainstream notoriety, if you think back on the many tabloid photos of models and actresses on yachts from years past, it appears to be something that's gone on in Hollywood “for 60 years,” according to Elie Nahas, who ran a Beirut-based modeling agency before being arrested on charges of running a prostitution ring in 2007.

In 2013, "The Hollywood Reporter" ran a feature describing this so-called yachting during the Cannes Film Festival.

“Every year during the festival there are 30 or 40 luxury yachts in the bay at Cannes, and every boat belongs to a very rich person. Every boat has about 10 girls on it; they are usually models, and they are usually nude or half nude,” Nahas told THR.

At the end of the night, each woman would receive a “gift,” a generous amount of money that the client would put in an envelope for her.

And while many of these women were self-proclaimed local prostitutes and escorts, the Cannes Film Festival is, of course, known for its celebrity attendees — and it’s rumored that celebrity women trying to fast-track a name for themselves in Hollywood become yacht girls, too.

“Women installed on yachts in Cannes during the film festival are called ‘yacht girls,’ and the line between professional prostitutes and B- or C-list Hollywood actresses and models who accept payment for sex with rich older men is sometimes very blurred, explains one film industry veteran,” Dana Kennedy wrote for THR.

RELATED:  What Is Instagram Face — And Which Celebrities Have It?

Some women in Hollywood have accused their celebrity peers of being yacht girls.

A 2017 blind item (celebrity gossip that doesn’t outwardly name the celebrity) allegedly written by a struggling actress describes being lured by another actress into the world of yachting :

“The actress I was talking to made it sound super easy and that she only had [sex] a few times with guys while yachting and that it was mostly partying and being arm candy,” she writes, explaining that eventually she agreed to try it for $25,000 upfront, but admitting that the experience was less than glamorous.

Blind item readers guessed that Canadian actress Vanessa Lengies wrote the blind item and further surmised that it may be one of the Glee actresses Naya Rivera or Heather Morris that introduced her to yachting. None of these claims have ever been substantiated.

If you believe the rumors, it would seem that yachting is a rite of passage for women hoping to “make it” in Hollywood, and even some celebrities we now consider A-List are thought to be former yacht girls.

In an excerpt from her 2021 memoir , “My Body,” Emily Ratajkowski details being paid $25,000 at the start of her career to go to the Superbowl with now-disgraced Malaysian financier Jho Low, who "‘just liked to have famous men and women around,’” she explains her manager told her at the time.

She writes about attending the star-studded Coachella on someone else’s dime, having drinks paid for at clubs, and attending afterparties with Oscar-winning actors before actually becoming a celebrity herself.

One could infer from this recollection that, in order to be able to tell these stories, Ratajkowski was herself a yacht girl. “My Body” suggests as much, and in it, she subtly gives away the identity of another celebrity woman who yachted alongside her.

Ratajkowski describes watching as Low gave shots to a Victoria’s Secret model. While she doesn’t name drop, Ratajkowski gives just enough information for readers to figure who that model likely was.

“Now she kept her eyes locked on him as he took his shot, throwing her head back dramatically as he did, only to quickly toss the alcohol over her shoulder,” Ratajkowski writes. “When he faced her again, her eyes sparkled and the famous dimples appeared on her cheeks.”

Low has since become a fugitive wanted for allegedly running an international money laundering scheme, and in 2017, Reuters reported that model Miranda Kerr — known for her dimples — was being ordered to return “diamond pendants, earrings and other jewelry worth about $8 million” that Low allegedly gifted her to government agents.

In 2017, Ratajkowski also posted a video on Instagram potentially outing Bella Hadid and Hailey Bieber as yacht girls as they danced aboard a yacht during that year’s Cannes Film Festival.

          View this post on Instagram                       A post shared by Emily Ratajkowski (@emrata)

Many people have also accused Meghan Markle of yachting (but then again, what haven't people accused Markle of at this point).

People have pointed to an old photo of Markle on a yacht as proof that she’s a former yacht girl.

RELATED:  How Meghan Markle Is Related To Prince Harry

Another old blind item also suggested the former actress was available to “rent.”

"If you see B actress post scantily clad photos of themselves on Social Media, this is often a Comm to [them] that this person is available to ‘rent’ for a weekend of ‘yachting,’” the tweet says, including a photo of Markle in a swimsuit.

"If you see B actress post scantily clad photos of themselves on Social Media, this is often a Comm to [them] that this person is available to “rent” for a weekend of “yachting”. Typically worth $30K for the “party” - Meghan Markle @3Days3Nights https://t.co/E3WfMjnVL9 pic.twitter.com/QFv476GL0b — yacht girl (@yachtgirlmm) November 27, 2019

Markle’s close friendship pre-Harry with actress Priyanka Chopra has naturally led some to guess that Chopra once yachted as well.

