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The Phantom of the Opera
Sarah brightman & steve harley.
Top Songs By Andrew Lloyd Webber
Beneath the opera house I know he's there He's with me on the stage He's everywhere And when my song begins I always find The Phantom of the Opera is there Inside my mind Sing once again with me Our strange duet My power over you Grows stronger yet You'll give your love to me For love is blind The Phantom of the Opera is now Your mastermind Those who have seen your face Draw back in fear I am the mask you wear It's me they hear Your (my) spirit and your (my) voice In one combined The Phantom of the Opera is there Inside your (my) mind The Phantom of the Opera Is there The Phantom of the Opera Sing once again with me Our strange duet My power over you Grows stronger yet You'll give your love to me For love is blind The Phantom of the Opera is now Your (my) mastermind Sing, my angel of music He's there The Phantom of the Opera Sing once again with me Our strange duet My power over you Grows stronger and stronger Sing, my angel of music! Sing, sing our strange duet, sing! The Phantom of the Opera is now Your mastermind I am here inside your mind I am everywhere You're under my power Sing Sing, my angel of music! Sing!
The Phantom of the Opera (1986 musical)
The Phantom of the Opera is a musical composed by Andrew Lloyd Webber , based on the novel The Phantom of the Opera by Gaston Leroux .
- 1 The Phantom
- 3 Christine
- 4 Madame Giry
- 6 External links
The Phantom [ edit ]
- The Mirror/Angel of Music
- The Phantom of the Opera
- "The Point of No Return"
- Wandering child
- "Wandering Child"
- "Bravo Monsieur"
- "All I Ask Of You" (reprise, following "The Point of No Return")
- "Final Lair"
- "The Music of the Night"
- "Down Once More"
- To Carlotta
- All I Ask of You" (Reprise)
- "All I Ask of You" (Reprise)
- "Why So Silent?"
- "Notes…/Twisted Every Way"
- "Stranger Than You Dreamt It"
- "Track Down This Murderer"
- Either way you choose you cannot win.
Raoul [ edit ]
- Old Raoul, looking at the music box in the auction prologue scene
- "Think of Me"
- "Why Have You Brought Us Here?/Raoul, I've Seen Him"
- "Notes" reprise
- "Notes" Reprise
- "Bravo, Monsieur"
- "All I Ask of You"
Christine [ edit ]
- "The Phantom of the Opera"
- "Angel of Music"
- "Wishing You Were Somehow Here Again"
- "Why Have You Brought Me Here?"
- To Raoul, in "Why Have You Brought Me Here?",
- Talking to the Phantom, in "Down Once More/Track Down This Murderer"
- "Down Once More/Track Down This Murderer," before kissing the Phantom.
- This haunted face holds no horror for me now. It's in your soul that the true distortion lies.
- As Elissa in Hannibal
- "Little Lotte"
- "I Remember"
- "All I ask of you"
- "Twisted Every Way"
- Talking to Phantom"Down Once More/Track Down This Murder"
- ¨Why have you brought me here?¨
- ¨All I ask of you¨
Madame Giry [ edit ]
- "Magical Lasso"
- "Notes / Prima Donna"
- To Raoul, after the Masquerade
Meg Giry [ edit ]
- ¨Angel of Music¨
- ¨Angel of music¨
- Beginning in Hannibal
External links [ edit ]
- Tony Award for Best Musical
A complete guide to all the songs in 'The Phantom of the Opera'
Learn more about the songs in The Phantom of the Opera , including "Masquerade," "All I Ask of You," "The Music of the Night", and "Think of Me."
It’s time to listen to the music of the night – otherwise known as Andrew Lloyd Webber’s soaring score for his all-conquering 1986 musical The Phantom of the Opera . Featuring lyrics by Charles Hart, and a libretto co-written by Lloyd Webber and Richard Stilgoe, it’s an epic adaptation of Gaston Leroux’s novel about a masked genius lurking in the sewers beneath the Paris Opera House in the late 19th century.
That lurker would be the Phantom: the musical mentor of young soprano Christine. She becomes the centre of a passionate love triangle, pursued both by the Phantom and by her childhood friend-turned-wealthy patron, Raoul. The show opened in the West End starring Sarah Brightman, Michael Crawford and Steve Barton, and went on to win Olivier and Tony Awards for Best Musical. Find out more about The Phantom of the Opera in London.
Phantom continues to enchant audiences: it’s the longest-running show in Broadway history, and the second-longest-running musical in the West End following Les Misérables . Part of its appeal is the sheer opulent scale, including that famous chandelier. But key to its success, too, is Lloyd Webber’s mighty operatic score. Follow us down into the Phantom’s lair (via His Majesty's Theatre ) as we guide you through the show’s indelible songs.
