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'Ghost' Turns 25: How That Sexy Pottery Scene Became One of the Most Romantic Movie Moments Ever
Demi Moore and Patrick Swayze make some pottery (Everett)
In the middle of the night, a woman sits alone at a pottery wheel. A vintage jukebox in her apartment switches records, and “Unchained Melody” by the Righteous Brothers pours into the room. Her boyfriend, shirtless, approaches, sits behind her, and reaches out his hand, accidentally ruining her pot. No matter — they begin a new one together, his hands interlaced with hers, stroking the wet clay. He begins kissing her, and she leaps into his arms, the pottery wheel abandoned in the heat of passion.
Sure, it sounds ridiculous on the page — but on the big screen in 1990, with Demi Moore and Patrick Swayze as the clay-spattered couple, it was pure magic. This is the scene everyone thinks of when they think of Ghost, the supernatural romance that opened in theaters 25 years ago this week. The film starred Moore as artist Molly and Swayze as her banker boyfriend Sam, who dies at the hands of a mugger and must find a way to communicate with Molly from beyond the grave. The pottery scene takes place early in the film, before his death, and it shows the audience everything we need to know about the passion between these two people. Like most great movie moments, the scene came about through a combination of hard work and happy accidents. “We had no idea that was going to turn into the most famous love scene in history,” Patrick Swayze said in a Ghost DVD featurette. “We were just actors trying to do the best job in the world.“ Here’s a brief history of the scene that made millions of people consider, just for a moment, taking up pottery as a hobby.
Watch the pottery scene from ‘Ghost.’
When screenwriter Bruce Joel Rubin first conceived of the character of Molly, he wrote her as a wood sculptor in the vein of ‘60s artist Marisol . “I envisioned her with these big blocks of wood and with big hammers and really going at it and really powerful,” Rubin recalled in a DVD featurette about the scene. But director Jerry Zucker worried that the idea was “a cliché.” During a scoring session for his 1988 comedy The Naked Gun, Zucker noticed one of the sound editors reading a pottery magazine and had the revelation that Molly should work with clay. Rubin liked the idea, and since his wife was a potter, he had no trouble with the rewrite. (Little did he suspect, however, that he was bringing a lifetime’s worth of dirty jokes on himself. “Now when people come over to my house and see the pottery studio, they wink at me, ‘Oh, now we know what you do at night,’” Rubin told the Chicago Tribune in 1991.) Molly became a clay artist, and the pottery scene emerged.
To prepare for her role, Moore took a few pot-throwing lessons. “I just didn’t want my pot to wobble,” she said in a Ghost featurette. “It was like a sure-fire sign that I was no good, and I was faking it.” Swayze didn’t receive any formal training, but he did sit at the wheel to rehearse the scene with Moore — which was when Zucker got his first inkling of how hot the finished scene could be.
“When we did the rehearsal, I just remember that it was sexy enough that it embarrassed Patrick and Demi a little bit when they were doing it,” Zucker said on the Ghost DVD commentary. “They both had all their clothes on… but it was still… even then, there was something about it that was sensual.”
On the day of shooting, the two actors and a small crew filmed on a closed set. Professional potters were on hand, and they started some of the pots in the scene, which Moore then completed on camera. But working with the pottery wheel proved challenging from a technical standpoint. “There’s a lot of footage of things flopping and spattering,” Zucker admitted. Production designer Jane Musky recalled the challenge of achieving “that wetness, so it was sensual, but not that it splattered all over their faces.”
Swayze claimed that he didn’t mind the mess. In Wendy Leigh’s biography Patrick Swayze: One Last Dance, he’s quoted as saying, “Getting all that mud stuff all over my arms — that was pretty sexy. Definitely got my juices going.”
At the same time, Swayze has admitted that he finds shooting love scenes extremely nerve-wracking. “I always felt extra pressure, since I was supposed to be Mr. Sexy, if you believed all the magazines,” Swayze wrote in his autobiography Time of My Life . “Of all the scenes I ever shot, I probably felt least confident about the love scenes. So it’s ironic that the clip of Demi and me at the pottery wheel is one of the best known of my whole career.” In Leigh’s biography, she reveals that Swayze rehearsed the Ghost scene with his wife Lisa Niemi in order to get past his embarrassment. Even so, Demi Moore claimed that "Patrick’s face turned bright red when we would even talk about the [love] scene.”
Moore, too, felt awkward during filming — particularly when the pottery scene transitioned into a full-on make-out session. In a 1991 People interview , she said that doing the scene with Swayze "felt like we were in high school on a first date. And here we had to act like we had known each other and were comfortable with each other. We were all arms. His face was so beet red! I would say, ‘Please don’t let my breast be exposed.’ And he would say, ‘Okay.’ If he noticed my shirt coming up over my rear, he would pull it down. We finally just said, 'I’m really nervous and I hate this.’ Then it was okay.”
And yet, it was clear to everyone present that Swayze and Moore were magic onscreen. One of the scene’s most endearing moments — when Swayze reaches over to help with the pot and accidentally collapses it — was unplanned.
“Nobody expected [the pot] to fall,” said Rubin. “Demi recovered so quickly…. She wasn’t angry, she wasn’t disappointed. In a way, the whole nature of their relationship was shown in that moment.”
The heat of the make-out scene was also more intense than anyone anticipated. “It was one of those times in both of our careers when something happened and both of us came alive,” said Swayze. Wrote the star in his autobiography: “Demi was really good in these situations. She was very warm — much warmer than she’d been in the other scenes we shot together. She showed a vulnerability that was very attractive, and that really came through onscreen.” The footage was so sensuous that, after seeing the dailies, Zucker decided not to shoot a more explicit sex scene that was in the script. (During the same sequence, Molly and Sam were supposed to make love under a sheet that covered one of Molly’s sculptures.)