Another actress that faces endless rumors of yachting is Russian actress Irina Shayk , which according to THR, is par for the course as the outlet writes that yachting your way to stardom happens with “disturbing frequency,” particularly when it comes to foreign-born actresses.

According to THR, who claims to know “of at least one now-prominent actress who made her first connections on a Cannes yacht and quickly landed her debut role in a U.S.-shot movie,” such as with Shayk’s 2014 film “Hercules,” it’s “a red flag any time you see a foreign-born actress with no credits suddenly make her way into a U.S.-shot movie.”

Of course, when it comes to yachting in Hollywood, all of these claims appear to be unfounded.

These rumors make for good gossip, whether you’re talking about low-level social media influencers or high-profile celebrity actresses.

However, nothing is proven, leaving us to wonder any time we see a photo of women on a yacht.

RELATED:  Ghislaine Maxwell Facing 65 Years In Prison While Questions Remain About The Names In Epstein's Little Black Book

Micki Spollen is an editor, writer, and traveler focused on relationships, news, and pop culture. Follow her on Instagram .

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ONYX 2 Interior & Exterior Photos

39.4m  /  129'3 | elsflether werft | 1990.

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The superyacht world is speculating that Mark Zuckerberg just bought this 118-meter boat

  • The 118-meter superyacht Launchpad made her maiden voyage last week.
  • The yacht world is speculating that her owner is Meta CEO Mark Zuckerberg.
  • Here's what we know about the luxury vessel.

Insider Today

In the world of superyachts , privacy is the most valuable asset. It can be next to impossible to discern the details of a superyacht transaction — and that's particularly true if the vessel in question is worth nine figures.

Yet some in the boat blogging world are speculating that Meta CEO Mark Zuckerberg is the new owner of Launchpad, a megayacht currently moored in Fort Lauderdale, Florida after she made her maiden voyage from Gibraltar to St Maarten last week. Launchpad clocks in at 118 meters long, about nine meters shorter than Jeff Bezos' superyacht Koru .

The transaction could not be confirmed, with yacht world insiders declining to share what they know and representatives for Zuckerberg not responding to a request for comment from Business Insider. In the past, reports about Zuckerberg owning superyacht Ulysses have proven false.

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"It is Feadship's standard policy to never divulge any information about our yachts with reference to ownership, costs, or delivery, etc," Feadship, the ship's builder, wrote to BI. "Whether it is an 18-meter Feadship from the 1960s or a 118-meter Feadship from the 21st century, we do not share private information."

But Zuckerberg's name has been connected to Launchpad for a few months now, beginning in December when reports swirled that he visited Feadship's shipyard in the Netherlands.

Then, earlier in March, yachting bloggers like eSysman SuperYachts and Autoevolution started speculating that he officially snagged the boat, originally built for a sanctioned Russian businessman, at a $300 million price tag. (While that's a seemingly huge amount, it's still less than 0.2% of Zuckerberg's $177 billion net worth.)

Another clue that might point to US ownership is that the yacht bears the flag of the Marshall Islands, a US territory and commonplace for American buyers to register their ships, according to public marine tracking.

If Zuckerberg were to have bought Launchpad, he would join a cohort of superyacht-owning tech billionaires . Along with Bezos, the likes of Oracle cofounder Larry Ellison and Google cofounders Sergey Brin and Larry Page have purchased impressive boats with even more impressive amenities.

SuperYacht Times , an industry publication and intelligence platform, has some of the best images of the yacht. Photos show a swimming pool on her main deck and a large helipad.

While less is known of the interior, a vessel of her size can likely sleep dozens of guests and crew and may have amenities like an expansive gym where Zuckerberg could practice his jiu-jitsu or a spa with a massage area. We suspect there's also space for plenty of toys — which could include his viral hydrofoil foil .

Do you have any details about Launchpad or any other superyachts? Email reporter Madeline Berg at [email protected].

Watch: Walmart heiress' superyacht vandalized by activists in Ibiza

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Real estate agent accidentally burns down multimillion-dollar property ahead of open house.

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A real estate agent accidentally burned a multimillion-dollar property to the ground while preparing for an open house, with her employer ordered to pay more than $555,161 in damages.

Australian real estate agent Julie Bundock was preparing for an open house at a four-bedroom home on Sydney’s northern beaches when she noticed the current renters of the house had left some bedding on the deck to dry.

She removed the sheets and threw them in a downstairs room onto a shelf below a light, which she then switched on.

About 20 minutes later a major fire broke out in the house on Riverview Road in Avalon Beach, believed to be caused by the shelf and bedding heating up and catching fire due to the wall-mounted light.