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“Hannibal Dress Rehearsal”
Phantom has a recurring show-within-a-show element. We open with the fictional cast rehearsing a new production, Hannibal, starring prima donna Carlotta. This scene also packs in some speedy exposition, introducing the audience to the opera house’s new owners, Firmin and Andre, and new patron, the Vicomte de Changy (also known as Raoul) — and also telling us that orphan Christine’s father was a famous violinist. It sets the template for a musical that will constantly whisk between onstage and backstage.
“Think of Me”
Carlotta storms off after a backdrop crashes down from the flies, and Christine takes over her role for that evening’s performance. “Think of Me” is her big aria, but its wistful lyrics also spur Raoul to recognise her as his childhood friend, and to wonder if she too remembers their shared past. It adds emotional heft to — and complicates — Christine’s triumph.
“Angel of Music”
Christine reveals to Meg (daughter of the ballet mistress Madame Giry) that she has a secret tutor, who she calls the Angel of Music. She believes it’s the spirit of her late father — a naïve idea encapsulated by this dreamy little number.
The Angel of Music becomes a point of reconnection for Christine and Raoul when he visits her in her dressing room and asks her out to dinner. Both remember the stories that her father used to tell them, and the song “Little Lotte” that he taught her to sing. He assumes it’s all a fantasy, whereas Christine thinks it’s actually real.
Enter the Phantom — and an angry, jealous Phantom. He’s furious that Raoul is sharing in his triumph, and lures Christine away. She meets his fury with a sweet reprise of “Angel of Music.” Finally, he reveals himself to her in her mirror and takes her away.
“The Phantom of the Opera”
The almighty title number! It’s a key duet between Christine and the Phantom as they explore their dynamic: the Phantom has embedded himself in her psyche, and he takes credit for her glorious voice, while she characterises herself as his mask. The music echoes this tussle: both beautiful and ominous, grand as the Opera House and eerie as the sewers.
“The Music of the Night”
After travelling by boat to his hidden lair, the Phantom reveals that he has selected Christine as his muse — and shows her an image in the mirror where she’s wearing a wedding dress. It’s all too much: Christine faints. That brings out the Phantom’s caring side, as he covers her with his cloak and croons this tender song. Listen to the lyrics and you’ll find a sinister juxtaposition between the seductive music and his intent, which is to seduce her with his genius and trap her in the dark with him.
“I Remember”/ “Stranger Than You Dreamt It”
Christine wakes to hear the monkey music box (the one that Raoul will see at the auction in the show’s prologue). As the Phantom sits at the organ, composing his next opus, Christine creeps up to him and removes his mask – revealing his disfigured face. The Phantom roars at her anger, then this tune softens as he admits he yearns to be loved.
“Notes”/ “Prima Donna”
Andre, Firmin and Raoul are all fretting about the mysterious disappearance of their sopranos. But the Phantom has written a series of notes, demanding Christine become the star of his new opera, not Carlotta. The owners appease a furious Carlotta, assuring her that she won’t be replaced. It’s a busy number with lots of cross-currents (and a fun piece of epistolary farce) – a nice contrast to the serious songs we’ve just heard in the sewers.
“Why Have You Brought Me Here?”
After the Phantom sabotaged the performance by reducing Carlotta’s voice to a croak, Christine drags Raoul to the rooftop and confesses all about the Phantom and his dangerous obsession with her. Raoul still thinks it was just a dream.
“All I Ask of You”
Now Raoul gets his big moment – and it’s the polar opposite to the Phantom’s “Music of the Night”. He says that daylight (not the darkness) will dry her tears, and that he will be her shelter and her light. Instead of wanting to control her, he simply asks to be a part of her life. That sentiment is matched by a sweet, gentle, sincere tune – and when Christine matches it, their romance takes flight.
“All I Ask of You (Reprise)”
Uhoh. The Phantom was spying on them and he now uses their love song with which to swear revenge. Watch out for Act Two...
“Masquerade”/ “Why So Silent?”
Phantom ’s second half opens six months later, and in grand style: with a masquerade ball. Masks are being used playfully (as exemplified by the jaunty patter sections with swift, teasing lyrics), and the general tone is jubilant: Christine and Raoul are engaged, and all is well. At least, until the Phantom gate-crashes the party. He has a new opera for them, but demands Christine star – and return to him.
“Notes”/ “Twisted Every Way”
Another knotty plotting number, but the tone is now sombre. Christine is scared that she’s become the Phantom’s prey, and Raoul entreats her to use the opera to trap the Phantom. Will she betray her mentor?