This decision to cut the extended scene led to a continuity error that fans point out to this day: Between the pottery wheel and the groping session, the couple’s clay-covered hands become magically clean. On the DVD commentary, Zucker is unapologetic. “I just assumed that it was a time cut, that they didn’t get up right from the machine and go right to this,” he said. Then he added, “Actually, I just didn’t assume anything. I just wanted their hands to be not all full of clay.”
The other key element to the pottery scene, of course, is the song — a contribution from producer Lisa Weinstein, who brought Zucker a cassette tape of “Unchained Melody” during filming. “The longing of that music, the pain of the music is wonderful,” said Zucker. Coincidentally, Righteous Brothers singer Bill Medley also sang “Time of My Life,” the theme song from Swayze’s biggest hit before Ghost , 1987’s Dirty Dancing. “I think we’re gonna have to do a duet soon or something,” Swayze joked in a 1990 interview .
Medley himself received a major career boost from Ghost. Written for the forgotten 1955 prison film Unchained (hence the title) and recorded by the Righteous Brothers in 1965, “Unchained Melody” became a resurgent hit in 1990, climbing to No. 19 on the Billboard Hot 100. Even more impressive: It made Medley cool again. “My kids were about nine and ten at the time, and all of a sudden I became the hero of the neighborhood,” he told Rolling Stone in 2003 .
Ghost was a massive hit — the highest-grossing film globally of 1990, besting Home Alone and Pretty Woman — and the pottery scene became instantly iconic. Pop culture has since become cluttered with parodies and homages; faux-sensuous pot-throwing scenes have been featured in the film Naked Gun 2 ½ (directed by Jerry Zucker’s brother David), and on Family Guy , Glee , Two and a Half Men , Community , and Late Night with Jimmy Fallon , to name a few. An Iowa reporter made headlines two years ago when he spoofed the scene during a live interview at a Cedar Rapids ceramics studio. Swayze and Moore’s scene is frequently cited as one of the sexiest , most romantic film moments of all time.
A pottery teacher explains his “zero ‘Ghost’ tolerance policy” in this clip from ‘Community:’
Before his death from pancreatic cancer in 2009, Patrick Swayze spoke proudly of the pottery scene. “I was happy — and relieved — with how it turned out,” he wrote in his autobiography. “Demi and I had managed to capture a moment between these two people that made everything that happened later in the story feel that much more wrenching and emotional.”
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- What Is Cinema?
How Ghost ’s Famous Pottery Scene Bumped an Actual Sex Scene from the Movie
By Margaret Heidenry
Back on July 13, 1990, just like today, the multiplexes were thick with sequels and action flicks. That day, Ghost , starring Patrick Swayze as Sam Wheat, a murdered banker who haunts lower Manhattan to protect his lover Molly Jensen, played by Demi Moore, began its ascent to surprise summer blockbuster. The two-hour supernatural romance, produced on a $22 million budget, grossed more than half a billion worldwide and dramatically out-performed both Arnold Schwarzenegger’s Total Recall ($261,317,921) and Bruce Willis’s Die Hard 2: Die Harder ($240,031,094). The sleeper hit even toppled the year’s box-office darling, Pretty Woman , by almost $50 million as it launched key players into Hollywood’s stratosphere.
An ethereal Moore—in addition to besting her then-husband Willis—soon became the highest-paid actress. Swayze, fresh off Dirty Dancing , further cemented his status as a go-to leading man. The movie’s five Academy Award nominations, including for best picture, netted two Oscars. Whoopi Goldberg’s best-supporting-actress win for her tart portrayal of con-artist psychic Oda Mae Brown ended a 50-year drought for African-American women in the category. (Hattie McDaniel had won for 1939’s Gone with the Wind .) Presenter Jodie Foster gave the film’s second statuette to Bruce Joel Rubin, Ghost ’s screenwriter, who defeated Woody Allen ( Alice ).
When the Los Angeles Times featured photos from the ceremony “there was Jodie Foster, Anthony Hopkins, and my right arm,” says Rubin, whose other credits include Jacob’s Ladder and The Time Traveler’s Wife . “That’s what it is to be a writer in Hollywood.” We asked Rubin to share memories of making the beloved film to mark its silver anniversary.
How turning on, tuning in, and dropping out led to Tinseltown success.
Ghost ’s journey from idea to screen began in 1965 with “an LSD trip,” says Rubin. A roommate—who knew counter-culture guru Timothy Leary—gave Rubin a tablet of LSD that he secreted away and waited “for the right time to take.” When that moment finally arrived, “nothing happened.” This being the 60s, a visitor had just stowed a vial of pure Sandoz acid in Rubin’s refrigerator. “My roommate went to give me one drop,” says Rubin. “He went, ‘Whoops!’ The entire eyedropper went shooting down my throat and I began a journey that has never ended.” Rubin realized he wanted to tell an “entertaining and not pontifical” story from a ghost’s point of view. Two years of pitching around Hollywood culminated in one trippy week that saw five studios vying for the idea.
The CAMERA MOVES IN and for the first time we see them. MOLLY JENSEN, in her late 20’s, has a bandanna around her hair and a workman’s mask over her nose, but we can tell from her eyes and cheekbones that she is beautiful. SAM WHEAT, in his late 30’s, is also hidden behind a mask, but he has a strong forehead and handsome features. — Ghost screenplay
Demi’s pixie haircut and snagging Swayze.
After the project landed at Paramount, studio executive Lindsay Doran called Rubin to say she had found a director. “My heart was beating through my chest and I’m thinking, Spielberg, Scorsese, then she said, ‘ Jerry Zucker. ’” At the time, Zucker was known for wacky comedies like the cult hit Airplane! . “I thought [he] was probably the worst choice.” Still, Rubin agreed to a dinner where “a great friendship formed. [Zucker’s] one of the most extraordinarily wonderful people around.” A year of collaborating on somewhat painful re-writes of re-writes yielded a script that was “crisper.”