Julie Bundock

The house — estimated to be worth around $2 million — along with all of its contents, was destroyed.

The owner of the property, Peter Alan Bush, who was preparing to sell the property, took the matter to court; as did the four renters of the property who had their belongings destroyed in the fire.

Bush told the court that after the fire, Bundock said words to the effect of: “Oh my God Pete, I think I have burnt down your house,” he claimed she said in the presence of others, including his de facto partner Lynne Emanuel.

Bedding that Bundock put on a shelf above a light caught fire.

“I had been doing some tidying up. I collected some sheets drying on the veranda and threw them on top of a freestanding metal shelving in the bedroom under the stairs. I just threw them there Pete, right up against the light on the wall. I think that’s what started the fire.”

Chief Judge in Equity Justice David Hammerschlag handed down his Judgment on Tuesday in the Supreme Court, ruling that Bundock “actively created the risk of fire and the consequent harm.”

Judge Hammerschlag ordered Bundock’s employer, Domain Residential Northern Beaches, to pay Bush $483,736 for the loss of his house and a combined $79,339 to the four renters, Elise Coulter, Reggie Songaila, Lauren Coulter and Ella Eagle.

The house was on the market for $1.96 million at the time of the fire in 2019.

Judge Hammerschlag also ordered the agency to pay interest on the combined $563,204, from the time of the fire in May 2019.

“That a fire might be caused by putting or throwing bedding up against a burning light is obvious. That risk was plainly foreseeable, and Bundock ought to have known this,” he stated in his decision.

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Judge Hammerschlag also noted that Bundock was an “aggressive and uncooperative witness” in court.

“Her evidence was clearly colored by a heightened awareness that she had caused the catastrophe,” the decision stated.

Bundock’s employer Domain Residential Northern Beaches was order to pay owner Peter Alan Bush $563,204 for damages plus interest.

Domain Residential Northern Beaches attempted to argue that Bush and the renters also played a part in the damage as they did not inform the agency that the shelf would heat up as a result of the light.

Judge Hammerschlag rejected this suggestion.

“The submission is made in the context where none of the plaintiffs could have possibly or remotely conceived that Bundock might do what she did,” he stated.

“There was no occasion which could reasonably have called for the suggested disclosure. Bundock acted on her own motion. Her actions were the sole cause of the harm.”

Domain Residential told news.com.au they did not wish to comment on the judgment. Bundock was contacted for comment.

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TWICE 5th World Tour ‘Ready to Be’ Once More: See Exclusive Photos

Check out exclusive snaps of the K-pop group's recent performance at Las Vegas' Allegiant Stadium.

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TWICE

TWICE made its grand return to the United States for just one night only in Las Vegas Saturday (March 16), marking the K- pop group’s final American show on TWICE’s Ready to Be Tour.

TWICE & LE SSERAFIM Make History as First Two All-Women Groups at Nos. 1 & 2 on Top Album…

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“What a stunning night in Las Vegas!” TWICE wrote on Instagram after the show, sharing a photo from the stage. “Words can’t fully express our heartfelt gratitude to each and every ONCE who came to the show.”

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Princess of Wales: Picture agencies pull Kate photo amid 'manipulation' concerns

The newly released photograph of the Princess of Wales came amid online speculation about her health. Kate has not been seen at an official event since Christmas Day.

Monday 11 March 2024 10:35, UK

Kate

Major photo agencies have pulled a new image of the Princess of Wales from circulation over concerns it was "manipulated" by "the source".

The image was circulated by a number of picture agencies on Sunday before Reuters, Associated Press (AP), Getty Images and Agence France-Presse (AFP) told media outlets to "kill" the photo from their systems and archives.

AP has told Sky News the photo shows an "inconsistency in the alignment of Princess Charlotte's left hand".

Click here for the latest on this story as Kate responds to controversy

View this post on Instagram A post shared by The Prince and Princess of Wales (@princeandprincessofwales)

The picture in question was released to celebrate Mother's Day and shows Kate surrounded by her and Prince William's three children: Prince George, Princess Charlotte and Prince Louis.

Kensington Palace has declined to comment after the photo was pulled by picture agencies.

AP told Sky News in a statement: "The Associated Press initially published the photo, which was issued by Kensington Palace. The AP later retracted the image because at closer inspection, it appears that the source had manipulated the image in a way that did not meet AP's photo standards.

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The Prince of Wales speaks with a delegate after attending a Homewards Sheffield Local Coalition meeting, at the Millennium Gallery, Sheffield, to join discussions about the impact made by Homewards in Sheffield and next steps that the Coalition should take forward to tackle areas of need in the city. Picture date: Tuesday March 19, 2024.