“Wishing You Were Somehow Here Again”
Her loyalties divided, Christine visits her father’s grave. After the frantic opening action, it’s a slow, shimmering number that shifts between warmth and aching melancholy. It’s also an important part of Christine reckoning with the past: in one way or another, she’s been haunted throughout the show, and (in the song’s big climax) now needs to find the strength to fight for her future.
The Phantom isn’t going away just yet. He appears to Christine in the cemetery, once again seducing her with the power of his voice and “Angel of Music” genius – until Raoul breaks the spell.
“Don Juan Triumphant”/ “The Point of No Return”
That’s the title of the Phantom’s new opera, which we now hear rehearsed by Christine, Carlotta and the chorus. The Phantom gate-crashes once again, taking on the part of Don Juan so he can sing lyrics with a double meaning to Christine: “In your mind you’ve already succumbed to me… no use resisting: abandon thought, and let the dream descend.” But are they really “past the point of no return”?
The Phantom then uses a reprise of “All I Ask of You” to propose to Christine. However, before he can finish, she unmasks him – and they discover the corpse of the actor he murdered. Game over.
“Down Once More”/ “Track Down This Murderer”
As an angry mob vows to hunt down the Phantom, he escapes to his lair with a captive Christine. Raoul follows, and the Phantom threatens to kill him unless Christine stays. Finally, Christine realises the truth: his haunted face holds no horror for her – it’s in his soul “that the true distortion lies”. She decides to show him pity and kindness, and kisses him.
That thaws the Phantom’s heart, and he releases the two of them; they depart with a final reprise of “All I Ask of You,” leaving the Phantom alone with his “Music of the Night.”
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Photo credit: The Phantom of the Opera (Photo courtesy of production)
Originally published on Mar 1, 2023 16:15
The Meaning Behind The Song: Think of Me (From the Phantom of the Opera) by Andrew Lloyd Webber
When Andrew Lloyd Webber composed the song “Think of Me” for his renowned musical “The Phantom of the Opera,” he craftily created the perfect combination of melody and lyrics that have enthralled audiences worldwide since its debut in 1986. The breathtaking and heartbreaking tune, which the character Christine Daaé sings, is so powerful that it continues to strike a chord with every listener who hears it. In this article, we’ll explore the meaning behind this timeless classic and understand why it’s still relevant three decades after Lloyd Webber first put pen to paper.
Table of Contents
What is the origin of the song?
“Think of Me” is the fourth song in Act One of “The Phantom of the Opera,” introducing the character Christine Daaé and highlighting her exceptional vocal abilities. The song’s music and lyrics were composed by Andrew Lloyd Webber and co-written by lyricists Charles Hart and Richard Stilgoe. The concept of the song was inspired by the true-life story of legendary singer Maria Callas, who faced adversity and rejection before becoming the world’s most celebrated operatic soprano.
What is the meaning of the lyrics?
“Think of Me” is a love song in which Christine Daaé professes her love for her childhood friend Raoul. The core message of the song lies within the chorus, where she implores Raoul to think of her “when we’ve said goodbye.” The song suggests that although they will have to part ways, Raoul must always remember her. The lyrics also highlight Christine’s vocal abilities, which she displays to impress the Opera House’s managers.
What is the significance of the song in the musical?
“Think of Me” is the first time Christine sings solo in the musical and presents her as the angelic voice behind the mysterious Phantom’s muse. The song sets the stage for the love triangle between Christine, Raoul, and the Phantom. The song’s climax represents the turning point in the story, where the Phantom realizes Christine’s love for Raoul when she refrains from wearing his mask and almost reveals his true identity.
How did the song become so popular?
With its powerful yet gentle tune and an emotional depth that tugs at one’s heartstrings, “Think of Me” remains a favorite among Broadway musical lovers. The song has been covered by numerous artists and appears frequently in countless television shows, movies, and awards ceremonies. It’s also been performed in countless languages, making it a global sensation.
What emotions does the song evoke?
The song inspires emotions of love, longing, and loss. It successfully captures Christine’s feelings of love for Raoul, as well as the fear of losing him. The song also emphasizes the fleeting nature of time and the importance of cherishing each moment spent with loved ones.
What role does the song play in shaping Christine’s character?
“Think of Me” establishes Christine’s character as gentle, kind, and possessing a magnificent voice. The song also highlights her transformation from a timid girl to a confident singer.
What is the meaning behind the repetition of “think of me” in the chorus?
The repetitive chorus emphasizes the importance of the message Christine is trying to convey, which is to always remember her even if they have to part ways. The repetition also makes the song more memorable and catchy.
What is the significance of the song’s placement in the musical?