Next came the “delicious” casting process. “Demi was on the radar immediately. And she wanted to do it, which was wonderful,” says Rubin, who calls her “ballsy.” Moore was hired “as a long-haired actress,” but showed up on the first day of shooting with “a short haircut, which is kind of an in-your-face choice,” Rubin recalls. “It announced to us that she had her own ideas about who her character was.” In addition to Moore’s “stunning haircut,” Rubin praises the actress’s “depth of emotionality. She can literally produce tears from one eye or the other.”
For the part of Sam, the filmmakers “went to every major actor in Hollywood who was hot at the time.” So who turned the part down? “Everybody. Harrison Ford said, ‘I read this thing three times and I still don’t get it.’ Michael J. Fox, Paul Hogan, on and on, we kept getting turned down.” Rubin believes the actors “didn’t want to play dead men . . . they all saw it as a loss of vitality.” Zucker had faith the film would land somebody better after each pass but “finally there wasn’t anybody. . . . When Patrick said yes, he basically saved the movie.”
By Katey Rich
By Joy Press
INT. MOLLY'S STUDIO — NIGHT Molly, dressed only in a T-shirt, is sitting at her potter’s wheel throwing a series of pots. Sam enters the studio. He is barefoot, shirtless, wearing jeans. — Ghost screenplay
Somewhere in the Paramount vault is an unseen Swayze-Moore sex scene.
Rubin’s wife is a potter, and it was Zucker’s idea to make Moore’s character one, too. The equal-parts hot and artsy scene between Moore and Swayze—where his hands envelop hers in wet clay as she spins a phallic pot between her legs—has become iconic in the annals of celluloid romance. Initially, though, the scene’s carnal nature “was not something that we were prepared for. In fact, we shot a lovemaking scene.” Yet as everyone watched the pottery-scene dailies—the screening of footage shot the previous day—“we just kind of looked at each other and started to understand that what we had was really amazing. The pottery scene proved to be so erotic that we didn’t need anything else.” And while the statistics on a presumed spike in pottery wheels is unknown, the song that accompanies the scene, 1965’s Unchained Melody by The Righteous Brothers, quickly reappeared on the Billboard charts.
The beginning of a beautiful GIF.
Zucker asked Rubin to create “a Casablanca line” and the two came up with Swayze’s final dialogue: “The love inside, you take it with you.” Yet the oft-quoted dialogue that has become an Internet GIF sensation occurs when Goldberg, acting as the medium between Swayze and Moore, warns, “Molly, you in danger, girl.” (Sam’s murderer, Carl Bruner, played by Tony Goldwyn, poses the danger in question.) Though Rubin cannot recall the remark’s exact providence, he guesses “it was Whoopi because she is unbelievably funny.” The TV smash Scandal , currently starring Goldwyn, appropriated the line for a tongue-in-cheek episode title .
Ghost also haunted the box office.
On opening weekend, 25 years ago, Zucker called Rubin and told him Ghost had “sold out everywhere.“ The movie continued to vie for the top slot at the box office through mid-September. ”And we were still playing in theaters six months later at Christmas,” Rubin says.
MOLLY I love you. I really love you. He smiles and strokes her cheek. SAM Ditto. — Ghost screenplay
Twenty-five years, a Japanese remake, and a Broadway musical later . . .
Rubin credits the secret of Ghost ’s success to the idea of a dead guy learning to say “I love you” to someone he failed to say it to when he was alive. “That you would fight back from the other side is a core wish of people. [The film] postulates a universe . . . where love goes on.” The writer says he used “a very simple line at the end” to convey this cosmic idea, one Moore says—as a tear wells in her right eye—after she and Swayze share a final kiss: ”See ya.“
By David Canfield
By Chris Murphy
By Esther Zuckerman
By Eve Batey
By Richard Lawson
By Kase Wickman
By Hillary Busis
By Adam Sisman
How ‘Unchained Melody’ Broke Free
The song began its life as a soundtrack to a prison movie. With the help of The Righteous Brothers, Leslie Nielsen, and some strategically molded clay, it became one of history’s greatest love songs.
Unchained Melody by Todd Duncan (Original 1955) by ron2612
Watch Ghost recreate the ‘horny pottery’ scene from Ghost for Valentine’s Day
Papa Nihil roleplays Patrick Swayze in hilarious recreation of ‘that’ pottery scene from 1990 romantic fantasy Ghost
Valentine’s Day might well be a tacky, exploitative, marketing ploy dressing up frivolous, needless consumerism as ‘romance’, but come on, there are worse things in life than expressing love/lust via red roses, schmaltzy Hallmark cards and a table for two at Pizza Hut’s unlimited all-you-can-eat buffet. And even those with the most blackened, shrivelled hearts need affection now and again, as a new video message from Ghost reminds us.
To celebrate V-Day, the Satanic Swedish smoothies have shared an erotically-charged new video recreating that infamous (and much-parodied) ‘horny pottery’ scene from Jerry Zucker’s hugely successful romantic fantasy thriller Ghost , the highest-grossing film of 1990, and at the time of its release, the third-highest grossing film of all time, Wikipedia tells us , with Papa Nihil taking on the clay-fondling Patrick Swayze role. As in the original scene, Ghost’s take on this seminal cinematic moment is soundtracked by Unchained Melody by the Righteous Brothers. The 51-second clip cuts off before the er, climax, but the vision of Papa getting knuckle deep into that moist clay will surely linger long in all our memories, perhaps even forever.