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Catherine, Princess of Wales attends The "Together At Christmas" Carol Service at Westminster Abbey on December 08, 2023 in London, England. Spearheaded by The Princess of Wales, and supported by The Royal Foundation, the service is a moment to bring people together at Christmas time and recognise those who have gone above and beyond to help others throughout the year. Chris Jackson/Pool via REUTERS

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@KensingtonRoyal

Image of Queen Elizabeth II was 'digitally enhanced at source', Getty picture agency says

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"The photo shows an inconsistency in the alignment of Princess Charlotte's left hand."

Reuters said it withdrew the picture following a "post-publication review" with a spokesperson saying the agency is "reviewing the matter".

AP said the photo shows an 'inconsistency' in the 'alignment' of Princess Charlotte's hand

Meanwhile, AFP said it had "come to light" that the image of the "Princess of Wales and her kids had been altered" and was therefore removed from its systems.

A spokesperson for Getty Images told Sky News: "Earlier today our picture desk identified a problematic image provided to Getty Images by Kensington Palace. We can confirm the image in question was removed from our site in accordance with our editorial policy."

The Press Association news agency did not initially pull it but on Monday morning said: "Like other news agencies, PA Media issued the handout image provided by Kensington Palace of the Princess of Wales and her children in good faith yesterday.

"We became aware of concerns about the image and we carried a report about it last night, and made clear that we were seeking urgent clarification about the image from Kensington Palace.

"In the absence of that clarification, we are killing the image from our picture service."

Readers on X, formerly known as Twitter, added a community note to a post from the Prince and Princess of Wales' account which shared the image.

Community notes allow readers to add context to posts to help other users have a better understanding of what they are reading or viewing.

The original note reads: "This photo is believed to be digitally altered and as a result many major news outlets have pulled the image from their reports."

The Palace's response makes this all the more bizarre

Royal correspondent

This is all really strange. We have some respected international news agencies deciding to kill this photo.

In other words, they are pulling it from their distribution websites because they believe it has been changed, altered, photoshopped - call it what you like.

We don't know what manipulation of the photo means. Is it a filter? Are there tweaks? We just don't know.

What we do know is Kensington Palace has declined to comment which makes it all the more bizarre.

The editing of photographs after they have been taken for professional purposes is a common practice, and there is no suggestion Kensington Palace was trying to do anything other than improve the photo if it has been altered.

However, without an official response from the palace, the confusion around the image is likely to fuel online conspiracy theories about Kate which have swirled on the internet since her abdominal surgery.

There has been speculation about Kate's health since she spent a brief period in hospital in January. She has not been seen in public since she joined other members of the Royal Family for a walk on Christmas Day.

Details of the princess's condition have not been disclosed but Kensington Palace previously said it was not cancer-related and that Kate wished her personal medical information to remain private.

More from Sky News: Kate's 'bad uncle' talks about Harry and Meghan Why there has speculation about Kate

King Charles III, Kate, the Princess of Wales, from right, Prince Louis, and Prince George at the Christmas day service at St Mary Magdalene Church in Sandringham in Norfolk, England, Monday, Dec. 25, 2023. Pic: AP Photo/Kin Cheung

Speaking about how reports the Mother's Day image was altered might add to further speculation, royal commentator Peter Hunt said: "This is damaging for the royals.

"They knew there would be intense interest in any picture they released of Kate.

"Their challenge is that people will now question whether they can be trusted and believed when they next issue a health update."

Kensington Palace had provided the photo to agencies and said it had been taken by the Prince of Wales in Windsor earlier this week.

In a message accompanying the photo on Instagram, Kate, wrote: "Thank you for your kind wishes and continued support over the last two months.

"Wishing everyone a Happy Mother's Day."

The Prince and Princess of Wales's Instagram post featuring the image has not been taken down.

Kate was admitted for planned abdominal surgery on 16 January, exactly a week after her 42nd birthday.

The following day, the palace said the operation was successful and Kate stayed in hospital until 29 January, when she was discharged home to Windsor.

At the time, Sky News understood that her recuperation would likely take between two and three months.

Prince William, right, speaks to Pierre-Yves Paslier as he looks at sustainable seaweed-based food containers at the Oval cricket ground made by the Earthshot 2022 winner Notpla in London, Friday, March 8, 2024. Pic: AP Photo/Kin Cheung

Although Kate has not been seen in public since December, US celebrity news site TMZ published a photo of her on 4 March .

The photo was understood to have been taken by unauthorised paparazzi near Windsor Castle.

Kate is not expected to return to official duties until after Easter, and William, 41, had temporarily stepped back from his royal role to juggle caring for her and their children.

He carried out his first public engagements since her surgery in early February.

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