Several brilliant songs precede “Think of Me,” including the musical’s opening number and iconic songs like “The Phantom of the Opera” and “Angel of Music.” The song’s placement right after “Angel of Music” emphasizes the importance of Christine’s role in the Phantom’s life and introduces her as the object of his affection.
What is the musical style of the song?
“Think of Me” is a melodious and romantic song with an operatic tone that suits the context of the musical. The song features a traditional orchestral arrangement that complements Christine’s impressive vocal range.
Why is the song’s melody so memorable?
The song’s memorable melody is due to the combination of the soaring high notes, gentle phrasing, and repetitive chorus. The melody’s simplicity is also an essential factor in it being well-remembered.
What is the impact of the song on the audience?
“Think of Me” resonates with the audience, creating an emotional connection by making them feel Christine’s longing and vulnerability. This resonation based on her emotional state is felt by the audience, even if they haven’t personally gone through a similar situation.
What message does the song convey?
The song’s message is that even if we have to part from our loved ones, they should always remember how much they mean to us. It also teaches us that love is unconditional and pure, as embodied by Christine’s love for Raoul.
What is the longevity of the song?
“Think of Me” has stood the test of time, being performed for over three decades now since the musical’s debut. The song’s longevity is due to the powerful and relatable emotions it inspires in listeners.
Frequently Asked Questions
What other songs are in the musical “phantom of the opera”.
“Phantom of the Opera” has several other iconic songs, including “Angel of Music,” “The Phantom of the Opera,” “Music of the Night,” and “All I Ask of You.”
What other adaptations have been made of the musical?
The musical has been adapted into a movie, a miniseries, and a countless number of international productions.
What are some other popular love songs from Andrew Lloyd Webber?
Some of Andrew Lloyd Webber’s popular love songs include “Love Changes Everything” from “Aspects of Love,” “Tell Me on a Sunday” from “Song & Dance,” and “Crazy Cafe” from “Starlight Express.”
What are the other musicals that he composed?
Andrew Lloyd Webber has composed numerous musicals, including “Cats,” “Evita,” “Jesus Christ Superstar,” “Joseph and the Amazing Technicolor Dreamcoat,” “Sunset Boulevard” and “School of Rock.”
Is there a real-life equivalent of the Phantom?
There is no real-life equivalent of the Phantom. However, some people believe that the character was inspired by the real-life figure of Erik who appeared in the novel “The Phantom of the Opera” by Gaston Leroux.
What is the story behind the musical?
The musical tells the story of the Phantom, a reclusive musical genius who lives beneath the Opera Garnier in Paris and becomes obsessed with a young soprano named Christine Daaé.
What is the Phantom’s real name?
The Phantom’s real name is never mentioned in the musical and remains a mystery.
Who played the role of Christine Daaé in the original Broadway production?
The role of Christine Daaé was originated by Sarah Brightman, who was also Andrew Lloyd Webber’s wife at the time.
What makes “Phantom of the Opera” a timeless classic?
“Phantom of the Opera” has become a timeless classic due to its captivating storyline, masterful composition, and memorable songs that continue to enchant audiences worldwide.
What is the story behind the Maria Callas inspiration?
Andrew Lloyd Webber was fascinated by the story of Maria Callas, who struggled to gain recognition as an artist before becoming one of the most respected vocalists of the 20th century. This inspired him to create a character like Christine Daaé, who rises to fame from humble beginnings and showcases her remarkable vocal abilities.
What are some other musicals that have stood the test of time?
Some other musicals that have stood the test of time include “Les Miserables,” “The Lion King,” “West Side Story,” and “Wicked.”
What is the meaning behind the name of the musical?
The name “Phantom of the Opera” refers to the mysterious figure who appears to haunt the Opera Garnier in Paris and becomes obsessed with Christine Daaé.
What are some other famous love triangles in literature and music?
There are several famous love triangles in literature and music, including “Romeo and Juliet,” “Twilight,” “Gone with the Wind,” and “The Great Gatsby.”
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- The Phantom of the Opera
Andrew Lloyd Webber , Michael Crawford , Sarah Brightman
About The Phantom of the Opera
"The Phantom of the Opera" is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber Kt. (born 22 March 1948) is an English composer and impresario of musical theatre. more »
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Written by: Mike Batt, Andrew Lloyd Webber, Richard Stilgoe
Lyrics © Universal Music Publishing Group
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15 facts about this song
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Know any other songs by andrew lloyd webber don't keep it to yourself, image credit, the web's largest resource for, music, songs & lyrics, a member of the stands4 network, watch the song video, more tracks from the album, greatest hits '99.