Ghost are currently on a co-headlining tour of US arenas alongside Volbeat. Produced by Klas Åhlund and mixed by Andy Wallace (Slayer, Nirvana), their new album, Impera , is set for release via Loma Vista on March 11: two singles from the album have already been released, Call Me Little Sunshine and Hunter’s Moon .
Ghost will launch their biggest ever European headline tour in April , kicking off the trek with four arena shows in the UK.
They will play:
Apr 09: Manchester AO Arena, UK Apr 11: London O2 Arena, UK Apr 13: Glasgow OVO Arena, UK Apr 15: Birmingham Resorts World Arena, UK Apr 17: Rotterdam RTM Stage Ahoy, HOL Apr 18: Paris Accor Arena, FRA Apr 19: Cologne Lanxess Arena, GER April 21: Leipzig Quarterback Immobillen Arena, GER Apr 22: Frankfurt Festhalle, GER Apr 24: Prague Arena, CZE Apr 27: Tampere Nokia Arena, FIN Apr 29: Stockholm Avicii Arena, SWE Apr 30: Oslo Spektrum, NOR May 01: Malmo Arena, SWE May 03: Brussells Forest, BEL May 05: Milan Mediolanum Forum, ITA May 07: Barcelona Olympic Arena Badalona, SPA May 08: Madrid Vistalegre Arena, SPA May 11: Vienna Stadthalle, AUS May 13: Zurich Hallenstadion, SWI May 15: Hanover Zag Arena, GER May 16: Munich Olympiahalle, GER May 18: Budapest Arena, HUN
Support on all shows comes from Uncle Acid And The Deadbeats and TwinTemple.
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A music writer since 1993, formerly Editor of Kerrang! and Planet Rock magazine (RIP), Paul Brannigan is a Contributing Editor to Louder. Having previously written books on Lemmy, Dave Grohl (the Sunday Times best-seller This Is A Call) and Metallica ( Birth School Metallica Death , co-authored with Ian Winwood), his Eddie Van Halen biography ( Eruption in the UK, Unchained in the US) emerged in 2021. He has written for Rolling Stone, Mojo and Q, hung out with Fugazi at Dischord House, flown on Ozzy Osbourne's private jet, played Angus Young's Gibson SG, and interviewed everyone from Aerosmith and Beastie Boys to Young Gods and ZZ Top. Brannigan lives in North London and supports The Arsenal.
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Ghost: Pottery Scene
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See Ghost's Wild Parody of 'Ghost' Pottery Scene
Pick up Ghost vinyl, action figures, merch and more — including their new album Impera on vinyl, CD and cassette — over at our shop .
The spirit of Valentine's Day was even too moving for Ghost to resist. Yesterday, the occult-rockers posted a hilariously bizarre parody of the iconic pottery scene from the 1990 fantasy-romance Ghost , in which Patrick Swayze's character Sam Wheat nestles behind Molly Jensen (Demi Moore) at the clay wheel, where they share a sensuous moment as their hands fumble in the wet mud.
In a one minute clip the Tobias Forge-helmed band shared, cheekily titled Ghost on Ghost , Papa Nihil essentially performs Swayze's role while decked out in his over-the-top garb — and it ends with the lead-up to a steamy kiss. It's great. "We wish to inform you the love inside, you take it with you," the band wrote in an accampnying Instagram post. "Happy Valentine's Day."
Watch it above via YouTube.
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Ranking the top 5 parodies of Ghost 's pottery wheel scene
Over the past two decades, it's been nearly impossible not to associate a pottery wheel with one of the sexiest scenes in cinematic history. Set to The Righteous Brothers' "Unchained Melody," Demi Moore and Patrick Swayze turned the once-innocent act of making ceramics into a steamy seduction in 1990's "Ghost." To celebrate the anniversary of Jerry Zucker's haunting love story, EW has compiled the top five pop culture parodies of the film's iconic pottery wheel scene.
To rank the spoofs, hit on the arrows on the left side of the video:
* What critics thought of 'Ghost' when it came out 25 years ago
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The Untold Truth Of Ghost
Jerry Zucker's classic 1990 hit, "Ghost," has become an indelible part of pop culture, elevating "Unchained Melody" into a favorite love song and spawning endless spoofs of its iconic pottery scene . The film tells the story of Sam (Patrick Swayze), a banker who is killed by a mugger and finds himself as a ghost, invisible and unable to engage with the physical world. As Sam watches his girlfriend, Molly ( Demi Moore ), cope with his death, he starts to learn the truth of who really killed him. He tries to contact Molly with the help of a psychic, Oda Mae Brown (Whoopi Goldberg), to warn Molly of impending danger and find the closure he needs to move on to the next world.
"Ghost" became the highest-grossing film of 1990 and won two Academy Awards . But the film's success was a surprise to all those involved, as Ghost's blending of genres — romance, comedy, and the supernatural — made it a risk. Sam wasn't the typical leading man — many A-list stars weren't interested in the role because playing a dead man felt like a loss of "vitality" — and the film's exploration of love through the spirit world was a bit different from other popular romances of the time like "Pretty Woman." Still, "Ghost" has continued to resonate with audiences for over three decades now, so whether you're already a fan or meeting Sam, Molly, and Oda Mae for the first time, read on to find out how "Hamlet," a pottery magazine, and an obscure prison film all led to the making of "Ghost."
Ghost was inspired by Hamlet (and some LSD)
Screenwriter Bruce Joel Rubin first got the idea for "Ghost" while watching a production of Shakespeare's "Hamlet." When Hamlet's dead father tells him to avenge his death, Rubin thought, "Wow, let's transpose that into the 20th century; it'd be an interesting story," as he reminisced to the Detroit News . So the idea for "Ghost" was born but perhaps the origins of the story go back even farther to 1965, when Rubin accidentally took a full eye dropper of LSD instead of a few drops (it was the '60s, after all). The massive LSD trip took Rubin on a journey where he decided he wanted to tell an "entertaining and not pontifical" story from a ghost's perspective .
It would take some time for Rubin's "Ghost" script to gain traction. After all, as his LA agent told him just before dropping him, Rubin's work was "too metaphysical" and "nobody wants to do a ghost story." Luckily for Rubin, his other supernatural script for "Jacob's Ladder" was causing a stir in Hollywood and eventually, the "Ghost" script landed at Paramount. Rubin was thrilled to turn his story over to the hands of a dramatic auteur like Martin Scorsese or Steven Spielberg , but his producers (or the universe, depending on who you ask) had other plans for him.
Ghost was Jerry Zucker's departure from comedy
When Jerry Zucker first got the script for "Ghost," he forgot it on his nightstand for a while . Zucker had been part of the Zucker, Abrahams and Zucker directing team with his brother David and childhood friend Jim. The trio were well-known in the comedy world as they'd directed films like "Airplane!," "Top Secret!," and "Ruthless People." By the time he was given the script for "Ghost," Zucker was ready to direct a film on his own so long as it wasn't a satire.
Zucker's wife picked up "Ghost" from the nightstand one day and handed it to her husband, telling him that he needed to read it immediately. Zucker thought the script was terrific and signed on to direct. Rubin was initially upset (okay, he cried) with the choice since Zucker was a comedy director, but after the two met and had a philosophical discussion, he realized Zucker was the one to do the film. So Zucker took on "Ghost," the first film he'd direct on his own and funnily enough, one that wasn't a comedy.
Patrick Swayze wasn't the first choice for Sam
Although Patrick Swayze had won over the hearts of millions by refusing to put Baby in a corner in 1987's "Dirty Dancing," he wasn't at the top of Zucker's list for Sam because he was mostly known as an action star due to his role in "Roadhouse." In fact, Zucker was so unconvinced that he said Swayze would be Sam "over [his] dead body." Instead, the part went out to other A-list actors at the time, like Harrison Ford ( who read the script three times and didn't "get it" ), Paul Hogan, and Michael J. Fox. Bruce Willis had the chance to play opposite then-wife Demi Moore, but turned down the script because he didn't think it would work. Years later, he told Playboy he was a "knucklehead" for making that choice .
While Zucker was hesitant to consider Swayze, Rubin knew he was the man for the role after seeing Swayze interviewed by Barbara Walters , where he wept while talking about his father. Swayze, meanwhile, was determined to get the role as the script had left him "boo-hooing." When Swayze came in to read the final farewell scene of the film, there wasn't a dry eye in the room and Zucker's mind was changed: they'd found their Sam.
Patrick Swayze fought for Whoopi
Part of what sets "Ghost" apart is its comedic side and it would be hard to imagine the film without Whoopi Goldberg . Certainly, we wouldn't have been blessed with this priceless (and always useful) gif from the film . But Whoopi also wasn't the top choice for Oda Mae Brown, a fraudulent psychic who discovers she actually does have psychic gifts when she starts communicating with Sam's ghost.
The role of Oda Mae went out to nearly every Black actress and performer in Hollywood, including Oprah Winfrey, Patti Labelle, and Paramount's favorite choice, Tina Turner (although Zucker had his doubts about her as an actress) . While Oda Mae is the comedic glue of the film, Zucker didn't want a comedian for the part. But Swayze fought for Whoopi to read because as he put it to People magazine's Jess Cagle, they clicked right away and were just like "girlfriends." Again, Zucker changed his mind once he saw Goldberg and Swayze's chemistry and how Goldberg "hit it out of the park." As it turns out, she was much more than just a comedian; she could act.
The pottery scene was an accident
It's nearly impossible to imagine "Ghost" without its super sexy scene of Sam and Molly at the pottery wheel while The Righteous Brothers' "Unchained Melody" plays from a jukebox. But this scene wasn't in the original script at all. As Rubin first wrote it, Molly was a sculptor, which Zucker felt didn't work because "it felt harsh, taking a hammer and chisel and banging on something," as he told Forbes in 2020 . Zucker continued on to describe how one day, while doing post-production on the second "Naked Gun" movie, he was sitting next to a sound engineer, who was reading a pottery magazine. As Zucker flipped through the images of beautiful pots and pieces, he got a vision of a pottery wheel and people making things with their hands. Rubin agreed to make Molly a potter instead and wrote the scene into the film.
While Demi Moore took pottery classes to prepare for the role, the pot she threw on camera collapsed, which wasn't in the script. In fact, Swayze had decided to "throw a curve ball" and make the pot fall, which made it into the final cut of the film. The rest, as they say, is history as this scene has become one of the most well-known, beloved and parodied film scenes of all time . In fact, the chemistry was so hot that Zucker decided to cut an actual sex scene out of the film . Who needs sex when you have clay?
Demi's surprise haircut
Demi Moore had made a name for herself as part of the 1980s "brat pack" and was always the top choice for Molly. She was a long-haired beauty who could cry on cue from either eye , which made her perfect for this role of a grieving woman. But Moore had ideas of her own for Molly; specifically, she wanted to play up Molly's strength rather than weakness.
So she showed up to the first day of filming with a shocking new 'do: she'd cut all of her hair to sport Molly's now iconic pixie cut. Zucker was horrified; he'd told Swayze to grow out his hair and his leading actress had arrived with a totally different look. But when he started videotaping their rehearsals, he saw how good Moore looked and decided to go ahead with this style . In fact, he's thanked her since for the bold choice because if she had asked him at the time, he would have said no.