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- The Phantom of the Opera 1998
Phantom of the Opera, The script
- Think of Me
- Angel of Music
- Little Lotte/The Mirror
- The Phantom of the Opera
- Music of the Night
- Magical Lasso
- I Remember/Stranger Than You Dreamt It
- Notes/Prima Donna
- Poor Fool, He Makes Me Laugh/Il Muto
- Why Have You Brought Me Here/Raoul I've Been There
- All I Ask of You
- All I Ask of You (Reprise)
- Masquerade / Why So Silent?
- Madame Giry's Tale/The Fairground
- Journey to the Cemetery
- Wishing You Were Somehow Here Again
- Wandering Child
- The Swordfight
- We Hall All Been Blind
- A Rehearsal for Don Juan Triumphant
- Point of No Return/Chandelier Crash
- Down Once More/Track Down This Murderer
- Learn to Be Lonely
Phantom of the Opera, The Script - Broadway musical
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How to Learn Singing “The Phantom of the Opera” from Andrew Lloyd Webber
- July 4, 2023
- by Singing Carrot
How to Learn Singing “The Phantom of the Opera”
Learning to sing “The Phantom of the Opera” is an exciting and challenging endeavor. This iconic song from the musical by Andrew Lloyd Webber showcases the power and range of the performer’s voice. In this article, we will guide you through the process of mastering this song, highlighting the unique vocal techniques used and providing practical advice along the way.
Understanding the Vocal Technique
“The Phantom of the Opera” requires a strong and versatile voice to capture the dramatic essence of the character. One vocal technique particularly important for this song is the use of Head Voice or Falsetto. The high notes and soaring melodies in the song demand control and precision in this vocal register.
This technique is commonly used in other popular songs, such as “Music of the Night” also from the musical, as well as “Bring Him Home” from Les Misérables. Mastering Head Voice will not only help you perform “The Phantom of the Opera” but also expand your vocal capabilities for other songs.
To effectively learn and perform “The Phantom of the Opera,” we recommend the following steps:
- Warm-up and Vocal Exercises: Before diving into the song, warm up your voice with vocal exercises. Singing Carrots offers a great pitch training program that includes warm-up exercises for vocal agility and range expansion.
- Study the Song: Familiarize yourself with the melody, lyrics, and dynamics of the song. Listen to different versions and performances to understand various interpretations. Singing Carrots’ song search tool can help you find different renditions of the song.
- Analyze Your Voice: Take advantage of the article on Singing Carrots’ blog about how to analyze your voice . Understand your voice type, range, and areas that need improvement. This self-analysis will guide you in adapting the song to your voice.
- Breathing and Breath Support: Proper breathing technique is fundamental for a strong vocal performance. Consult Singing Carrots’ articles on breathing basics and breath support to enhance your breath control.
- Open Mouth and Throat: Singing with an open mouth and throat allows for better resonance and projection. Learn more about this technique in Singing Carrots’ article on opening your mouth and throat while singing .
- Practice, Practice, Practice: Dedicate time to practice regularly. Start with small sections of the song and gradually put them together. Utilize Singing Carrots’ Vocal Pitch Monitor tool to visualize your sung notes on a virtual piano for accurate pitch control.
- Seek Professional Guidance: If you’re serious about mastering “The Phantom of the Opera,” consider enrolling in Singing Carrots’ comprehensive educational singing course . This course covers singing theory and provides practical tips to improve your overall vocal technique.
Learning to sing “The Phantom of the Opera” is an exciting journey that requires dedication and practice. By mastering the unique vocal technique of Head Voice/Falsetto and following the practical advice provided, you can deliver a captivating performance of this iconic song. Remember to utilize the resources available on Singing Carrots to enhance your skills and take your singing to the next level. Happy singing!
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- The Phantom Of The Opera Lyrics
Sarah Brightman - The Phantom Of The Opera Lyrics
Artist: Sarah Brightman
Album: Sarah Brightman Sings The Music Of Andrew Lloyd Webber
In sleep he sang to me, in dreams he came That voice which calls to me and speaks my name And do I dream again, for now I find The Phantom of the Opera is there, inside my mind Sing once again with me our strange duet My power over you grows stronger yet And though you turn from me, to glance behind The Phantom of the Opera is there, inside your mind Those who have seen your face draw back in fear I am the mask you wear, it's me they hear My spirit and my voice in one combined The Phantom of the Opera is there, inside my mind In all your fantasy, you always knew That man and mystery were both in you And in this labyrinth where night is blind The Phantom of the Opera is here, inside my mind Sing my angel of music He's there, the Phantom of the Opera Sing, sing, sing for me Sing my angel of music Sing for me
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