Whoopi's Oscar nomination and win were historic
Whoopi Goldberg is one of only 16 people to be an EGOT (Emmy, Grammy, Oscar, and Tony) winner and it's thanks to "Ghost" that she has that "O" win. Goldberg won the Oscar for Best Supporting Actress in 1991 for her role as Oda Mae Brown, which made her only the second Black actress at the time to win this award (a full 51 years after Hattie McDaniel's win for 1939's "Gone with the Wind" ).
Goldberg made history again as she became the first African-American woman to be nominated for both the Best Supporting Actress and Best Actress awards (for her role in 1986's "The Color Purple"). Goldberg's win for "Ghost" proved inspirational for many, including Tiffany Haddish, who was a pre-teen at the time and told Variety in 2021 that when she watched Goldberg's Oscar speech, it made her think that "if they can do it, I can do it too."
Ghost helped Swayze confront his own ghosts
Patrick Swayze's father passed away suddenly from a heart attack in 1982, which led to Swayze's long struggle with depression and alcoholism . Eight years later, Swayze's work on "Ghost" brought up some unexpected and repressed feelings about his father's death. When he saw the plaster dummy of his character's body, it reminded him of his father's funeral, when he nearly fainted from touching his father's body in the coffin.
He told People magazine that "I had pushed that memory out of my life until that moment on location when it all came back, big time," and that as a result, there were some scenes in "Ghost" where "something happened to me that was very scary." After the film was released, Swayze said that he needed to do "Ghost" for his "soul." Perhaps some of these difficult confrontations with his past and father's death were part of the reason for that feeling.
Tony Goldwyn was haunted by Ghost
Years before his turn as US President Fitz Grant in "Scandal," Tony Goldwyn was an unknown actor with a very known last name (his grandfather was OG movie mogul Samuel Goldwyn ) whose feature film debut was as Carl, the villain of "Ghost." Goldwyn's wife was the production designer for "Ghost," and she encouraged him to bug his agent to get an audition for Carl. Zucker wasn't convinced because he thought Goldwyn was "too nice" (we're starting to sense a pattern here with Zucker and his casting intuition). Eventually, Zucker came around and Goldwyn hit the big screen as Carl, Sam's business partner with an ulterior motive.
Goldwyn found unexpected success with "Ghost" as people around the world saw him as the man who screwed over Sam. In fact, not long after the film's release, he went to dinner and the waitress refused to serve him. As he told it to the AV Club , she was rude to him and eventually asked if he was an actor. She realized that she knew she hated him but didn't remember why, just that she did; she actually had thought he was someone she'd slept with who had hurt her. But no, he was just the guy who hurt Patrick Swayze. Either way, it was reason enough not to take his order.
Demi thought Ghost was a 'recipe for disaster'
While Demi Moore seems to have been the only sure thing as far as casting "Ghost," she actually thought the film was anything but a sure thing. During a 2013 AFI screening of "Ghost," Moore revealed that while she found Rubin's script "fascinating and different," she also thought the film was a "recipe for disaster" since it was a love story about a dead guy trying to save his wife with comedic elements mixed into it. Critics at the time seem to have agreed as the film got mixed reviews , even as audiences continued to line up for screenings.
She went on to say that the film was going to be "something really special, really amazing, or really an absolute bust," but ultimately, it was the alchemy of the cast and crew that made the film work. And that alchemy helped make "Ghost" stand the test of time, where it's still being watched and loved over 30 years later.
Ghost was a surprise box office hit
While Zucker, Rubin, the cast, and producers were all unsure of how this supernatural love story would do in the theaters, all were pleasantly surprised to see that "Ghost" not only did well at the box office, but was an outright smash. The film was made for $22 million and grossed over $500 million worldwide , making it the top hit of 1990 and one of the most successful films ever. In fact, at the time of its release, it was only the third film to surpass $500 million (besides "Star Wars" and "E.T.") and it was a love story to boot.
There weren't many 1990s films that matched the success of "Ghost" and the ones that did were mostly action flicks like "Independence Day," "Jurassic Park," and "Terminator 2: Judgment Day." "Ghost" had a life of its own, with audiences lining up around the block and theaters in Monterrey, Mexico allegedly providing women with envelopes of tissues to make sure they could cry as much as they needed (although this latter item sounds more like an urban legend).
Beliefs in the beyond
While the success of "Ghost" could be attributed to a variety of factors, perhaps part of what helps it resonate with audiences is its exploration of spirituality, which was present both on and off screen. Writer Bruce Joel Rubin has a strong spiritual side and practice as he's taught meditation for decades . As he notes in his bio , he writes films "to witness and explore the unseen world of our lives." For the 30th anniversary of "Ghost," Jerry Zucker noted that Rubin's immersion and belief in spirituality was akin to having a general present when writing a war movie ; Zucker also described "Ghost" as a movie that Rubin wrote from the heart , not from a desire to make something commercial.
The cast also had their own beliefs in other worlds. In a 1994 interview with the Academy of Achievement , Whoopi Goldberg expressed her belief that "when people die, the spirit flies from them and fragments," and that she's been "hit with a lot of fragments." Perhaps it's some of those fragments that helped her tap into the role of Oda Mae, who starts out a skeptic but becomes a believer. Patrick Swayze believed that people could come back and visit loved ones because "death is a beginning, not an ending," according to Wendy Leigh's Patrick Swayze: One Last Dance .
Unchained Melody is a bit more literal than not
It's hard to imagine the pottery scene in "Ghost" without the Righteous Brothers' "Unchained Melody" playing on the jukebox (fun fact: Zucker brought the jukebox from his own home ). In fact, "Ghost" was originally going to be called "Unchained Melody," as one of the producers had decided before production that this would be the song used in the pottery love scene. But the name, "Unchained Melody," doesn't refer to a metaphorical, boundless love; the song was actually written for the little-known 1955 prison film, "Unchained," which was based on the book, "Prisoners are People."
Originally sung by Todd Duncan, the song first appears in "Unchained" when an inmate starts singing it in his cell. The lyrics "time goes by so slowly" are actually about the slowness of time for this inmate, who's stuck in jail while his lover is outside. The song was nominated for an Oscar at the time (but didn't win) and it wasn't until the Righteous Brothers covered it in 1965 that it started to gain some traction. And it really wasn't until Patrick Swayze and Demi Moore turned cold, wet clay into the hottest material on earth that the song made it into popular culture as the staple of classic love songs it is today.
Ghost became part of hip-hop slang
Of all the ways that "Ghost" has made a lasting impact on popular culture, one of the most surprising may be its influence on hip-hop. One might not expect to see a connection between the supernatural love story of "Ghost" and rap songs but Patrick Swayze has a last name that rhymes with "crazy," which has led to him being name-dropped in a number of hip-hop songs.
With the release of "Ghost," his name took on a new meaning as rappers like the Notorious B.I.G. , DMX , and Method Man started saying "Swayze" as a substitute for the slang "ghost," which means "disappear." While "ghosting" has come back into the mainstream as a term for "disappearing," especially in the realm of dating, maybe it's time to take a note from these rap songs and start saying that we're "Swayze-ing" someone. It has a nice and weird ring to it, don't you think?
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Watch Ghost’s Parody Of “Ghost” Pottery Scene
via Ghost / Youtube
In the spirit of Valentine’s Day, Swedish rock band Ghost surprisingly released a hilariously bizarre parody of the iconic pottery scene from the 1990 fantasy-romance film Ghost .
In a one minute clip, cheekily titled Ghost on Ghost , Papa Nihil portrayed the role of Patrick Swayze’s character Sam Wheat where he appears behind Sister portraying the role of Demi Moore’s character Molly Jensen at the clay wheel, where they share a sensuous moment as their hands fumble in the wet mud that ends up on a cut off kiss.
The band wrote on the description of the video:
“We wish to inform you the love inside, you take it with you… Happy Valentine’s Day.”
Some of the comments read:
“I like the sinister way Ghost does his marketing” “I was bummed out not having a valentines day with anyone. But then I got to see this. And I feel better. lol still getting some Papa Nihil. If you have Ghost you have everything.” “I’ve been hoping for more of these videos. Awesome to see papa nihil again, love this homage to the ghost movie.” “I love how charmingly and wholesomely lascivious it is when they play in the clay.”
Watch the video below.
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Ghost at 30: the shock romantic blockbuster that tried to do it all
Patrick Swayze’s unusual star appeal helped make the supernatural romance the biggest hit of 1990 despite being resolutely unhip
A merican cinema has never had a star quite like Patrick Swayze , who now seems like a bridge between eras, redefining masculinity after an 80s dominated by brute-force heroes like Arnold Schwarzenegger, Sylvester Stallone and, to a much lesser extent, Chuck Norris. Jean-Claude Van Damme had some of his velvet-hammer appeal – the romantic coupling in Bloodsport was about showing off his body, not his girlfriend’s – but Swayze’s gentle, zen-like self-assurance was much rangier, unlimited to any one genre. It was not just the Catskills that were scandalized by his sexuality in Dirty Dancing, but the culture at large, and it kept slipping through even in male-oriented, adrenalized action fare like Roadhouse and Point Break.
The notion of a star like Swayze paying attention to women and serving their fantasies is more radical than it seemed, especially at the time of his ascendence, but it does a lot to account for the success of Ghost, which barreled through mostly dismissive reviews to become the biggest hit of 1990. The money scene of a shirtless Swayze sidling up to Demi Moore at the pottery wheel, shaping wet clay from vase to phallus as the Righteous Brothers’ Unchained Melody plays in the background, was perhaps something only he could pull off. Director Jerry Zucker, better known at the time as one-third of the Zucker-Abrahams-Zucker spoof squad behind Airplane! , was aware enough that he was pushing the edge of parody; in fact, only a year later, “the brother of the director of Ghost”, David Zucker, referenced the scene in The Naked Gun 2 1/2: The Smell of Fear.
And yet Ghost is nothing if not absolutely earnest and resolutely unhip, to the point where the “A Jerry Zucker Film” credit still merits a double take. Thirty years later, Ghost is remembered as a unicorn of sorts, exactly the type of film that Hollywood has no interest in making any more: an original, modestly budgeted love story with spiritual underpinnings. Yet that still doesn’t account for how thoroughly it defied any formula for box-office success and how surprised industry-watchers were about how quickly it seized the cultural imagination. Swayze had done it before with Dirty Dancing, the slow-burn smash that put him on the map, but Ghost was a more full-service phenomenon, a romance that doubled as an affirmation of faith. It’s bathed in a heavenly light, even before it happens literally.
The driving creative force behind Ghost was writer Bruce Joel Rubin, who would win the Oscar for best original screenplay and spend the next few years toggling between domestic thrillers such as Deceived and Sleeping with the Enemy (uncredited), sentimental dramas about death like My Life, and Jacob’s Ladder, which is a mishmash of the two with a horror bent. The trick of Ghost is that it has something for everybody: it’s a love story that brushes with the transcendent. It’s a comedy about a put-upon spiritual adviser. It’s a white-knuckle thriller about unmasking a deadly conspiracy. And it’s a simple and only vaguely religious divining of the righteous and the damned. God has a plan for all of us, Rubin implies, and the good guys and the bad guys are going to get sorted out just as plainly as his screenplay defines them.
The thriller elements of Ghost are the most dominant, and by far the least interesting. Eagle-eyed viewers will know whodunnit just by picking up on the words “Tony Goldwyn” in the opening credits, and slower ones won’t be far behind. In the early going, Goldwyn’s Carl plays third wheel to Sam Wheat (Swayze), his best friend and fellow Wall Street banker, and Sam’s girlfriend Molly (Moore), an artist who’s deep into remodeling their new apartment. Shortly after Sam notices multimillion-dollar discrepancies in various accounts that Carl had accessed, he winds up dead in what seems like a common street mugging gone wrong. But Sam passes on his ticket to heaven for the time being and lingers in New York like one of the angels in Wings of Desire, a sympathetic observer to the living.
Things change once Sam picks up on foul play and enlists the help of Oda Mae Brown (Whoopi Goldberg), a storefront psychic who’s shocked to discover she can actually hear a spirit after years of bilking widows out of money. She’s ultimately a Magical Black Person archetype, fated to serve a white guy in need, but Goldberg, who won an Oscar for her performance, has wonderful chemistry with Swayze in the getting-to-know-you phase, when she’s swatting him away like a gnat buzzing in her ear. Oda Mae’s insistence on doing her own ghost translation led to a meme (“Molly, you in danger girl”) that’s grown so common that the younger generations are probably more familiar with that line than the pottery sequence.
The business with Carl – and of Molly being in danger, girl – takes up the bulk of Ghost, and the supernatural twist only goes so far in redeeming what would otherwise function as a stock straight-to-video thriller of that era. Goldwyn’s entertaining oiliness as Carl tends to get overlooked; his attempt to dazzle Molly by deliberately spilling coffee on his dress shirt so he remove it is a defining move, straight out of the junior varsity bachelor playbook. The nerve-racking game of telephone that needs to take place between Sam and Oda Mae, who needs a ton of persuasion to believe that she’s actually talking to a ghost, and Oda Mae and Molly, who also needs a ton of persuasion that her husband’s ghost is communicating through a medium, becomes its own excruciating form of suspense.
Eventually, Ghost arrives at a form of Tinseltown spirituality, unobjectionable and nondenominational. Rubin and Zucker are dealing strictly in moral absolutes when it comes to good and evil, with Sam’s ticket to heaven already punched and Carl and his sleazy cohort destined to get dragged to hell. “It’s amazing, Molly. The love inside … you take it with you,” Sam tells her before boarding the escalator up, and it’s the type of feelgood ending that no conventional romance could possibly achieve. Ghost turns a happily ever after ending into a happily ever after eternity, confirming that heaven exists, love lasts forever and the people we care most about will be waiting on the other side. Small wonder it was a commercial juggernaut.
- Patrick Swayze
- Romance films
- Drama films
- Whoopi Goldberg
What song is playing in the famous pottery wheel scene in the movie Ghost?
The iconic love scene in Ghost is where Sam helps Molly on a potter's wheel and begins kissing her as " Unchained Melody " by The Righteous Brothers plays.
Unchained melody by the righteous brothers
"Unchained Melody" by the Righteous Brothers
Unchained Melody by The Righteous Brothers
"Unchained Melody" by the Righteous Brothers.
Add your answer:
What guitars are the Wonders playing in That Thing You Do?
In the first part of the movie (before they become famous), Jimmy is playing a Gibson Les Paul Junior and Lenny is playing a Silvertone Model 1457 (made by Danelectro).After they become famous Jimmy is playing a Rickenbacker 360 and Lenny is playing a Fender Jaguar. The bass player (who went to the army) is playing a Danelectro bass. And the wolfman (who replaces Ethan Embry) plays a Fender bass.Hope this helps. Frettin' Freddie
What movie did gene autry sing ghost riders in the sky?
Riders in the Sky (1949)
What movies was Justin bieber in before he was famous?
He was never in any movie before he was famous.
What elton john song figured in the movie almost famous?
Tina Dancer was the song figured that played in Almost Famous. This is a well known movie.
When did they stop playing the national anthem in movie theaters before the movie?
Who is the artist that created the pottery in movie ghost.
The artist that created the pottery used in the movie The Ghost name is Mark Bischoff. Mark created all of the pottery single handedly and chose to let it be displayed during the, very popular movie, The Ghost.
Was the famous pottery love scene of the movie Ghost before or after Sam dies?
It takes place after. It's not really a 'love' scene persay, more an 'erotic' one. Demi Moore's character is using a pottery wheel, and Patrick Swayze as a ghost guides her hands from behind. >> It actually takes part before Sam dies, at the begining of the movie. It's after he dies that he entered the Mediums body and we saw them kiss.
Which movie released in 1990 featured a touching pottery scene?
Ghost, starring Demi Moore, Patrick Swayze and Whoopi Goldberg.
Will slenderman be made into a movie?
That is not a possiblity.
Are there any films that were set in 1980?
Star 8o also the famous movie Ghost busters
What year was the movie ghost made?
The movie Ghost was released in 5 October 1990. Starring Patrick Swayze, Demi Moore, Tony Goldwyn, and Directed by the famous Jerry Zucker. it was also written by Bruce Joel Rubin.
What famous Pixar movie has Hello Dolly playing in the moive?
What makes movie viewers scared.
Come on. When you watch Ghost movie or Adventure movie or Killing movie, you will fear a lot. Especially you watch Ghost video, you can not sleep alone. And will really scary. But please note that almost Ghost movies are not real. Almost ghost director are want to make people to scary, fear and afraid. After they made a very scary ghost movie, they get money from people. So they are happy and they make a ghost movie again and again.Do not worry about Ghost movie.
What was the giant ghost made of in the movie ghost busters?
Who played the subway ghost in the movie ghost?
What will the 3rd ghost rider movie be about?
The 3rd ghost rider movie will be about the person who will act as Nicholas Cage
What is the movie title 'The Ghost Writer' in Polish?
Autor Widmo is a Polish equivalent to the title of the movie 'The Ghost Writer'.